{"id":4965,"date":"2012-05-25T13:23:20","date_gmt":"2012-05-25T17:23:20","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=4965"},"modified":"2014-08-17T01:42:22","modified_gmt":"2014-08-17T05:42:22","slug":"dvd-to-whom-it-may-concern-ka-shen%e2%80%99s-journey-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=4965","title":{"rendered":"DVD: To Whom It May Concern – Ka Shen\u2019s Journey (2010)"},"content":{"rendered":"

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Film: Very Good\/ DVD Transfer: Very Good\/ DVD Extras: Standard<\/p>\n

Label: Redwind Productions\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: May, 2012<\/p>\n

Genre: Documentary \/ Biography \/ Film History<\/p>\n

Synopsis: Emotionally intimate documentary on the life of Asian actress Nancy Kwan (Ka Shen), and her difficult career and life challenges.<\/p>\n

Special Features: Theatrical Trailer<\/p>\n

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Review:<\/p>\n

Twilight Time’s original 2011 DVD release of <\/strong>Fate is the Hunter<\/strong><\/a>] (1964) re-ignited \u00a0the spotlight on actress Nancy Kwan, the Hong Kong-born, Eurasian actress who enjoyed a meteoric career with her debut\u00a0in The World of Suzie Wong<\/strong> (1960) and Flower Drum Song<\/strong> (1961), but was already cast aside by Hollywood by the late sixties, appearing in B-movies like The Corrupt Ones<\/a>\u00a0<\/strong>(1966),\u00a0banal comedies, or as the exotic attraction in spoofy productions like The Wrecking Crew <\/strong>(1969).<\/p>\n

Unlike the tragic career of African American actress Dorothy Dandridge, Kwan continued to appear in films and TV productions, but her decision to move back to Hong Kong to look after her ailing father and raise her son in a fully Chinese culture was to Hollywood’s establishment a voluntary departure of her studio-level career; in their\u00a0narrow view, if she wasn’t willing to accept whatever the studios felt were proper showcases for her skills & assets, there would be no further work.<\/p>\n

Her personal life – a divorce from Pock,\u00a0the loss of her father, her estranged relationship with her vagabond birth mother – is far richer than her sparse film work, and the doc is structured around Kwan’s appearance in Hong Kong to promote the recent stage revival of Suzie Wong<\/strong>. Watching the show with fellow audience members and husband Norbert Meisel, Kwan reflects on her life and the parallels between\u00a0the character of Wong and herself. Director Brian Jamieson weaves together specific scenes from the musical with vintage film clips, stills,\u00a0print art, and\u00a0narration by Kwan and Nick Redman, and these form early narrative strands which lead towards Kwan’s greatest personal tragedy – the loss of her only child, Bernie Pock.<\/p>\n

It’s a deeply delicate matter which, as Jamieson has described in detail in a lengthy interview, was important to chronicling Kwan’s personal journey, but it was also\u00a0risky to include, since Kwan had never spoken about her son’s passing from AIDS in detail, and the doc is ultimately structured to close with Kwan discussing a son whom she also regarded as a best\u00a0friend and a spiritual mentor. A prolific stuntman, martial arts expert, and independent filmmaker (Kwan and her husband produced their son\u2019s directorial debut Rebellious<\/strong> a year before his death, in 1996),\u00a0Bernie Pock lived life to the absolute fullest, making the impact of his absence within Kwan and Meisel’s lives so profound.<\/p>\n

Fans of Kwan may have to temper their\u00a0expectations, because those wanting\u00a0a traditional documentary with film clips and interviews with her co-stars are in for a more humanistic portrait of the actress’s life as a skilled talent, and a woman\u00a0who broke the racial glass ceiling and helped open the door for Asian actresses to gain greater roles in Hollywood films before the door swung back for a while a decade later. Kwan was also perhaps a victim of the studio system: although shepherded through roles by agent (and later film producer) Ray Stark, she wasn’t able to exploit her name value in small independent character films during the seventies;\u00a0her few indie flicks include Hong Kong action films, and a co-starring role in\u00a0Project: Kill <\/strong>(1976) by hack extraordinaire William Girdler (The Manitou<\/a><\/strong>).<\/p>\n

With literally few exceptions, the bulk of Kwan’s Hollywood output is unavailable on home video are rarely screened anywhere, and her Hong Kong films are equally tough to track down, so it may be difficult for newcomers to comprehend why she remains an important figure in film history.<\/p>\n

Perhaps the best example – musicals excepted – lies in Fate is the Hunter<\/strong>. Because her modest role isn’t culturally specific, Kwan revealed the multiple layers of sensitivity she could convey in a \u2018straight\u2019 dramatic film. Hollywood’s stereotyping sensibilities, and unpredictable life challenges are the chief stressors that ultimately circumvented what should’ve been a lengthy, solid career. Her impact and place in film history is ably supported by myriad interviews with friends, family, and colleagues.<\/p>\n

More interesting among her colleagues is France Nuyen, who portrayed Suzie Wong on Broadway, and for which Kwan was her understudy during a tour in Toronto. Also pegged as an exotic beauty, Nuyen went through a similar ethnic flavour of the month period, playing the titular role in A Girl Named Tamiko<\/strong> (1962) before quickly being plugged into regional dramas like Diamond Head<\/strong> (1963) before a career switch to TV, and B-movie fodder like Dimension 5<\/strong> (1966) \u2013 a pretty fast slide within 4 years.<\/p>\n

Available from Redwind Productions on DVD and Blu-ray (see website link below) and as a bonus feature on Twilight Time’s 2014 Blu-ray edition of Fate is the Hunter<\/strong>, the DVD features a clean transfer of the film with plenty of rare stills and film clips, plus some audition reels of Kwan prior to being cast in Suzie Wong<\/strong>.<\/p>\n

A very detailed interview with Brian Jamieson regarding the genesis and making of To Whom It May Concern: Ka Shen\u2019s Journey<\/strong> (2010) is available at Examiner.com<\/a>.<\/p>\n

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\u00a9 2012; revised 2014 by Mark R. Hasan<\/p>\n

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External References<\/em>:<\/p>\n

Editor’s Blog<\/a> —\u00a0IMDB <\/a>— Official Website<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Film: Very Good\/ DVD Transfer: Very Good\/ DVD Extras: Standard Label: Redwind Productions\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: May, 2012 Genre: Documentary \/ Biography \/ Film History Synopsis: Emotionally intimate documentary on the life of Asian actress Nancy Kwan (Ka Shen), and her difficult career and life challenges. Special Features: Theatrical Trailer \u00a0 \u00a0 Review: Twilight […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1333,1332],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1i5","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4965"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4965"}],"version-history":[{"count":9,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4965\/revisions"}],"predecessor-version":[{"id":9463,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/4965\/revisions\/9463"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}