{"id":4696,"date":"2012-04-21T17:23:32","date_gmt":"2012-04-21T21:23:32","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4696"},"modified":"2012-04-22T15:18:48","modified_gmt":"2012-04-22T19:18:48","slug":"dvd-titanic-1943","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4696","title":{"rendered":"DVD: Titanic (1943)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=605\">T to U<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/Titanic1943.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-4709\" title=\"Titanic1943\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/04\/Titanic1943.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Good\/ DVD Transfer: Good\/ DVD Extras: Good<\/p>\n<p>Label: Kino\/ Region: 1 (NTSC) \/\u00a0Released: September 1, 2004<\/p>\n<p>Genre: Docu-Drama \/ Third Reich \/ Propaganda<\/p>\n<p>Synopsis: Had the greedy British capitalists aboard the Titanic just listened to the good German Lieutenant, a horrid disaster wouldn&#8217;t been avoided!<\/p>\n<p>Special Features: 1912 Newsreel (9:50) \/ Promotional Short: \u201cAboard the Olympic\u201d (16:12) \/ Theatrical Trailer (German only) \/ Press Book \/ Stills (51)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p><em>\u201cThis film depicts the sole voyage of the luxury liner Titanic whose fate  was to hold the world in suspense for months.\u201d &#8212; Prologue<\/em><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>As Britain and Nazi Germany were in the midst of WWII, this historical  abomination was produced by the Nazis as an easy-to-digest screed to vilify  Britain (and quietly America) as solely responsible for the deaths of 1600+  people.<\/p>\n<p>The script gets one thing right \u2013 after striking an iceberg, the Titanic sunk  \u2013 but the facts and tone are so absurd, the film quickly becomes a propaganda  cartoon. As written by ardent Nazi scribe Walter Zerlett-Olfenius, and  fact-filtered through Joseph Goebbels\u2019 Ministry of Propaganda machine, the drama  is also comprised of several dramatic strands that are surprisingly typical of  modern disaster films: Mankind\u2019s biggest and best is erected and open for  business; two egos clash for dominance with grievous results; middling marriages  are further stressed; and young romance blossoms and is threatened by the  story\u2019s penultimate catastrophe.<\/p>\n<p>At the core of Goebbels\u2019 anti-Brit sermon is the corrupting evil of  capitalist greed: Sir Bruce Ismay (played by Ernst Fritz Furbringer, bedecked  with aerodynamic hair) is determined to prevent the stock prices of the White  Star line from plummeting, so he orders the Titanic to be ready for a fast trip  across the Atlantic. The reasoning: if she breaks speed records and wins the  coveted Blue Ribbon, the company will be sound, and everyone will get a  financial windfall for sticking with White Star stock. Foiling Ismay\u2019s plan is  evil John Jacob Astor (Karl Schonbock), a kind of<a href=\"http:\/\/www.google.ca\/search?q=Oil+Can+Harrry&amp;um=1&amp;ie=UTF-8&amp;hl=en&amp;tbm=isch&amp;source=og&amp;sa=N&amp;tab=wi&amp;ei=hgSTT6iyKrG26QHjmomPDw&amp;biw=1136&amp;bih=834&amp;sei=kQSTT83HJtS26QGB8cmQBA\"> Oil Can Harrry<\/a> who\u2019s determined to erode the company\u2019s stock prices and  eventually acquire a majority share so he can have White Star all for  himself.<\/p>\n<p>Once on board, the two egotists quietly maneuver behind the scenes to shore  up their positions: Ismay orders Captain Edward Smith  (<strong>Kolberg<\/strong>\u2019s blubbering Otto Wernicke) to maintain top speed,  offering cash bonuses for beating time and breaking records, while Astor  attempts to snap up stock from onboard investors. The wire room is used to get  stock updates and send buy \/ sell requests by various greedy investors, and as  Ismay realizes the stock keeps dipping lower, he courts Balkan Baroness Sigrid  Olinsky (Sybille Schmitz) in the hope of getting a new investor in case his own  net worth goes down utterly the drain.<\/p>\n<p>Ismay\u2019s wife is well accustomed to her husband\u2019s philandering, using  \u2018business\u2019 as an excuse for pleasure, and she steps aside when he chases Sigrid,  wining &amp; dining the striking beauty bedecked with her own mountain of  sloping hair, circa 1942. Astor\u2019s wife is similarly affected by her husband,  whose main mistress is Money (this, in fact, he expresses openly), and to  compensate for the lack of love, she teases (and presumably has an affair) with  a wealthy suitor after some small share of the Astor fortune.