{"id":5581,"date":"2012-10-08T14:16:08","date_gmt":"2012-10-08T18:16:08","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5581"},"modified":"2013-04-02T11:24:16","modified_gmt":"2013-04-02T15:24:16","slug":"tv-killing-the-forbrydelsen-2007-season-1","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5581","title":{"rendered":"TV: Killing, The \/ Forbrydelsen: Season 1 (2007)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=625\">J to L<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/KillingForbrydelsenS1_R2_b.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5582\" title=\"KillingForbrydelsenS1_R2_b\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/KillingForbrydelsenS1_R2_b.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Excellent\/ DVD Transfer: n\/a \/ DVD Extras: n\/a<\/p>\n<p>Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a<\/p>\n<p>Genre: Television \/ Crime \/ Serial Killer<\/p>\n<p>Synopsis: \u00a0A Danish Detective&#8217;s move to Sweden is halted by a complex murder case which implicates multitude of ordinary and high profile suspects.<\/p>\n<p>Special Features: n\/a<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Prior to being remade for the U.S. market in 2011 by cable channel AMC, the  original 2007 Danish series was a hit throughout Europe, spawning two follow-up  series in 2009 and 2012. Perhaps due to the U.S. rights being tied up with AMC  and Fox, the Danish seasons remain unavailable in North America, although each  has been broadcast on the BBC in England with subtitles, and each season is  available on DVD.<\/p>\n<p>It\u2019s a shame the old remake-rights headache has prevented S\u00f8ren Sveistrup\u2019s  series from reaching Region 1\/Region A land, because <strong>The  Killing<\/strong> is a complex, confounding, convoluted, and ridiculously  engrossing series that would\u2019ve been unbearable to watch on a weekly basis.<\/p>\n<p>Each episode ends on a nail-biting cliffhanger, and the show\u2019s tactic of  repeatedly misdirecting suspicions to and from and back to specific characters  ensures no one can easily guess who killed Nanna Birk Larsen. <strong>The  Killing<\/strong> does owe its success to a pair of U.S. series, each of which  broke new ground in serial mystery: David Lynch and Mark Frost\u2019s <strong>Twin  Peaks<\/strong> (1990-1991), and Season 1 of Steven Bochco\u2019s <strong>Murder  One<\/strong> (1995-1996).<\/p>\n<p>Like <strong>Peaks<\/strong>, the show begins with the discover of a dead girl  being found in a watery (or dewy) grave, and the premiere episode is equally  balanced between the initial grisly clues to Larsen\u2019s death as well as the  impact of her demise on the community. The writers repeatedly intercut the  police investigation with the family\u2019s ongoing struggle with grief, and their  pain is never diluted nor exploited; <strong>Killing<\/strong> is a series  <em>obsessed<\/em> with grief, and even when the killer is revealed, there is no  sense of hope, because Larsen\u2019s death seeded the destruction of several  relationships, including several in high government.<\/p>\n<p>Instead of the insular timber locale of Twin Peaks, <strong>Killing<\/strong> takes place in the big city of Copenhagen, and the police quickly find links  between Larsen and power-hungry politician Troels Hartmann (<strong>Those Who  Kill<\/strong>\u2019s Lars Mikkelsen) currently prepping his own campaign to uproot a  complacent and ultra-savvy mayor, Poul Bremer (Bent Mejding). The addition of  political intrigue allows the case to be covered by various media outlets, and  gave the writers room to indulge in political and media critiques, take shots at  seething racism within conservative types, and broaden their depictions of  characters from high and common backgrounds falling from grace with spectacular,  and often self-destructive, missteps, as with Larsen\u2019s father Theis  (<strong><a href=\"http:\/\/kqek.com\/mobile\/?p=6324\">Borgen<\/a><\/strong>\u2019s Biarne Henriksen).<\/p>\n<p>Larsen, like <strong>Twin Peaks<\/strong>\u2019 Laura Palmer, is only seen in  images \u2013 the opening killing montage, video footage, and stills \u2013 yet her  presence remains strong throughout each episode. The End Credits start on a  macro shot of Larsen\u2019s eye, and pull back to an eerie photo of her vague  expression, which assumes a kind of spiritual role where the victim seems to beg  the viewer to \u2018find out who killed me.\u2019 It also helps that the chosen actress  shares the same genial qualities as Sheryl Lee\u2019s Palmer.<\/p>\n<p><strong>Killing<\/strong>\u2019s link to <strong>Murder One<\/strong> isn\u2019t  accidental because the shows share the same approach of covering one case in a  singular season, ending each episode on a cliffhanger, and leaving the killer\u2019s  identity until the very last episode, with plenty of misdirection and  suspicions, as well as sudden arrests and discovery of secret relationships.  