{"id":5067,"date":"2012-06-19T11:33:14","date_gmt":"2012-06-19T15:33:14","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5067"},"modified":"2012-06-19T11:33:14","modified_gmt":"2012-06-19T15:33:14","slug":"br-pound-of-flesh-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5067","title":{"rendered":"BR: Pound of Flesh (2010)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/06\/PoundOfFlesh2011_BR_b.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5068\" title=\"PoundOfFlesh2011_BR_b\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/06\/PoundOfFlesh2011_BR_b.gif\" alt=\"\" width=\"120\" height=\"154\" \/><\/a>Film: Weak\/ DVD Transfer: Excellent\/ DVD Extras: Good<\/p>\n<p>Label: Odyssey Moving Images\/ Region: All \/\u00a0Released: November 15, 2011<\/p>\n<p>Genre: Suspense<\/p>\n<p>Synopsis: The sudden death of a student endangers a university professor&#8217;s standing and his ongoing escort service for colleagues.<\/p>\n<p>Special Features: Making-of featurette (10:51) \/ Deleted Scene Gallery with director intro (7:37) \/ Interview with Malcolm McDowell (8:58) \/ 2 trailers.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Loosely based on a case where a \u2018well-intentioned\u2019 professor was sentenced to  10 years in jail for running an escort service at a U.S. university,  <strong>Pound of Flesh <\/strong>has the elements for a strong black comedy with  sidelines of dead seriousness, but writer \/ director Tamar Simon Hoffs sticks to  a terribly clich\u00e9d structure, and with rare exceptions, her hastily written  script lies somewhere between banal direct-to-video and TV movie fodder,  augmented only slightly with risqu\u00e9 full frontal nudity.<\/p>\n<p>Story one begins with burnt-out gang detective Kelly (Angus Macfadyen)  arriving in town for a last-chance gig with the local police department, and his  wobbly professional \/ personal relationship with Sgt. Ferraro (Elizabeth  Rodriguez) as they attempt to link a recent shotgun murder to a secret escort  ring at the town\u2019s university.<\/p>\n<p>Story two involves happy-go-lucky English professor Melville (Malcolm  McDowell) going through his normal motions of teaching his yearly class of  model-perfect students, and helping those with unique financial requirements by  hooking them up with colleagues and town officials. Melville, married to a  former student and father to a young child, takes no cash \u2013 just token gifts  from his special girls, and basks in their genuine affection.<\/p>\n<p>When the two storylines eventually collide, the film picks up a little bit,  and McDowell has two solid scenes where Melville realizes his idyllic life and  special relationships with students, clients, and the law is coming to a  crashing end, but with the exception of the twist finale, Hoffs never lets those  scenes blossom because her dialogue is so perfunctory.<\/p>\n<p>Scenes are edited and structured clumsily, and the gradual revelation of  Melville\u2019s side-business is weirdly staggered. It\u2019s actually pretty easy to tell  Hoffs\u2019 script was poorly developed because several scenes in the finished film  just don\u2019t resonate and deliver the information in an effective manner.<\/p>\n<p>The police investigation is dull, and lacks tension and dramatic lighting;  and the relationship between Kelly and Rodriguez is confusing because in an  early edit, the two characters had an affair (evidenced by a short clip in a  trailer, and a second scene in the deleted footage gallery).<\/p>\n<p>Hoffs also chopped up a lengthy poolside scene with the liberal-minded girls,  spreading it around to create a semblance of balance, but rather than giving us  earnest insight of how they feel about their roles as part-time prostitutes, it  further demeans their characters, since their moronic chatter hovers around  penis size instead of moral issues.<\/p>\n<p>Melville is written as a kind of libertine, letting him do what feels good  because it\u2019s natural, but there are moments when his philosophy causes harm, and  characters who should be affected\u2026 aren\u2019t. After what should\u2019ve been an easy gig  with a professor, Dyonesia (Taryn Southern) returns to her mentor \/ pimp,  emotionally &amp; physically scarred, but she\u2019s easily brought back to a  libertine &amp; Reichian stance, and even when Melville meets justice and misses  their graduation, the girls are fully grateful for acquiring Melville\u2019s  otherwise vaguely disseminated philosophy, and feel wholly empowered.<\/p>\n<p>The finale and twist revelation sort of works, but even the link between the  dead girl and a major character is pretty chancy. The actors do sell Hoffs\u2019  scene, however, but the twist echoes the finale of a <strong>Miami Vice<\/strong> episode (\u201cOne Way Ticket\u201d) in which a character is similarly tracked down by a  dogged detective to a tropical hideaway.<\/p>\n<p>Odyssey\u2019s Blu-ray features a crisp HD transfer, and the extras include a  making-of featurette which showcases some of the favourite themes and locales  Hoffs revisits in <strong>Pound of Flesh<\/strong>, and McDowell also appears in  a separate Q&amp;A from which a few replies are integrated into the making-of  short.<\/p>\n<p>There\u2019s also a deleted scenes gallery with several extensions, improvised  quips, the pre-After Effects-treated poolside scene, and a preposterous sex  scene between the two detectives at work. Two trailers round out the extras,  including the alternately titled Progressive Education with deleted  Kelly-Rodriguez romance footage.<\/p>\n<p>McDowell had previously acted in Hoffs\u2019 <strong>Red Roses and Petrol<\/strong> (2003), and the director is perhaps best-known for writing \/ directing a series  of films with daughter and Bangles member Susannah Hoffs: <strong>Stoney  Island<\/strong> (1978), <strong>The Haircut<\/strong> (1982), <strong>The  Allnighter <\/strong>(1987), and <strong>Rock &amp; Read <\/strong>(1989).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1196338\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.poundoffleshmovie.com\/\">Official Website<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=631\">P to R<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ P to R . Film: Weak\/ DVD Transfer: Excellent\/ DVD Extras: Good Label: Odyssey Moving Images\/ Region: All \/\u00a0Released: November 15, 2011 Genre: Suspense Synopsis: The sudden death of a student endangers a university professor&#8217;s standing and his ongoing escort service for colleagues. Special Features: Making-of featurette [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1367,1368],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1jJ","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5067"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5067"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5067\/revisions"}],"predecessor-version":[{"id":5088,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5067\/revisions\/5088"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5067"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5067"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5067"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}