{"id":562,"date":"2010-10-16T22:32:13","date_gmt":"2010-10-17T02:32:13","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=562"},"modified":"2010-10-27T02:17:13","modified_gmt":"2010-10-27T06:17:13","slug":"film-review-a","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=562","title":{"rendered":"DVD: Objective, Burma ! (1945)"},"content":{"rendered":"<p><em><em><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/ <a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <a href=\"http:\/\/kqek.com\/mobile\/?page_id=629\">N to O<\/a><\/em><\/em><\/em><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/10\/ErrolFlynnAdvColl_TCM.gif\"><img loading=\"lazy\" class=\"size-full wp-image-578 alignleft\" title=\"ErrolFlynnAdvColl_TCM\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/10\/ErrolFlynnAdvColl_TCM.gif\" alt=\"\" width=\"72\" height=\"101\" \/><\/a>Film: Excellent \/ DVD Transfer: Excellent \/ DVD Extras: Excellent<\/p>\n<p>Label\/Studio: Warner Home Video \/ Catalogue: 30000-29755 \/ Region: 1 (NTSC) \/<\/p>\n<p>Released: August 3, 2010<\/p>\n<p>Synopsis: American soldiers parachute into Japanese-held Burma to destroy a radar station.<\/p>\n<p>Special Features: Audio commentary by Rudy Behlmer, Jon Burlingame, and Frank Thompson \/ Warner Night at the Movies: &#8220;Pride of the Marines&#8221; (1945) trailer + Newsreel + &#8220;So You Think You&#8217;re Allergic&#8221; (1945) comedic short + &#8220;A Tale of Two Mice&#8221; (1945) cartoon (24:50) \/ Theatrical trailer<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Errol Flynn\u2019s final propaganda effort is this rock-solid action drama where a  large troop of soldiers parachute into \u2018Jap-infested\u2019 Burma and blow up a radar  installation. The job goes swell until the men\u2019s pickup flight is foiled by a  large and determined mass of Japanese soldiers. Flynn &amp; Co. then separate,  and begin a long trek that ends with a bare handful of the men struggling to  survive on an isolated hill, hoping reinforcements come just in time.<\/p>\n<p>Scripted by Lester Cole and Ranald MacDougall and based on a story by  soon-to-be-blacklisted writer Alvah Bessie (<strong>Northern Pursuit<\/strong>),  the dialogue is tight and lean, and the story moves at a brisk pace, never  giving the impression of a nearly 2 and a half hour film \u2013 quite long for  wartime programmers.<\/p>\n<p><strong>Burma<\/strong> was a prestige picture, and star Flynn is supported by  a solid cast of character actors, including Mark Stevens  (<strong>Mutiny<\/strong>), Richard Erdman (the <strong>Twilight Zone<\/strong> episode \u201cA Kind of Stopwatch\u201d), George Tobias, and William Prince. Henry Hull  (<strong>Werewolf of London<\/strong>) plays an aging war correspondent whose  stoic confidence is challenged by the tough terrain and war horrors, and Hugh  Beaumont (<strong>Leave it to Beaver<\/strong>) has a small role as an  officer.<\/p>\n<p>The filmmakers did indulge in a bit of dramatic license in making the  American participation in the Burmese campaign rather big \u2013 Britain led the  mission that eventually ousted the Japanese, and the smaller U.S. contingent was  headed by General Stillwell, and a troupe known as <a href=\"http:\/\/en.wikipedia.org\/wiki\/Merrill's_Marauders\" target=\"window\">Merrill\u2019s  Marauders<\/a>, whose own exploits were dramatized with further license by Sam  Fuller in 1962.<\/p>\n<p>The script allows for a token Brit leader to appear during the opening  briefing session, but the rest of the film is all-American, and while the use of  genuine stock footage from the prior U.S. Burmese campaign and procedural  details are quite accurate, the mission Flynn leads to disable a radar  installation is, well, bunk.<\/p>\n<p>That invention, as well as the virtual omission of any British ingredients,  outraged the press, causing Warner Bros. to pull the film after one week\u2019s  exhibition in the U.S., although the film was successfully reissued during the  fifties, when temperaments were less tight, and the spirit within the film \u2013  defeating a cruel enemy and liberating a country \u2013 was apparently greeted with  some nostalgia.<\/p>\n<p>Being a film produced while the U.S. was at war with Japan, the enemy is  portrayed as cruel, and the Americans\u2019 arrival at a small Burmese village  includes inferences that the women have been raped, and the men find remnants of  the colleagues all hacked up behind a bunch of trees. Hull screams out his  disgust at the Japanese when he sees Flynn\u2019s co-commanding officer die after  begging to be killed, after the effects of unseen torture have made him  unrecognizable.