{"id":5420,"date":"2012-08-15T14:28:58","date_gmt":"2012-08-15T18:28:58","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5420"},"modified":"2012-08-15T14:30:26","modified_gmt":"2012-08-15T18:30:26","slug":"orator-the-o-le-tulafale-2011","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5420","title":{"rendered":"Film: Orator, The \/ O le tulafale (2011)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=629\">N to O<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/08\/Orator2011_poster.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5421\" title=\"Orator2011_poster\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/08\/Orator2011_poster.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Excellent \/ DVD Transfer: n\/a \/ DVD Extras: n\/a<\/p>\n<p>Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a<\/p>\n<p>Genre: Drama<\/p>\n<p>Synopsis: A Samoan farmer must rise above his personal and physical limits to preserve the structure of his already precarious family.<\/p>\n<p>Special Features: n\/a<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Told with remarkable directorial skill and with a rare trust that audiences  can be patient, Tusi Tamasese\u2019s <strong>The Orator<\/strong> is a carefully  structured tale of marital friction and personal clashes within an insular  community, ultimately testing the mettle of a man who feels his self-worth is no  greater than his diminutive height.<\/p>\n<p>Fa&#8217;afiaula Sanote is compelling as Saili, a taro farmer who moonlights as a  night watchman at a local variety store to ensure his wife Vaaiga (Tausili  Pushparaj) and daughter (Salamasina Mataia) are well provided. Between jobs  Saili also visits the raised graves of his parents, clearing away the freshly  planted crops that not only encroach on his ancestral land, but surround the  stone monuments like oversized weeds. The only child of a forgotten chief, Saili  is fighting a losing battle to retain ownership of family land, but his life is  turned upside-down when his wife\u2019s family visits with an offer to forgive a past  insult if she and her daughter agree to return with them.<\/p>\n<p>The film\u2019s title is tied to Saili\u2019s hunger to rise above the limitations he\u2019s  imposed on himself \u2013 being unwilling to gamble that he has the confidence to  follow in his father\u2019s footsteps and become the sage leader of his current  village \u2013 but it\u2019s also related to Saili\u2019s inability to assert himself and be  respected rather than ridiculed as the dwarf farmer who hides in the bushes  because he\u2019s afraid of confrontation.<\/p>\n<p>When Saili is finally forced to fight, it\u2019s a crucial battle for his life,  because if he returns home empty-handed, there\u2019s a good chance he\u2019ll lose the  ability to juggle any of the stressors that have been eroding his  self-confidence.<\/p>\n<p>Tamasese\u2019s drama reveals the rich social fabric of his Samoan culture \u2013 the  social mores, cultural traditions, and the village\u2019s hierarchal structure \u2013 but  perhaps the most impressive aspect is his storytelling technique. Saili\u2019s daily  routine is initially revealed in brief sequences that provide an impressionistic  (and somewhat mysterious) glimpse into the family\u2019s life, and while the story\u2019s  first conflict begins in the opening scene, the relevant backstories aren\u2019t  detailed until Tamasese starts to add new material to what are initially the  same scenes. As more meaning is applied to various daily routines, he brings in  new characters and conflicts, yet leaves it up to the audience to piece together  the full details of Saili\u2019s epic emotional journey.<\/p>\n<p>The denouement does take a while to reach its resolution and there are some  pacing issues with later scenes, but certainly in performances and the inclusion  of gorgeous New Zealand locations, <strong>The Orator<\/strong> is very  affecting. The compositions are striking, and Tamasese\u2019s use of sound (effects,  ambient sounds, and sparse score) is equally impressionistic, with the massive  rainstorm at the film\u2019s beginning functioning as a portent of a terrifying scene  near the end.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1846783\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.imdb.com\/title\/tt1846783\/officialsites\">Official Website<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=629\">N to O<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ N to O . Film: Excellent \/ DVD Transfer: n\/a \/ DVD Extras: n\/a Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a Genre: Drama Synopsis: A Samoan farmer must rise above his personal and physical limits to preserve the structure of his already precarious family. Special Features: n\/a . . [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1499],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1pq","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5420"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5420"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5420\/revisions"}],"predecessor-version":[{"id":5425,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5420\/revisions\/5425"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}