{"id":5090,"date":"2012-06-22T13:46:36","date_gmt":"2012-06-22T17:46:36","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=3282"},"modified":"2012-06-22T13:46:36","modified_gmt":"2012-06-22T17:46:36","slug":"soundtrack-tally-misc-news-bits","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5090","title":{"rendered":"Soundtrack Tally + Misc. News Bits"},"content":{"rendered":"

\"\"<\/a>Before I rattle off the latest tally of new & upcoming soundtrack releases, a few random thoughts on media-related news.<\/p>\n

Andrew Sarris<\/a>, veteran film critic and chief (North American) proponent of the auteur theory<\/a>, died Wednesday at the age of 83. I never got around to reading his classic book The American Cinema: Directors and Directions 1929-1968<\/strong>, but it’s still on my hit list (when time permits). The auteur theory is still pretty divisive in the way it places the director as the primary creator of a film, marginzalizing contributions of the producer, writer, the actor-producer, the writer-producer, or studio head.<\/p>\n

There’s no denying icons like Alfred Hitchcock deserve the label – Hitchcock’s story team searched out for specific types of tales that could be shaped into a formula from which the director could indulge in his fixations for blondes, montages, death scenes, and mordant humour – but there are other directors whose works are important, yet their involvement with the film wasn’t as pronounced. I like John Frankenheimer’s comment on The Manchurian Candidate <\/strong>DVD where he explains a blurry shot in the opening sequence wasn’t an artistic statement, but the best take of Sinatra’s performance.<\/p>\n

There is value to the auteur theory as well as steaming bullshit, and if the movement is guitly of a major negative, it’s validating insane analytical B.S. for things that simply aren’t true; were never intentional; were not pre-designed; and are not influenced by a director’s socio-economic-religious worldviews. Decisions in filmmaking sometimes occur due to immediate, costly stressors that mandate a quick, smart reaction to ensure filming continues without creating a continuity boo-boo that’ll cost more to fix during post.<\/p>\n

Sarris was recently featured in Gerald Peary’s 2009 doc For the Love of Movies: The Story of American Film Criticism<\/a><\/strong> [M<\/a>], and you can also find archival interviews with Sarris at TVOnatio’s archive<\/a>, culled from several programs (most hosted by Elwy Yost).<\/p>\n

Next: The Exorcist<\/a><\/strong> [M<\/a>] has been turned into a stage play<\/a>, and it may just work, since the focus isn’t to recapture the film’s wet bile but extrapolate on the moral and faith conflcits within William Blatty’s novel. Still, with Brooke Shields and Richard Chamberlain playing mother Chris MacNeil and Father Merrin, respectively, plus ‘magic’ trickery by Teller of Penn & Teller, who knows what’ll emerge when the play begins previews July 3 at the Geffen Playhouse.<\/p>\n

Next-next: Cineplex is reportedly buying<\/a> a quartet of AMC cinemas in Ontario. Is the U.S. company scaling back its Canuckle involvement, or have the theatres been underperforming, with the added cost of digital conversion making the quartet dead weight?<\/p>\n

Related: the Independent<\/a> ran a lengthy piece on Dave Norris, a London West End projection manager retiring as 35mm projectionists are transitioning to a life of obsolescence. Not exactly a perky tale.<\/p>\n

Lastly: Toronto’s World’s Biggest Bookstore is closing<\/a> in early 2013 as the building’s owner will not be renewing the lease held by current tenant Indigo Books & Music. The building used to be a bowling alley before owner Jack Cole, founder of Cole’s Books, bought the place and had it converted into one massive retail shop. The following Torontoist piece<\/a> offers a detailed history of the store’s opening.<\/p>\n

So without further ado, here\u2019s the Soundtrack Release Tally:<\/p>\n

.<\/span><\/p>\n

. <\/span><\/p>\n

.<\/span><\/p>\n

. <\/span><\/p>\n

REGULAR RELEASES: <\/strong><\/p>\n

Beat Records<\/a> (Italy)<\/p>\n

7 dollari sul rosso (Francesco De Masi)<\/p>\n

Contro 4 bandiere (Riz Ortolani)<\/p>\n

Eros perversion (Nico Fidenco)<\/p>\n

Il ranch degli spietati (Francesco De Masi)<\/p>\n

La montagna di luce (Francesco De Masi)<\/p>\n

Piu\u2019forte ragazzi! (Guido and Maurizio De Angelis)<\/p>\n

Si puo\u2019fare molto con 7 donne (Franco De Gemini)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

BSX Records<\/a><\/span> (USA)<\/p>\n

Jerry Goldsmith Collection \u2013 Vol. 1: Rarities<\/p>\n

Legend (Tangerine Dream)<\/p>\n

Sword and the Sorceror (David Whitaker)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Carl Davis Collection<\/a><\/span> (UK)<\/p>\n

Charlie Chaplin: City Lights (Carl Davis)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Chandos Records<\/a> (UK)<\/p>\n

Final Cut: Film Music for Four Guitars (various)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Chris\u2019 Soundtrack Corner<\/a> (Germany)<\/p>\n