<\/p>\n<p>The makers of <strong>Burma<\/strong> makes no bones about loathing the  Japanese \u2013 they\u2019re portrayed as a pestilence in need of eradication \u2013 and that\u2019s  the toughest aspect to digest for contemporary audiences less attuned to the  racial caricatures that permeated WWII propaganda films.<\/p>\n<p>As discussed in the DVD\u2019s commentary track, Japanese Americans were being  housed in internment camps, so Chinese and Filipino actors were cast, but  they\u2019re all noticeably chubby and pear-shaped \u2013 a clear contrast to the agile,  muscular Yanks who leap, roll and glide over terrain which the Japanese  awkwardly lurch around. Even if the Japanese dialogue were authentic, the lines  were dubbed by apparently white actors, making the characters sound sloppy and  lazy.<\/p>\n<p>Taking into account the negative stereotypes, <strong>Burma<\/strong> remains  a solid action film about men evading a dangerous enemy, comradeship, and  heroism, with Franz Waxman\u2019s dissonant score tensing already superb sequences.  The film\u2019s musical and action highlights include jungle trek, the Burmese  village fight, and the parachuting sequence where the Yanks land on Burmese soil  during the night \u2013 a spectacular montage that\u2019s almost bettered near the end by  the Japanese attempting to route out the Americans on the hill, and the first  wave of American gliders bringing troops and gear.<\/p>\n<p>Walsh\u2019s editor, George Amy (<strong>Dive Bomber<\/strong>, <strong>The Sea  Hawk<\/strong>), seamlessly intercut doc and real combat footage, and James  Wong Howe\u2019s black &amp; white camerawork is magical, capturing the sweat and  grit on the actors\u2019 faces, and coordinating stellar action montages using stock  footage.<\/p>\n<p><strong>Burma<\/strong> was an influential film, both in direction and written  sequences, and there\u2019s little doubt James Cameron adapted the launch of the  soldier craft to the planet in <strong>Aliens<\/strong> (1986) from the flight  chatter scene in the pre-parachuting montage. (It\u2019s where the men are seen  nervous, smoking, boasting, bonding, or with one character, sleeping until it\u2019s  time to jump \u2013 much in the way Corporal Hicks sleeps as the troop carrier drops  to the planet.)<\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/10\/ObjectiveBurma.gif\"><img loading=\"lazy\" class=\"size-full wp-image-579 alignleft\" title=\"ObjectiveBurma\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2010\/10\/ObjectiveBurma.gif\" alt=\"\" width=\"71\" height=\"100\" \/><\/a><\/p>\n<p>Warner Home Video released <strong>Burma<\/strong> on DVD in May of 2003, and  has reissued the film in the TCM Spotlight set (see end for further details),  but in a new transfer. Among the 2003 extras, the bio notes on director Walsh  have been removed, whereas the two military shorts, \u201cThe Rear Gunner\u201d and \u201cThe  Tanks are Coming\u201d have been reassigned to <strong>Northern Pursuit<\/strong> and  <strong>Desperate Journey<\/strong>, which are part of the TCM set,  respectively.<\/p>\n<p>The new Warner Night at the Movies programme features trailers for  <strong>Objective<\/strong><strong>, Burma<\/strong><strong>!<\/strong> and  <strong>Pride of the Marines<\/strong> (1945); and a newsreel showing the rescue  of American captives from a Japanese camp in Bataan, with some shots of rescued  soldiers showing somber, silent visages of men suffering brutal psychological  trauma, and a handful of on-camera statements by survivors (some, ahem, reading  from cue cards).<\/p>\n<p>There\u2019s also the short \u201cSo You Think You\u2019re Allergic\u201d (1945), the third in a  lengthy series of comedic \u2018So You Think\u2019 shorts (<a href=\"http:\/\/www.imdb.com\/name\/nm0054374\/\" target=\"window\">1942-1956<\/a>) written  and directed by Richard L. Bare (<strong>Wicked, Wicked<\/strong>). Bare\u2019s shorts  featured everyman Joe McDoakes (George O\u2019Hanlon), and in this gem Joe is  affected with \u201ca malignant case of acute nasal mucosa, better known in  fashionable circles as allergies.\u201d The humour is a perfect blend of light  slapstick, cartoon gestures, literate and fast-whirling dialogue, and smart ass  gags, with Joe trying to get through a hard day of sneezing, ultimately settling  on dousing his dinner with \u201cDoc Feathers\u2019 ANTI SNEEZE \u2013 More Snoozing Less  Sneezing\u201d formula so he can get a good night\u2019s sleep and wake up feeling ducky.