<\/p>\n<p>Amid this bad love are newfound luv birds Jan (<strong>S.O.S.  Iceberg<\/strong>\u2019s Sepp Rist) and happy little Heidi (Monika Burg), a lowly  musician and the ship\u2019s new manicurist, respectively, who literally bump into  each other in a hallway, arrange a date, fall head over heels in luv, and  eventually struggle to stay together as the ship sinks to the bottom of the  sea.<\/p>\n<p>Central to all this chaos is bullshit 1st Officer Petersen, a non-existent  German officer assigned at the last minute to the Titanic when Captain Smith\u2019s  main man was unable to fulfill his duties. Peterson (<strong>Ich klage  an<\/strong>\u2019s Hans Nielsen) had previously served with Smith, which perhaps  explains why the Captain tolerates what amounts to outright insubordination and  disrespect, and is never, <em>ever<\/em> reprimanded. Petersen whines, complains,  sermonizes, berates, insults, and slanders his superiors and company president  Ismay with total impunity, and for the film\u2019s first half he\u2019s portrayed as  wrongfully dismissed crusader; in essence, Goebbels\u2019 reasoning is had the greedy  Brits listened to the sober German, the entire tragedy would\u2019ve been  prevented.<\/p>\n<p>It\u2019s fascinating to watch the character\u2019s outrageous behaviour until the  nature of the disaster film mandates he actually <em>does something<\/em>: once  the ship hits the iceberg, besides a few obvious \u2018I told you so\u2019 moments, the  odiously sanctimonious Petersen reigns himself in and helps out in evacuating  the ship, even saving Sigrid with whom he\u2019d had an affair in Cairo, and now  expresses his devotion.<\/p>\n<p>Also dramatized in facile vignettes are the steerage (third class) passengers  who live in a big dorm room, dance to gypsy music, and are filled with the  homespun cheer we tend to presume immigrants genetically possess prior to being  exposed to big American cities. To spice up their drama, we have a gypsy  temptress who teases two best buddies, transforming them into knife-wielding  rivals; and an older couple whose marriage is stressed by the great risk they\u2019re  taking, travelling to New York, and more immediately, being stuck watching a  lurid gypsy dance.<\/p>\n<p>Tied to the Nazis\u2019 feigned socialist roots is an absurd moment where the  entire steerage clan leaves their quarters, enter the grand ballroom, and  unaware of the ship\u2019s lethal collision, demand (!) the Captain explain why the  ship\u2019s engines are still. Never mind steerage passengers were physically barred  from wandering into the first class areas; Goebbels\u2019 drama has them evoking the  will of the people, even though said people are still unaware they\u2019re being  treated as third class cattle, cooped up in the ship\u2019s sweaty underbelly. When  the ship begins to sink, they evacuate with surprising ease, given first class  stairwells and hallways were <em>verboten<\/em> to for the lower classes.<\/p>\n<p>A minor storyline has a Cuban thief, masquerading as a Count, being arrested  with one of the gypsy dancer\u2019s boyfriends, and in a scene oddly reminiscent of  Jack\u2019s near-drowning in the ship\u2019s makeshift \u2018jail\u2019 in James Cameron\u2019s  <strong>Titanic<\/strong> (1997), the best friend manages to find his  incarcerated buddy from his pleas for help, and breaks both him and the Cuban  free from a locked cabin just as the water is flooding the deck.<\/p>\n<p>As an epic, <strong>Titanic<\/strong> is mildly successful in delivering a  fast-paced, almost classical disaster scenario that happens to espouse the  ersatz socialist rants of the Nazis with a particular hate-on for the Brits, but  there\u2019s no effort to make a definitive or memorable docu-drama. The ship used  for the practical shots \u2013 the <a href=\"https:\/\/www.google.ca\/search?sourceid=chrome&amp;ie=UTF-8&amp;q=Cap+Arcona\" target=\"_blank\">Cap  Arcona<\/a> &#8211; looks a little like the Titanic, but so few shots of the ship\u2019s  exterior were taken that any sense of her might were reliant on rather weak  models. Given the film cost almost $200 million in current dollars, it\u2019s frankly  bizarre how little we actually see of the ship \u2013 much less than  <strong>Atlantic<\/strong>, the creaky 1929 sound drama of the Titanic disaster.