{"id":4871,"date":"2012-05-10T14:15:08","date_gmt":"2012-05-10T18:15:08","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4871"},"modified":"2012-05-10T14:15:08","modified_gmt":"2012-05-10T18:15:08","slug":"dvd-film-music-masters-jerry-goldsmith-special-edition-1995","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4871","title":{"rendered":"DVD: Film Music Masters -Jerry Goldsmith Special Edition (1995)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=617\">F<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/05\/FMMasters_JerryGoldsmitg_doc.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-4872\" title=\"FMMasters_JerryGoldsmitg_doc\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/05\/FMMasters_JerryGoldsmitg_doc.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Very Good \/ DVD Transfer: Very Good\/ DVD Extras: Excellent<\/p>\n<p>Label: Music From The Movies\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: June 2005<\/p>\n<p>Genre: Documentary \/ Film Composers<\/p>\n<p>Synopsis: Newly remastered documentary on the Oscar-winning film composer.<\/p>\n<p>Special Features: Extended &#8220;River Wild&#8221; Scoring Session Footage (61:00), 5 Chapters (no index), Extended Interview with Recording Mixer Bruce Botnick (24:30), Extended Interview with Orchestrator Alexander Courage (14:50), Extended Interview with Orchestra Contractor Sandy De Crescent (9:03), Extended Interview with Music Editor Ken Hall (32:45), Extended Interview with Music Copyist Jo Ann Kane 7:41), Extended Interview with Orchestrator Arthur Morton (11:02)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>In 1995, Oscar-winning composer Fred Karlin formed a production company  called Karlin\/Tilford Productions with executive producer Ron H. Tilford, and  released their premiere documentary on renowned composer Jerry Goldsmith. A  deeply private man and a composer who, at least publicly, rarely enjoyed  discussing his older work, Jerry Goldsmith gave the production team the A-okay  to create a program on the composer&#8217;s lengthy and hugely prolific career.<\/p>\n<p>Awarded an Oscar in 1976 for his terrifying music for <strong>The  Omen<\/strong>, Goldsmith managed to receive countless Oscar, Emmy, and Grammy  nominations for a body of work that included more than 150 credits in film and  television, and the 70 minute documentary &#8211; co-edited, directed, and produced by  Fred Karlin &#8211; was sold as a limited VHS release. Housed in an elegant box, the  doc was accompanied by two photographs (Goldsmith, crew-cut in the1960s, and  ponytailed in the 1990s), a recording session sheet reproduction from  <strong>The River Wild<\/strong>, and a companion book that included additional  interview material and photos not featured in the doc.<\/p>\n<p>In the intervening years, Goldsmith passed away in 2004 from cancer, as did  Fred Karlin, and the doc remained a rare collectible and sought-after resource  until filmmusic magazine <strong>Music from the Movies<\/strong> (for which, I  must disclose, I&#8217;m a regular contributor) remastered the doc, and added  previously unreleased segments from the lengthy interviews.<\/p>\n<p>Filmed while Goldsmith was recording music for Curtis Hanson&#8217;s 1994 film,  <strong>The River Wild<\/strong>, the doc includes lengthy moments from the  recording session, but it&#8217;s primarily noteworthy for covering the composer&#8217;s  early years &#8211; enhanced with comments from mentors, colleagues, and peers &#8211; and  interviews with directors Hanson, Richard Donner, Paul Verhoeven, Joe Dante, and  Franklin J. Schaffner (from archival sources) &#8211; and many film clips which  collectively present what may be the most detailed documentary on any film  composer.<\/p>\n<p>Most composers are given extremely short shrift on major DVD releases, as  special effects and actor relationships are given more featurette time, and  while it&#8217;s a common aggravation with filmmusic fans, one can similarly see the  writer getting less attention among DVD extras; the writer might get to speak on  the commentary track, but like the composer, both are involved in very solitary  jobs until the blueprints of their labor are respectively interpreted by the  director and orchestra. What both craftsmen do just isn&#8217;t sexy until the cameras  roll, and the music&#8217;s recorded and set to the film.<\/p>\n<p>The Goldsmith doc is unfortunately a limited release, but DVD&#8217;s run is a far  broader 1500 copies than the original VHS edition. Crisply remastered with clean  sound, Karlin\/Tilford&#8217;s composer series never went further than Goldsmith, but  in aiming for the top man in their profession, they&#8217;ve preserved more than just  flattering comments &#8211; a nagging problem that plagues those rare composer nods in  DVD featurettes.<\/p>\n<p>While the book and aforementioned extras remain unique to the VHS boxed set,  the DVD is packed with almost 2 hours of bonus material. Chief among them is  more footage from the recording session &#8211; montages that basically follow  orchestra prepping and the rehearsal of several takes &#8211; and 6 extended  interviews. The latter are pretty much raw footage (which, like the scoring  session material, have burnt-in time code), and offers a more candid glimpse at  the Q&amp;As between subjects, and off-screen director Fred Karlin. The extra  material also cover Goldsmith&#8217;s TV work (such as the original <strong><a href=\"http:\/\/www.kqek.com\/isolated_scores\/Isolated_Scores_T2U.htm#TZ\">Twilight  Zone<\/a><\/strong> series), additional feature films, and the technical areas of  the film composing craft, as described by Goldsmith&#8217;s key orchestrators, music  editor, music copyist, orchestra contractor, and recording mixer.<\/p>\n<p>The specific focus of the doc may not be for the average film buff, but the  production&#8217;s debut on DVD at least demonstrates that a doc on the craft and  personality of a composer can be as engaging, entertaining, and educational as  recent docs that have singularly showcased the crafts of stunt performers,  cinematographers, technological innovations in movies, and, of course,  filmmakers.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2005 &amp; 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0341354\/\">IMDB <\/a>&#8212;\u00a0<a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/composerdetail.php?composerid=27\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=617\">F<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ F . Film: Very Good \/ DVD Transfer: Very Good\/ DVD Extras: Excellent Label: Music From The Movies\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: June 2005 Genre: Documentary \/ Film Composers Synopsis: Newly remastered documentary on the Oscar-winning film composer. Special Features: Extended &#8220;River Wild&#8221; Scoring Session Footage (61:00), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1305,545],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1gz","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4871"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4871"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4871\/revisions"}],"predecessor-version":[{"id":12131,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4871\/revisions\/12131"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}