{"id":5633,"date":"2012-10-18T03:12:17","date_gmt":"2012-10-18T07:12:17","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=5633"},"modified":"2012-10-18T03:12:17","modified_gmt":"2012-10-18T07:12:17","slug":"mp3-good-doctor-the-2011","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=5633","title":{"rendered":"MP3: Good Doctor, The (2011)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1494\">G<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/GoodDoctor2012_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-5634\" title=\"GoodDoctor2012_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2012\/10\/GoodDoctor2012_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Very Good<\/p>\n<p>Label: <a href=\"http:\/\/www.lakeshore-records.com\/\" target=\"_blank\">Lakeshoe Records<\/a>\/ Released: September 25, 2012<\/p>\n<p>Tracks &amp; Album Length: 24 tracks \/ (50:17)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: n\/a.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: Brian Byrne<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Brian Byrne\u2019s score is a pleasing mix of eclectic styles and fusions, mixing  both score and original idiomatic source cues to create a sometimes quixotic  narrative. Several of the composer\u2019s meditative orchestral cues are infused with  light electronics. \u201cDrip Swap\u201d features a distorted guitar chord effect (oddly  reminiscent of <strong>The Prisoner<\/strong> TV scores) and chimes, as does \u201cSet  Them Free\u201d with heavy keyboards, electric guitar, and layered pulsing motifs,  contemporizing the drama if not adding an ominous layer to match the characters\u2019  desperate situations.<\/p>\n<p>Among the handful of source cues are several jazz pieces (the best being the  sax-heavy \u201cWine Bar\u201d and \u201cWine bar with Harbison,\u201d the latter a good soundalike  version of Kenny Burrell\u2019s \u201cChitlins Con Carne\u201d), and piano &amp; violin duet  \u201cPiano and Wine\u201d which is weirdly over-wrought in sadness, and is (hopefully)  intentionally maudlin.<\/p>\n<p>Most of the album\u2019s drive comes from slow-burning variations of Byrne\u2019s brief  main theme, and while not a particularly punchy album, its discrete design is on  occasion affecting, mostly due to the recurrence of threadbare cues featuring  piano and sustained chords. The score\u2019s engineering is first-rate, as are  Byrne\u2019s expert orchestrations which generally maintain a fluid movement between  score and source cue across the digital album\u2019s 50 min. length.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2012 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm1725223\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=96305\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/10454\/Brian+Byrne\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1494\">G<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ G . Rating: Very Good Label: Lakeshoe Records\/ Released: September 25, 2012 Tracks &amp; Album Length: 24 tracks \/ (50:17) . Special Notes: n\/a. . Composer: Brian Byrne . . Review: Brian Byrne\u2019s score is a pleasing mix of eclectic styles and fusions, mixing both score and original idiomatic source [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1589],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1sR","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5633"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5633"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5633\/revisions"}],"predecessor-version":[{"id":5638,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/5633\/revisions\/5638"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}