{"id":5589,"date":"2012-10-11T13:48:35","date_gmt":"2012-10-11T17:48:35","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5589"},"modified":"2012-10-11T13:48:35","modified_gmt":"2012-10-11T17:48:35","slug":"cd-blade-runner-1982-30th-anniversary-celebration","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5589","title":{"rendered":"CD: Blade Runner (1982) &#8211; 30th Anniversary Celebration"},"content":{"rendered":"<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1479\">B<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/BladeRunner_2012_BSX_CD_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5597\" title=\"BladeRunner_2012_BSX_CD_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/BladeRunner_2012_BSX_CD_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: Buysoundtrax Records\/ Released: September 19, 2012<\/p>\n<p>Tracks &amp; Album Length: 17 tracks \/ (71:50)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: \u00a0Colour booklet with liner notes by arranger \/ performer Edgar Rothermich.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: Vangelis<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Just in time for the film\u2019s 30th anniversary is a new re-recording of  Vangelis\u2019 iconoclastic score &#8211; perhaps the most ideal evocation of a futuristic  world without sounding contrived and dated. The reason the score continues to  hold its own lies in the emotional content of Vangelis\u2019 themes, as well as the  abstract qualities of the instrumentation, whether it was carefully plotted out  by the composer, or mandated by its picky director. (Ridley Scott similarly  pushed Jerry Goldsmith to strip down the romantic content within  <strong>Alien<\/strong> &#8211; especially the main title music &#8211; to near abstraction,  and although the composer may not have been happy, the final version was the  ideal choice.)<\/p>\n<p>Why bother re-recording an oft-released score? Because <strong>Blade  Runner<\/strong>\u2019s clunky release history\u2019s rooted in a riff between composer and  director, with the former refusing the release of the original recordings  because of the way it was editorially treated editorially by Scott. The Ladd  Company quickly released a re-recorded album by the New American Orchestra whose  approach was more orchestrally saturated (in spite of remaining largely  electronic), and emphasized the lengthy score\u2019s main thematic cues.<\/p>\n<p>Countless bootlegs and fan edits of the original score tracks filled the void  for fans, with bootlegs being bootlegged by other ersatz labels until 2007, when  Universal Music released the score in a multi-disc set, albeit with dialogue and  sound effects affecting some cues. Some material present on the bootlegs were  missing, so fans went back to their fan edits because no one\u2019s given the score a  proper &#8216;version integrale&#8217; release.<\/p>\n<p>BSX Records\u2019 re-recorded version benefits from technical leaps in electronic  instruments and software to faithfully emulate Vangelis\u2019 vintage \u2018futuristic\u2019  sounds, as well as the obsessiveness of Edgar Rothermich\u2019s arrangements which  carefully match as much detail and nuances from Vangelis&#8217; original performance.  Running 71 mins., the BSX edition features all the main cues with Vangelis\u2019  stripped-down sound, subtle stereo pans, and delicate theme renditions  (\u201cMemories of Green\u201d is really well done, as is the contemplative \u201cBlade Runner  Blues\u201d).The vocalist for the eerie, shrill \u201cOn the Trail of Nexus 6 (Tales of  the Future)\u201d is spot-on, and the album includes material previously unique to  the bootlegs \u2013 namely Gail Laughton\u2019s lovely \u201cBicycle Raiders (Pompeii 76  A.D.).\u201d<\/p>\n<p>This is a <em>very good <\/em>production that fills in the gap until the  original score recording is finally restored (preferably <em>without<\/em> noxious sound effects and dialogue). The cues are lengthy, the tempo of each cue  is close to the original, and Rothermich\u2019s performance is respectful of  Vangelis\u2019 style. It\u2019s also a cleanly engineered album, with rich tones coming  pretty close to the original fat analogue sound of Vangelis\u2019 eighties  recordings.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0006331\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=1296\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/2055\/Vangelis+Papathanassiou\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1479\">B<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ B . Rating: Excellent Label: Buysoundtrax Records\/ Released: September 19, 2012 Tracks &amp; Album Length: 17 tracks \/ (71:50) . Special Notes: \u00a0Colour booklet with liner notes by arranger \/ performer Edgar Rothermich. . Composer: Vangelis . . Review: Just in time for the film\u2019s 30th anniversary is a new [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1055,1578,323,449],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1s9","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5589"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5589"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5589\/revisions"}],"predecessor-version":[{"id":5600,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5589\/revisions\/5600"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5589"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5589"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5589"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}