Sonderdezernat K1 \/ Squadra speciale K1 (Martin Bottcher)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

DigitMovies<\/a><\/span> (Italy)<\/a><\/span><\/p>\n

Bastardo\u2026 Vamos a matar! \/ Bastard, Go and Kill (Carlo Rustichelli)<\/p>\n

Marte dio della guerra \/ Son of Hercules vs. Venus (Gino Marinuzzi, Jr.)<\/p>\n

Mezzanotte va la ronda del piacere \/ The Immortal Bachelor (Guido and Maurizio De Angelis)<\/p>\n

Venere imperiale \/ Imperial Venus (Angelo Francesco Lavagnino) \u2013 2CDs<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Disney<\/a><\/span> (USA)<\/a><\/span><\/p>\n

Brave (Patrick Doyle)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Disques Cinemusique<\/a> (Canada)<\/p>\n

Man of a Thousand Faces \/ Written on the Wind (Frank Skinner)<\/p>\n

Run of the Arrow \/ Brave One (Victor Young)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Film Score Monthly (FSM)<\/a><\/span> (USA)<\/p>\n

Friends of Eddie Coyle \/ Three Days of the Condor (Davie Grusin)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

GDM<\/a><\/span> (Italy)<\/p>\n

La resa dei conto \/ The Big Gundown (Ennio Morricone)<\/p>\n

Odissea nuda \/ Nude Odyssey (Angelo Fransceco Lavagnino)<\/p>\n

Uccidi o muori \/ Kill or be Killed (Carlo Rustichelli)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Intrada<\/a><\/span> (USA)<\/p>\n

2 Days in the Valley (Jerry Goldsmith) \u2013 ltd.<\/p>\n

Charade (Henry Mancini)<\/p>\n

Dragonworld (Richard Band) \u2013 ltd.<\/p>\n

Hatari! (Henry Mancini) \u2013 ltd.<\/p>\n

Postman Always Rings Twice (Michael Small) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Kritzerland Records<\/a><\/span> (USA)<\/p>\n

All in a Night\u2019s Work (Andre Previn) \u2013 ltd.<\/p>\n

I Married a Monster from Outer Space (various) \/ Atomic City (Leith Stevens) \u2013 ltd.<\/p>\n

Lady in a Cage (Paul Glass) \u2013 ltd.<\/p>\n

When a Stranger Calls (Dana Kaproff) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Kronos Records<\/a><\/span> (Malta)<\/p>\n

Infliction, The (Marco Werbe) \u2013 ltd.<\/p>\n

Mad Dog \/ Cane arrabbiato (Francesco De Masi) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Lakeshore Records<\/a><\/span> (USA)<\/p>\n

Hysteria (Gast Waltzig and Christian Henson)<\/p>\n

Piranha 3DD (Elia Cmiral)<\/p>\n

People Like Us (A.R. Rahman)<\/p>\n

Seeking a Friend (various)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

La-La Land Records<\/a><\/a><\/span> (USA)<\/p>\n

Broke Sky (Michael McCuistion, Lolita Ritmanis, Kristopher Carter) \u2013 ltd.<\/p>\n

Jane Eyre (John Williams) \u2013 ltd.<\/p>\n

Mommie Dearest (Henry Mancini) \u2013 ltd.<\/p>\n

Rio Lobo (Jerry Goldsmith) \u2013 ltd.<\/p>\n

Robe, The (Alfred Newman) \u2013 2 CDs; ltd.<\/p>\n

Rosemary\u2019s Baby (Christopher Komeda) \u2013 ltd.<\/p>\n

Sorcery (Mark Mancina) \u2013 ltd.<\/p>\n

Stagecoach (Jerry Goldsmith) \u2013 ltd.<\/p>\n

Starhawk (Christopher Lennertz) \u2013 ltd.<\/p>\n

Star Trek: The Motion Picture (Jerry Goldsmith) \u2013 3CDs, ltd.<\/p>\n

Warning Shot (Jerry Goldsmith \/ Sy Zentner) \u2013 ltd.<\/p>\n

Wings (John Stephan Zamecnik)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Monstrous Movie Music<\/a><\/span> (USA)<\/p>\n

Kronos \/ The Cosmic Man (Paul Sawtell, Bert Shefter)<\/p>\n

McCullochs, The<\/a> [M<\/a>] (Ernest Gold)<\/p>\n

Rocketship X-M (Ferde Grofe)<\/p>\n

Ship of Fools (Ernest Gold) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

MovieScore Media \/ Screamworks Records<\/a><\/span> (Sweden)<\/p>\n

Femme Fatales (Joe Kraemer)<\/p>\n

Pacts, The (Ronon Lande)<\/p>\n

Royal Affair (Gabriel Yared)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Music Box Records<\/a><\/span> (France)<\/p>\n

Duex heurs moins le quart avant Jesus-Christ \/ Quarter to Two Before Jesus Christ (Raymond Alessandrini)<\/p>\n