<\/p>\n<p>Bare, a successful TV director of shows like <strong>Green Acres<\/strong>, is  pretty much forgotten today, and his series of faux instructional shorts deserve  their own complete set (although some do appear on TCM now and then).<\/p>\n<p>The last extra is the cartoon \u201cA Tale of Two Mice\u201d (1945), which spoofs  Abbott and Costello with a short and dumpy rat named Castello, and best buddy  Babbit, who smacks him up and bullies him into doing dangerous cheese-hauling  missions while a cat has no qualms about eating the hairy interlopers.<\/p>\n<p>The DVD\u2019s main extra is the commentary by film historian\/author Rudy Behlmer,  film music historian \/ author \/ teacher Jon Burlingame, and author Frank  Thompson, who collectively describe the production\u2019s genesis, filming at the  various long-gone Warner ranches and arboretums, casting, and plenty of  anecdotes regarding director Walsh, whose career began as an actor, and expanded  into directing.<\/p>\n<p>(Walsh is responsible for some of Warner Bros.\u2019 top entertainments, but his  early blockbusters include Fox\u2019 first sound film, <strong>In Old  Arizona<\/strong>, and that studio\u2019s first 70mm western, <strong>The Big  Trail<\/strong>, with newcomer John Wayne.)<\/p>\n<p>The new DVD transfer is very crisp with beautiful grays and blacks, and the  mono mix, while punchy, does have some shrillness in the high end.<\/p>\n<p>This title is now part of Warner Home Video\u2019s TCM Spotlight: Errol Flynn  Adventures box, which includes <strong><a href=\"http:\/\/kqek.com\/mobile\/?p=586\">Desperate  Journey<\/a><\/strong> (1942), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/e\/3705_EdgeDarkness1943.htm\">Edge of  Darkness<\/a><\/strong> (1943), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/n2o\/3706_NorthernPursuit1943.htm\">Northern  Pursuit<\/a><\/strong> (1943), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/3708_UncertainGlory1944.htm\">Uncertain  Glory<\/a><\/strong> (1944), and <strong>Objective, Burma!<\/strong> (1945).<\/p>\n<p>Flynn\u2019s pre-WWII adventure film, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/3707_DiveBomber1941.htm\">Dive  Bomber<\/a><\/strong> (1941), is available separately or as part of The Errol  Flynn Signature Collection, Vol. 2, which includes <strong>The Charge of the  Light Brigade<\/strong> (1936), <strong>The Dawn Patrol<\/strong> (1938),  <strong>Dive Bomber<\/strong> (1941), <strong>Gentleman Jim<\/strong> (1942), and  <strong>The Adventures of Don Juan<\/strong> (1948).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9  2003 &amp; 2010 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Related external links (MAIN SITE):<\/em><\/p>\n<p>DVD \/ Film: \u00a0<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/b\/3320_BigTrail1930.htm\" target=\"_blank\">Big Trail, The<\/a><\/strong> (1930) &#8212; <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/i\/3020_InOldArizona.htm\" target=\"_blank\">In Old Arizona<\/a><\/strong> (1928) &#8212; <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/3035_SeaHawk.htm\" target=\"_blank\">Sea Hawk, The<\/a><\/strong> (1940)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0037954\/\">IMDB<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=36552\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/composerdetail.php?composerid=13\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><em><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=629\">N to O<\/a><\/em><\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/ Blu-ray, DVD, Film Reviews \/ N to O . Film: Excellent \/ DVD Transfer: Excellent \/ DVD Extras: Excellent Label\/Studio: Warner Home Video \/ Catalogue: 30000-29755 \/ Region: 1 (NTSC) \/ Released: August 3, 2010 Synopsis: American soldiers parachute into Japanese-held Burma to destroy a radar station. Special Features: Audio commentary by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[24,92,25],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-94","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/562"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=562"}],"version-history":[{"count":19,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/562\/revisions"}],"predecessor-version":[{"id":1167,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/562\/revisions\/1167"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}