{"id":5360,"date":"2012-08-07T11:13:05","date_gmt":"2012-08-07T15:13:05","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=3362"},"modified":"2012-08-07T11:13:05","modified_gmt":"2012-08-07T15:13:05","slug":"space-tales","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5360","title":{"rendered":"Space Tales"},"content":{"rendered":"<div id=\"attachment_3364\" class=\"wp-caption alignleft\" style=\"width: 315px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/08\/Mars_Curiosity_rover_m.gif\"><img loading=\"lazy\" class=\"size-full wp-image-3364 \" title=\"Mars_Curiosity_rover_m\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/08\/Mars_Curiosity_rover_m.gif\" alt=\"\" width=\"305\" height=\"204\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">If Hot Wheels makes a toy version, they&#39;d better make it available in Canada, dammit. <\/p>\n<\/div>\n<p>When NASA\u2019s first Mars rovers Spirit and Opportunity landed  back in <a href=\"http:\/\/en.wikipedia.org\/wiki\/Mars_Exploration_Rover\" >2004<\/a>,  I remember being glued to CNN, watching the coverage as still images slowly  made their way to the TV screen, showing Spirit\u2019s landing and the amazing  rover\u2019s first images of the red planet \u2013 an event that occurred within a few  hours if my fuzzy memory\u2019s marginally accurate, whereas 9 years later the whole  process of Curiosity\u2019s entry into orbit, landing, and first images were done in  less than 45 mins.<\/p>\n<p>For this go-around, NASA had animation to show the process  of Curiosity\u2019s live entry, intercut with additional tech info and images of the  technicians at JPL, and within minutes of the rover\u2019s touchdown two B&amp;W  thumbnail images were already being sent back, confirm the probe was standing  upright on the ground, and could see its shadow.<\/p>\n<p>It\u2019s one thing to expect faster and more accurate gear from  NASA \u2013 Curiosity is about the size of a small car and loaded with more gear  than all prior rovers &amp; probes combined \u2013 but another to see our current  standards of technical quality, accuracy, and need to get information as fast  as a mobile app.<\/p>\n<p>Curiosity also represents the technical culture we\u2019re living  in, and aside from the 13 minute delay in relaying data from Mars to Earth  (something I\u2019m sure will be streamlined a bit in the next while, perhaps via  signal repeaters or some gizmos stationed as specific distances between the two  planets) \u2013 we\u2019re going to get the high quality still, video, and 3D images we  expect from any commercial gear.<\/p>\n<p>(In fact, so far we have a <a href=\"http:\/\/www.insidescience.org\/?q=blog\/2012\/08\/06\/curiosity-makes-grand-entrance-red-planet-and-our-own\" >snapshot <\/a>of Curiosity with its deployed parachute, taken by an orbiting satellite  prior to touchdown, and 2+ mins. of video <a href=\"http:\/\/www.jpl.nasa.gov\/video\/\" >Curiosity\u2019s descent<\/a>, taken from its  lower camera.)<\/p>\n<p>And it\u2019s democratic in the sense the data isn\u2019t exclusive or  elitist \u2013 NASA will decide what gets released, but the fact millions were able  to watch live coverage online and TV, and will be able to enjoy more A\/V  material for the next few years is exciting. It\u2019s in NASA\u2019s interest to share  the wealth of info because it\u2019s also good P.R. for the organization, and the  science that enabled Curiosity to become the biggest man-made thing sent to  another planet.<\/p>\n<p>Another quick point: the live streaming quite simply  emphasized the success of the mission and its ongoing work is dependent on a  large and sophisticated team of dedicated individuals, not a trio of  model-pretty faces as often dramatized in a Hollywood  film. It\u2019s nice to fantasize a whole mission could be controlled by a trio of  pretty people using buttons and chunky remote gear, but the reality is  Curiosity stems from years of research, testing, organization, cooperation, and  meticulous planning \u2013 and luck \u2013 so while Curiosity will get the lion\u2019s share  of public adulation, remember to relay equal respect to the men &amp; women  involved in developing and maintaining the project within several large and  small organizations and companies.<\/p>\n<p>Moving on.<\/p>\n<p>Uploaded yesterday is a review of Peter Hyams\u2019 still solid  High Noon in space thriller <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/4000_Outland1981.htm\">Outland<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5349\">M<\/a>] (Warner Home Video), sporting  a new director commentary, plus a review of Jerry Goldsmith\u2019s <a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/n2o\/CD_0383_Outland1981.htm\">superb  soundtrack<\/a> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5345\">M<\/a>], remastered  &amp; expanded in 2010 by Film Score Monthly.<\/p>\n<p>Also part of the package are reviews of David Newman\u2019s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/g\/CD_0381_GalaxyQuest.htm\">Galaxy Quest<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5339\">M<\/a>] (La-La Land),  and James Horner\u2019s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/a\/CD_0382_AmazingSpiderMan2012.htm\">The  Amazing Spider-Man<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5333\">M<\/a>]  (Sony Classical).<\/p>\n<p>Coming really shortly: soundtracks by or hovering within the  jazz realm.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Minor editorial blather on NASA&#8217;s Curiosity rover, and reviews of Outland on Blu-ray (Warner Home Video), Jerry Goldsmith&#8217;s soundtrack on 2CDs (Film score Monthly), and soundtrack reviews of David Newman&#8217;s Galaxy Quest (La-La Land Records) and James Horner&#8217;s The Amazing Spider-Man (Sony Classical).<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,4,5],"tags":[1465,1463,327,545,1469,1067,1470,1467,1462],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1os","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5360"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5360"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5360\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}