Juge, Le + Transfuge, Le (Luis Bacalov) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Newton Classics<\/a> (Holland)<\/p>\n

Famous Film Scores (various) \u2013 3CD<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Perseverance Records<\/a><\/span> (USA)<\/p>\n

Charmed (J. Peter Robinson) \u2013 2 CDs<\/p>\n

Music from the Edge \u2013 Edge of Darkness Rejected Score (John Corigliano)<\/p>\n

Seeking Justice (J. Peter Robinson) \u2013 ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Quartet Records<\/a><\/span> (Spain)<\/p>\n

China Moon (George Fenton) \u2013 ltd.<\/p>\n

Il grande duello \/ The Man Called Noon (Luis Bacalov)<\/p>\n

Marcia Trionfale (Nicola Piovani) \u2013 ltd.<\/p>\n

Pascal Gaigne: Retrospective Film Music<\/p>\n

Vizi private, publiche virtu\u2019 (Francesco De Masi)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Saimel<\/a> (Spain)<\/p>\n

Biches, Les (Pierre Jansen)<\/p>\n

Diario de una ninfomana \/ Diary of a Nymphomaniac (Roque Banos)<\/p>\n

I due kennedy + La donna degli antri e\u2019sempre piu\u2019bella (Carlo Savina)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Seventeen Records<\/a> (France)<\/p>\n

Martyrs (Seppuku Paradigm) \u2013 LP; ltd.<\/p>\n

Red Nights (Seppuku Paradigm) \u2013 LP, ltd.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Silva Screen<\/a> (USA \/ UK)<\/p>\n

New Water Music for the Thames Diamond Jubilee Pageant (Ensemble H20)<\/p>\n

Project X (various)<\/p>\n

Soldier Blue + Catlow + Zeppelin (Roy Budd)<\/p>\n

Wicker Tree (John Scott \/ Keith Easdale) \u2013 2CDs<\/p>\n

Woman in Black (Marco Beltrami)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Sony<\/a> (USA)<\/p>\n

Abraham Lincoln: Vampire Hunter (Henry Jackman)<\/p>\n

Amazing Spider Man (James Horner)<\/p>\n

Men in Black III (Danny Elfman)<\/p>\n

Prometheus (Marc Streitendeld)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Sugar Records (Italy)<\/p>\n

Avventure di Pinocchio (Bruno Nicolai)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Sumthing Else<\/a> (USA)<\/p>\n

Deus Ex: Human Revolution (Michael McCann) \u2013 videogame<\/p>\n

Halo: Combat Evolved Anniversary Soundtrack (various) \u2013 separate 2CD \/ green vinyl LP \/ MP3 releases; videogame<\/p>\n

Resistance 3 (Boris Salchow) – videogame<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Tadlow<\/a> (UK)<\/p>\n

Notre Dame de Paris: The Music of Maurice Jarre \u2013 2CDs<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Universal Music<\/a> (France)<\/p>\n

Baron de Munchausen + Flute a Six Schtroumpfs (Michel Legrand)<\/p>\n

L\u2019Africain (George Delerue)<\/p>\n

Topaz (Maurice Jarre)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Varese Sarabande<\/a><\/span> (USA)<\/p>\n

Alfred Hitchcock Hour: Vol. 3 (various) \u2013 ltd.<\/p>\n

Alien: A Biomedical Symphony \/ Filmucite 3 (various) \u2013 CD\/DVD combo<\/p>\n

Amazing Grace and Chuck (Elmer Bernstein) \u2013 ltd.<\/p>\n

Chinatown (Jerry Goldsmith) \u2013 ltd.<\/p>\n

Clan of the Cave Bear (Alan Silvestri) \u2013 ltd.<\/p>\n

Game of Thrones: Season 2 (Ramin Djawadi)<\/p>\n

Hemingway & Gellhorn (Javier Navarete)<\/p>\n

Ice Age: Continental Drift (John Powell)<\/p>\n

Jacaranda (Trevor Rabin) \u2013 non-film<\/p>\n

Karate Kidd, Part III (bill Conti) \u2013 ltd.<\/p>\n

Savages (Gustavo Santaolalla)<\/p>\n

Touchback (William Ross)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

Water Tower Music (Warner Bros.)<\/a> (USA)<\/p>\n

Dark Knight Rises, The (Hans Zimmer)<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

.<\/p>\n

This handy-dandy list was compiled from various awesome sources, including catalogue announcements at Screen Archives Entertainment<\/a>, Soundtrackcollector.com<\/a>, Chris\u2019 Soundtrack Corner<\/a>, <\/em>and Intrada<\/a>. <\/em><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

Mark R. Hasan<\/strong>, Editor
\nKQEK.com <\/strong>( Main Site<\/a> \/ Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"

Film critic Andrew Sarris passes away at 83, The Exorcist comes to the stage. an AMC scale-back?, World’s Biggest Bookstore to close, and yes, this month’s Score Tally of new and upcoming soundtrack releases.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,4],"tags":[1376,706,1377],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1k6","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5090"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5090"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5090\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}