{"id":6120,"date":"2013-02-07T14:27:47","date_gmt":"2013-02-07T19:27:47","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=6120"},"modified":"2013-02-07T14:27:47","modified_gmt":"2013-02-07T19:27:47","slug":"dvd-devil-2010","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6120","title":{"rendered":"DVD: Devil (2010)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=591\">D<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/02\/Devil2010.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-6121\" title=\"Devil2010\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/02\/Devil2010.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Very Good\/ DVD Transfer: Excellent\/ DVD Extras: Good<\/p>\n<p>Label: Universal\/ Region: 1 (NTSC) \/\u00a0Released: December 21 ,2010<\/p>\n<p>Genre: Horror \/ Supernatural<\/p>\n<p>Synopsis: Five seemingly disparate people become trapped in an elevator, with one member possibly being playful Lucifer himself.<\/p>\n<p>Special Features: 3 Deleted Scenes \/ 3 Promo Featurettes: \u201cThe Story\u201d + \u201cThe Deveil\u2019s Meeting\u201d + \u201cThe Night Chronicles\u201d<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Perhaps inspired by Clive Barker\u2019s own \u2018presents\u2019 shingle, and maybe Dark  Castle\u2019s prolific roster of (generally terrible) horror films, M. Night  Shyamalan thought he could set up his own branded franchise \u2013 the \u201cNight  Chronicles\u201d \u2013 and germinate films from his seeded original ideas. As one of his  producers states in one of the DVD\u2019s three blatantly promotional featurettes,  the hope was the film series would be worthy of comparison to <strong>The  Twilight Zone<\/strong> and <strong>Alfred Hitchcock Presents<\/strong>.<\/p>\n<p>The comparisons aren\u2019t crazy \u2013 Shyamalan\u2019s films are hybrids of Hitchcockian  mystery with twist finales typical of TZ \u2013 but not unlike idol Steven  Spielberg\u2019s own efforts to franchise his \u2018magic touch\u2019, Shyamalan must have  realized running a new series is a lot more complicated than it seems.<\/p>\n<p>Spielberg had an entire department at his <a href=\"http:\/\/en.wikipedia.org\/wiki\/Amblin_Entertainment\" target=\"window\">Amblin  Entertainment<\/a> division to exploit \u2018the touch\u2019 to family films, TV series,  and other feature films with Spielberg as creative control director, and that\u2019s  certainly the kind of system <strong>Devil<\/strong> was intended to start. The  funny thing is <strong>Devil<\/strong> feels like a solid, old-fashion anthology  TV movie, with an almost classical style that\u2019s refreshingly bereft of ADD  editing, sadism, and heavy gore. It\u2019s obvious it was designed to be sold to a PG  audience, but it\u2019s pleasantly surprising how well the concept for  <strong>Devil<\/strong> was developed into a script where a group of characters  trapped in a confined space create the bulk of the film\u2019s tension as things go  increasingly wrong due to supernatural badness.<\/p>\n<p>The story is very simple: five seemingly unrelated characters become trapped  in an elevator, and while efforts to free the group become more stressed, the  detective called to investigate a supposedly unrelated suicide begins to realize  there are indeed strange connections among the trapped passengers, and he has to  figure it all out before the increasingly frequent power blackouts yield another  dead passenger.<\/p>\n<p><strong>Devil<\/strong> is essentially a TV movie, if not a low budget film,  and its brief running time \u2013 80 mins. <em>with credits<\/em> \u2013 may have been a  reason it didn\u2019t wholly click with audiences wanting the value added combo of  implied terror in the taut trailers, and a running time with more scope. The  DVD\u2019s deleted scenes \u2013 character intros \u2013 are too oblique and unnecessary,  making the 80 mins. the film\u2019s proper natural running time. It\u2019s a good example  of how spending time on characters, dialogue, and developed conflicts &amp;  twists creates more tension than extravagant special effects montages, and the  supernatural element is nicely integrated as normalcy quirks evaporates, and the  detective starts to believe a superstitious security guard.<\/p>\n<p>Situated in Philadelphia but clearly shot entirely on location at Toronto\u2019s  Bay Adelaide Centre (city natives will immediately spot familiar fences and  building facades), director John Erick Dowdle (<strong>Quarantine<\/strong>,  <strong>The Poughkeepsie Tapes<\/strong>) and writer Brian Nelson (<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/3285_30DaysOfNight.htm\">30 Days of  Night<\/a><\/strong>, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/h\/3153_HardCandy.htm\">Hard  Candy<\/a><\/strong>) incorporated a lot of simple factual and procedural details  which give excellent contrast towards the mounting weirdness, and the cast of  top-level American and a smattering of local talent (veteran Matt Craven and  TV\u2019s <strong>Lost Girl<\/strong> Zioe Palmer) are well-chosen for their everyman  \/ everywoman roles. Tak Fujimoto\u2019s scope compositions are elegant, and Fernando  Velazquez\u2019 brooding score comes in only when necessary, accenting dramatic  points at the right junctures.<\/p>\n<p>Universal\u2019s extras are rather paltry, though. Besides the deleted scenes,  there are a handful of featurettes that contain more repeated film footage than  actual content, so viewers wanting finer details on its making, genesis, and  inspiration are cheated by what are essentially promo spots for TV and web  dissemination. The extras are really about getting viewers familiar with the  Night Chronicles brand name, but the irony is the \u2018myriad\u2019 stories Shyamalan  says are swirling within his head have yet to go beyond <strong>Devil<\/strong>.  It\u2019s a pity the supposedly two other stories haven\u2019t been realized, as this  debut release is superior in writing than most of the Dark Castle rubbish which  has littered screens large and small for almost 14 years.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt1314655\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=94127\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/8614\/Fernando+Vel%E1zquez\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Amazon Search Links:<\/em><\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><br \/>\n<span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=591\">D<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ D . Film: Very Good\/ DVD Transfer: Excellent\/ DVD Extras: Good Label: Universal\/ Region: 1 (NTSC) \/\u00a0Released: December 21 ,2010 Genre: Horror \/ Supernatural Synopsis: Five seemingly disparate people become trapped in an elevator, with one member possibly being playful Lucifer himself. Special Features: 3 Deleted Scenes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1842,1843,1839,1840,1841,1844],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1AI","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6120"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6120"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6120\/revisions"}],"predecessor-version":[{"id":6124,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6120\/revisions\/6124"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}