<\/p>\n<p>The women\u2019s costumes feel more 1942 than 1912, and most amusingly, the  Titanic\u2019s \u201cband\u201d is really a big German orchestra that plays Nazi-favoured  <em>march music<\/em> to soothe passengers anxious to get on the lifeboats. There  are no popular period songs, and Werner Eisbrenner\u2019s score is all bluster and  bombast, lacking any subtlety, and perfectly representative of the hard,  melodramatic, Germanic musical endemic to Third Reich dramas.<\/p>\n<p>Prior to <strong>Titanic<\/strong>, director Herbert Selpin had made several  high-profile films &#8211; <strong>Carl Peters<\/strong> (1941) being perhaps his  best-known &#8211; and the former editor seemed a natural to handle a historical epic,  but apparently his criticisms of women-hungry German marines and Goebbels\u2019  meddling in the script was sufficiently aggravating to mandate arrest by the  Gestapo during filming, and he was reportedly found hanging in his cell a day  later \u2013 a death later ruled in a postwar court as murder.<\/p>\n<p>The film was completed by Wener Klinger, and reportedly premiered in Paris  (other sources cite Prague); after all the effort and human sacrifice, Goebbels  banned the film due to the uneasy similarity between scenes showing panicked  passengers onscreen, and everyday Germans being stressed from massive Allied  bombings. After the war, <strong>Titanic<\/strong> was banned as Nazi propaganda,  and although it did eventually emerge on TV and video, the film wasn\u2019t seen  uncut with its restored propaganda screeds until Kino\u2019s DVD release.<\/p>\n<p>Sleeved in the film\u2019s striking poster art, Kino\u2019s DVD sports an uncut print,  but the single layer transfer is a lackluster PAL-NTSC conversion with soft  focus and visible ghosting from heavy digital noise reduction, and there\u2019s  visible signal noise whenever the screen goes to full black (such as in between  any credit scenes and fadeouts).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\"><strong>DVD Extras<\/strong><\/p>\n<p>Extras include a vintage stills gallery and English translation of the  publicity book hype, plus the original German teaser trailer (presented without  English subtitles) which alerted patrons to watch for the film\u2019s never-to-happen  engagement at German cinemas.<\/p>\n<p>Also of note is a hasty \u2018rescue\u2019 newsreel cobbled together from footage of  the Titanic\u2019s sister ship the <a href=\"http:\/\/en.wikipedia.org\/wiki\/RMS_Olympic\">Olympic<\/a>, featuring badly  looped &amp; duplicated shots of Captain Smith on her deck, the lifeboats, and  film of rescue ship the Carpathia, with plenty of smiling and camera-hamming  sailors milling in front of the static camera.<\/p>\n<p>More interesting is a vintage White Star promo film with shots of the  Olympic\u2019s interior luxuries, and a cast of actors playing regal passengers  enjoying the comforts of the exercise, dining, smoking and writing rooms, and  cabins. Both silent shorts feature new piano scores by <a href=\"http:\/\/www.silent-film-music.com\/sosin.htm\" target=\"_blank\">Donald Sosin<\/a>.<\/p>\n<p>In 2012, a documentary titled <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/3966_NaziTitanic.htm\">Nazi  Titanic<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=4704\">M<\/a>]  investigated the making of the film and the tragic history of the Cap Arcona,  and a 2012 National Post article by Brian Hawkins, \u201c<a href=\"http:\/\/fullcomment.nationalpost.com\/2012\/04\/14\/brian-hawkins-the-titanics-last-victim\/\" target=\"_blank\">Titanic\u2019s  Last Victim<\/a>,\u201d provides some insight into the tragic demise of director  Selpin, and the film\u2019s troubled history.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p style=\"text-align: center;\"><strong>Postscript<\/strong><\/p>\n<p><em>\u201cThe deaths of 1,500 people remain unatoned for\u2026 an eternal condemnation  of England\u2019s quest for profit.\u201d &#8212; Epilogue<\/em><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>If <strong>Titanic<\/strong> was intended to stir up bitter resentment (if not  some potent dislike) towards the Brits, the expensive project failed when  Goebbels restricted the film\u2019s first run to occupied territories instead of  Germany.