{"id":6286,"date":"2013-03-21T15:13:47","date_gmt":"2013-03-21T19:13:47","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=6286"},"modified":"2013-03-23T12:14:09","modified_gmt":"2013-03-23T16:14:09","slug":"cd-dream-house-2011","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6286","title":{"rendered":"CD: Dream House (2011)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1488\">D<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/03\/DreamHouse_2011_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-6287\" title=\"DreamHouse_2011_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/03\/DreamHouse_2011_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: Varese Sarabande\/ Released: October 11, 2011<\/p>\n<p>Tracks &amp; Album Length: 15 tracks \/ (56:18)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: (none)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: John Debney<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>In spite of the production problems that reportedly plagued <strong>Dream  House<\/strong> (2011) \u2013studio Morgan Creek (er, producer James G. Robinson) had  the film recut, much to the ire of the film\u2019s stars and director Jim Sheridan \u2013  John Debney\u2019s music may be the most cohesive element to come out of that  troubled picture.<\/p>\n<p>Debney\u2019s score is based around a lush orchestral theme that\u2019s ripe with  warmth, tragedy, and longing, but after two gorgeous introductory cues, the  score begins to drift into angry terrain with dissonance, snarling aural  metaphors, and a constant undercurrent of melancholy almost as pure as  Christopher Young\u2019s own gems (such as <strong>Jennifer 8<\/strong> [M]  and<strong> Hider in the House<\/strong>).<\/p>\n<p>Most of the album\u2019s cues run between 3-4 minutes, allowing for atmospheric  builds and eerie theme variations, and the lengths ensure a strong narrative  where sadness flows into misery, then pensive recollections, na\u00efve hope, and  grim suspicions. Debney\u2019s mounting shock cues \u2013 such as \u201cPeter Ward\u2019s Room\u201d \u2013  are filled with colourful contrasts, and the frequent interpolation of warm  theme fragments (as in \u201cGhostly Playthings\u201d) ensures <strong>Dream  House<\/strong> has a strong sense of character, especially the fears shared by  the traumatized parents.<\/p>\n<p>Varese\u2019s CD features a beautifully engineered recording, and allows a truly  fine work to transcend an otherwise forgotten thriller.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0002201\/\">IMDB<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/title\/94208\/Dream+House\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/543\/John+Debney\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Select Merchants:<\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/s\/?_encoding=UTF8&amp;camp=15121&amp;creative=390961&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;rh=n%3A916514%2Ck%3Asoundtracks&amp;tag=kqco-20&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/s\/?_encoding=UTF8&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&amp;rh=n%3A5174%2Ck%3Asoundtracks&amp;field-keywords=soundtracks&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/s\/?_encoding=UTF8&amp;camp=1634&amp;creative=19450&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;tag=kqco-21&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> &#8212;\u00a0<a href=\"http:\/\/www.buysoundtrax.com\/\" target=\"window\">BSX<\/a> &#8212;\u00a0<a href=\"http:\/\/store.intrada.com\/\" target=\"window\">Intrada<\/a> &#8212;\u00a0<a href=\"http:\/\/screenarchives.com\/\" target=\"window\">SAE<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1488\">D<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ D . Rating: Excellent Label: Varese Sarabande\/ Released: October 11, 2011 Tracks &amp; Album Length: 15 tracks \/ (56:18) . Special Notes: (none) . Composer: John Debney . . Review: In spite of the production problems that reportedly plagued Dream House (2011) \u2013studio Morgan Creek (er, producer James G. Robinson) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1933,325],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Do","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6286"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6286"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6286\/revisions"}],"predecessor-version":[{"id":6307,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6286\/revisions\/6307"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}