{"id":4798,"date":"2012-05-02T13:11:15","date_gmt":"2012-05-02T17:11:15","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=3092"},"modified":"2012-05-02T13:11:15","modified_gmt":"2012-05-02T17:11:15","slug":"imran-ahmad-composing-music-for-the-dead-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4798","title":{"rendered":"Imran Ahmad: Composing Music for The Dead (2010)"},"content":{"rendered":"<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/05\/ImranAhmad_pix.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-3093\" title=\"ImranAhmad_pix\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/05\/ImranAhmad_pix.gif\" alt=\"\" width=\"72\" height=\"111\" \/><\/a>This one&#8217;s a quickie as I&#8217;m between screenings: uploaded is an interview with British-based <a href=\"http:\/\/www.kqek.com\/exclusives\/Exclusives_Ahmad_1.htm\">Imran Ahmad<\/a> [<a href=\"http:\/\/kqek.com\/mobile\/?p=4777\">M<\/a>], the composer who provided the rich score for the Ford Bros.&#8217; African-set zombie film <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/3956_Dead2010.htm\">The Dead<\/a> <\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=4542\">M<\/a>] (2010).<\/p>\n<p>Coming shortly: capsule review of <strong>Despite the Gods<\/strong> (2012) playing at HotDocs, plus more!<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composer Imran Ahmad adds a rich new sound to the zombie genre with his score for the Ford Brothers&#8217;\u00a0The Dead\u00a0(2010), and in our Q&#038;A he describes selecting the key instruments of his breakthrough score.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[1270,1271,4212],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1fo","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4798"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4798"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4798\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4798"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4798"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4798"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}