<\/p>\n<p>His next brainstorm for an affecting epic was <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3130_Kolberg.htm\">Kolberg<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2638\">M<\/a>] (1945), meant to symbolize the  power a people can muster when the odds at protecting a town are at their  lowest. Unfortunately for Herr Doktor, <strong>Kolberg<\/strong> (which cost a  reported $500 million in current dollars) never really premiered due to the  Nazis being too busy with their losing war (and there being few functional  cinemas), so Goebbels\u2019 final effort to maintain a personal dialogue with  audiences was <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/3165_DasLebenGehtWeiter.htm\">Das leben  geht weiter \/ Life Goes On<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=4682\">M<\/a>] (1945), a \u2018realist\u2019 drama in which  Germans are shown struggling after <em>a loss<\/em>. The film was never  completed, but like the prior films, the surviving facts reveals the epic  lengths Goebbels went to shape the populace, but one suspects there probably  would\u2019ve been enough German Titanic fans and film connoisseurs who would\u2019ve  smelled the untruths and propagandistic nonsense within his slick epic.<\/p>\n<p>Truer aspects of the saga and fictional variations of the Titanic have  appeared many times in film and TV movies, including the German <strong>In Nacht  und Eis<\/strong> (1912), the Danish <strong>Atlantis<\/strong> (1913), the  multi-lingual sound release <strong>Atlantic<\/strong> (1929), the Nazi  <strong>Titanic<\/strong> (1943), the American soap opera \/ disaster <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/2610_Titanic1953.htm\">Titanic <\/a><\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=4659\">M<\/a>] (1953), the  British <strong>A Night to Remember<\/strong> (1958), the ABC TV movie  <strong>S.O.S. Titanic<\/strong> (1979), Clive Cussler\u2019s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/2703_RaiseTitanicR2.htm\">Raise the  Titanic<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=4692\">M<\/a>] (1980),  the CBS TV mini-series <strong>Titanic<\/strong> (1996), James Cameron\u2019s  <strong>Titanic<\/strong> (1997), the TV movie <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/3965_SavingTheTitanic.htm\">Saving the  Titanic<\/a> <\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=4631\">M<\/a>] (2011),  the TV mini-series <strong>Titanic<\/strong> (2012), and (so far) the 12-part  series (!) <strong>Titanic: Blood and Steel <\/strong>(2012).<\/p>\n<p>Among the numerous documentaries about the wreck of the Titanic, the most  notable include National Geographic\u2019s <strong>Secrets of the Titanic<\/strong> (1986), the original 107 minute IMAX film <strong>Titanica<\/strong> (1995), and  James Cameron\u2019s 3D IMAX epic<strong> Ghosts of the Abyss<\/strong> (2003).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0036443\/\">IMDB <\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/8156\/Werner+Eisbrenner\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Amazon Links &amp; KQEK.com&#8217;s Media Store:<\/em><\/p>\n<p><a href=\"http:\/\/astore.amazon.ca\/kqco-20?_encoding=UTF8&amp;node=3\">Amazon.ca<\/a> &#8212;&#8211; <a href=\"http:\/\/astore.amazon.com\/kqco06-20?_encoding=UTF8&amp;node=4\">Amazon.com<\/a> &#8212;&#8211; <a href=\"http:\/\/astore.amazon.co.uk\/kqco-21?_encoding=UTF8&amp;node=2\">Amazon.co.uk<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=605\">T to U<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ T to U . Film: Good\/ DVD Transfer: Good\/ DVD Extras: Good Label: Kino\/ Region: 1 (NTSC) \/\u00a0Released: September 1, 2004 Genre: Docu-Drama \/ Third Reich \/ Propaganda Synopsis: Had the greedy British capitalists aboard the Titanic just listened to the good German Lieutenant, a horrid disaster [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1235,1234,1205,1238,1239],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1dK","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4696"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4696"}],"version-history":[{"count":7,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4696\/revisions"}],"predecessor-version":[{"id":4718,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4696\/revisions\/4718"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}