{"id":5395,"date":"2012-08-09T14:25:32","date_gmt":"2012-08-09T18:25:32","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5395"},"modified":"2012-08-21T12:41:21","modified_gmt":"2012-08-21T16:41:21","slug":"dvd-zoom-up-the-beaver-book-girl-zumu-appu-biniru-bon-no-onna-1981","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5395","title":{"rendered":"DVD: Zoom Up: The Beaver Book Girl \/ Z\u00fbmu appu: Bin\u00eeru-bon no onna (1981)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=635\">V to Z<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/08\/ZoomUpBeaverBookGirl.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5401\" title=\"ZoomUpBeaverBookGirl\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/08\/ZoomUpBeaverBookGirl.gif\" alt=\"\" width=\"118\" height=\"166\" \/><\/a>Film: Good \/ DVD Transfer: Excellent\/ DVD Extras: Standard<\/p>\n<p>Label: Impulse Pictures \/ Synapse\/ Region: 1 (NTSC) \/\u00a0Released: July 10, 2012<\/p>\n<p>Genre: Japanese Pink \/ Adult<\/p>\n<p>Synopsis: A mysterious woman seems all too willing to pose and partake in a panty fetish photographer&#8217;s latest series of glossy photo spreads. What in tarnation is she up to?<\/p>\n<p>Special Features: 4-page colour booklet with liner notes by Jasper Sharp.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Working from a script by Chiho Katsura (<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/4001_ZoomInSexApartments.htm\">Zoom In:  Sex Apartments<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5393\">M<\/a>]),  Takashi Kanno\u2019s directorial debut after years as a second unit director on  similar pink films is a pseudo erotic thriller in which the sins of the past  return in the form of sublime revenge \u2013 or so it seems in what\u2019s a ostensibly a  rape revenge drama with an about-face finale.<\/p>\n<p>The pre-credit teaser deals with the rape (shot fast, but still ugly) and  jumps ahead to the present day where a mysterious woman volunteers to become a  photographer\u2019s ideal subject as the assignments move from softcore to  S&amp;M-based poses. <strong>Beaver<\/strong> is a bit of everything: suspense,  porn satire, softcore porn, frat boy comedy, panty adulation, and a specific  fixation on free-style micturating \u2013 the bigger and more dynamic the urine  spray, the better for the still camera.<\/p>\n<p>The funniest bits are the moments of, well, procedure, in which the sultry  femme fatale, like the younger model, consumes diuretic drinks by the bottle  with utter boredom before unleashing a reservoir of ginger spray so massive you  can\u2019t help laughing at the photographer\u2019s futile attempt to capture his money  shot in just a few hastily timed stills.<\/p>\n<p><strong>Beaver<\/strong> never really develops into anything \u2013 the mystery  turns into repetitive motifs and ongoing character ennui, whereas the final  revelation is less of a shock, and more of a necessary plot event to simply  finish the film within its compact 64 mins., although the final image is  appropriate for the film\u2019s celebration of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Urolagnia\" target=\"window\">urolagnia<\/a>: once  the revenge aspect\u2019s been handled, what\u2019s left is closure for the two  adversaries, and that\u2019s accomplished in a 24 hour fuck-a-thon until the  photographer finally succumbs to his mistress\u2019s power, and both accept each  other\u2019s golden offering.<\/p>\n<p>As with most entries within Impulse Pictures \u2018 Nikkatsu Roman Porno series,  <strong>Beaver<\/strong> (Vol. 4 if you\u2019re counting) is impeccably shot in  \u2018scope, perhaps out of rigueur, or some unsubtle reverence for human apple  juice, and the transfer is made from a pristine source print. Author Jasper  Sharp (<strong>The Historical Dictionary of Japanese Cinema<\/strong>) provides  wry, literate liner notes about the Roman Porno genre which studio Nikkatsu  skewed to extremes in order to distinguish themselves from rival cinema fodder.  (Strangely, he retains all details of the film\u2019s water fixation from his compact  genre chronology, which is surprising, given the film <em>abounds<\/em> in  imagery and objects tied to drinking, retention, voiding, and personal  relief.)<\/p>\n<p>Kanno\u2019s other solo directorial venture is <strong>Mazohisuto<\/strong> (1985),  after which he apparently retired from naughty films, of which he was involved  with 22 within a 7 year period.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0229077\/\">IMDB<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=635\">V to Z<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ V to Z . Film: Good \/ DVD Transfer: Excellent\/ DVD Extras: Standard Label: Impulse Pictures \/ Synapse\/ Region: 1 (NTSC) \/\u00a0Released: July 10, 2012 Genre: Japanese Pink \/ Adult Synopsis: A mysterious woman seems all too willing to pose and partake in a panty fetish photographer&#8217;s [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1488,1486,1506,1491],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1p1","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5395"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5395"}],"version-history":[{"count":5,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5395\/revisions"}],"predecessor-version":[{"id":5404,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5395\/revisions\/5404"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}