That <strong>The<\/strong> <strong>Killing<\/strong> remains coherent and every  character never becomes a blur to viewers is remarkable, making the series a  template for any writer to envy.<\/p>\n<p>Season 1 of the U.S. series reportedly ended 2\/3 into the original Danish  narrative, which was a foolish decision given the last 1\/3 is where the writers  ratcheted up the tension, and began to reveal the fine details of secondary  storylines begun when Larsen chose to skirt a high school Halloween party for a  secret rendezvous.<\/p>\n<p>Linking the politics, corruption, family grief, and ongoing police  investigation is the saga of Detective Sarah Lund (<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/3684_Nightwatch1994.htm\">Nightwatch<\/a><\/strong>\u2019s  Sophie Grabol), a divorced single mother with severe tunnel vision that  guarantees the case will be solved, and her own chances at a new life in Sweden  with a skilled criminal psychologist are tenuous at best. Grabol\u2019s portrayal of  Lund is engrossing because her character never becomes a genre clich\u00e9, and  there\u2019s both humour and viciousness to her manners; even when peers and  superiors have lost their patience, they respect her ability to hyper-focus and  get results.<\/p>\n<p>(It\u2019s also their fault her potential hope for a new life are nearly ruined,  because by asking her to stay and help her successor take over the Larsen  investigation, their greed for quick results backfire with major personnel  shake-ups. As with almost every conflict within the season, any decision has  consequences, and the writers seem to take a certain joy in detailing the pain  of those unwanted results.)<\/p>\n<p>The season\u2019s most vicious characters are the politicians, and being so far  removed from ordinary struggles, they must indulge in playful acts of strategic  humiliation and back-stabbing, of which Mayor Bremer is king. Towards the end of  the season he gives Hartmann a piece of advice not for moral good, but to  destroy his rival, and it\u2019s the most cynical moment in the season. Hartmann\u2019s  final decision ends up being wholly logical, because he realizes in order to  ascend to the mayoral chair, he must emulate Bremer\u2019s worst tactics. Larsen\u2019s  death offers Hartmann a long learning curve, and each stumble and bloodied  knuckle serves as a valuable lesson for the next battle.<\/p>\n<p>Perhaps one aspect North American viewers will find quite surprising is the  length of each episode: even with the opening recap, the average running time  spans 50-54 mins., which today is unheard of (and is a throwback to the original  running times of the 1960s). The 20 episodes offer a meaty diet of plot and  characters, and stand as testament to what good plotting, characters, and social  critique can accomplish when U.S. networks have dumbed-down their offerings to  40 mins. of program content with incessant ad breaks.<\/p>\n<p>Grabol reprised her role as Sarah Lund in <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/4026_KillingForbrydelsenS2.htm\">Seasons 2<\/a> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5687\">M<\/a>] and 3, with each season  spanning a tighter 10 episodes. Sveistrup\u2019s other TV series include  <strong>Nikolaj og Julie <\/strong>(2002-2003), <strong>At the Faber<\/strong> \/  <strong>Hotellet<\/strong> (2002-2003), and <strong>Taxa<\/strong> (1998).  Composer Frans Bak, whose music is a major component in the show\u2019s ability to  extract empathy and horror from viewers, scored both the original Danish and  U.S. series.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1779605\/\">IMDB <\/a>&#8212;\u00a0<a href=\"http:\/\/www.imdb.com\/title\/tt0826760\/officialsites\">Official Website<\/a> &#8212;\u00a0<a href=\"http:\/\/www.soundtrackcollector.com\/title\/96818\/Forbrydelsen\">Soundtrack Album<\/a> &#8212;\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=6353\">CD Review<\/a> &#8212;\u00a0<a href=\"http:\/\/www.soundtrackcollector.com\/composer\/10781\/Frans+Bak\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=625\">J to L<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ J to L . Film: Excellent\/ DVD Transfer: n\/a \/ DVD Extras: n\/a Label: n\/a\/ Region: n\/a\u00a0\/\u00a0Released: n\/a Genre: Television \/ Crime \/ Serial Killer Synopsis: \u00a0A Danish Detective&#8217;s move to Sweden is halted by a complex murder case which implicates multitude of ordinary and high profile [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1571,1572,1574,1577,1573,1575,1570,1576],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1s1","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5581"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5581"}],"version-history":[{"count":8,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5581\/revisions"}],"predecessor-version":[{"id":5693,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5581\/revisions\/5693"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}