{"id":6381,"date":"2013-04-15T15:07:51","date_gmt":"2013-04-15T19:07:51","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=6381"},"modified":"2013-04-19T13:19:02","modified_gmt":"2013-04-19T17:19:02","slug":"cd-man-on-fire-1987","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6381","title":{"rendered":"CD: Man on Fire (1987)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1503\">M<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/04\/ManOnFire1987_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-6382\" title=\"ManOnFire1987_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/04\/ManOnFire1987_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: Varese Encore\u00a0\/ Released: November 5, 2012<\/p>\n<p>Tracks &amp; Album Length: 16 tracks \/ (36:39)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: 8-page colour booklet with liner notes by Jim Lochner \/ Limited to 1000 copies.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: John Scott<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>John Scott\u2019s gorgeous music for this buried film would remain largely  forgotten if not for a single odd footnote as being \u2018that other cue\u2019 used in the  finale of <strong>Die Hard<\/strong> (1988). At the time, Michael Kamen was under  tense pressure to write a full score for the iconoclastic action film, but in  the end a few cues from the editor\u2019s temp track remained in the final release  mix, including the main theme from Scott\u2019s 1987 score, and an action cue from  James Horner\u2019s <strong>Aliens<\/strong> (1986).<\/p>\n<p>John Scott\u2019s music was originally released by Varese Sarabande on an  audiophile quality LP and as part of the label\u2019s first CD wave, making that CD  an instant collectible. Replicating the same tracks and non-chronological track  order, the first cue on the reissue is in fact the score\u2019s end credit music, and  although the highly melodic work opens the album with sublime elegance, it does  runs contrary to the mood established by Scott in his grimmer title music.<\/p>\n<p><strong>Man on Fire<\/strong> was later remade by Tony Scott in 2004, and  perhaps due to rights issues, the \u201987 version has vanished from circulation  since its first home video release and initial pay TV airings. Fans of John  Scott will enjoy the composer\u2019s shift from strong thematic material to striking  variations \u2013 a balance the composer adeptly pulled off in <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/g\/CD_0242_Greystoke.htm\">Greystoke: The  Legend of Tarzan, Lord of the Apes<\/a><\/strong> (1984) \u2013 and there are  essentially three components to the score: the brooding, minimalist theme  variations for the film\u2019s dark sections; a strangely grandiose version (\u201cSam  Wins the Race\u201d) that\u2019s all twittering emotions and deeply saturated chords with  a huge emphasis on strings; and more straightforward versions (such as the gushy  \u201cBecoming Friends\u201d and \u201cWe\u2019ve Got Each Other,\u201d the latter used in <strong>Die  Hard<\/strong>).<\/p>\n<p>Being an 80s score, Scott does make use of some rock elements, including the  more 70s styled \u201cStart of the Search\u201d with xylophones, electric guitar and bass  guitar; and there\u2019s contemporary sounds within \u201cRabbia Must Die\u201d with electric  elements and a short march motif reminiscent of Scott\u2019s marvelous <strong>King  Kong Lives<\/strong>.<\/p>\n<p>Scott went through an American period of sorts, getting plum assignments as  Brit directors were signed to helm big budget productions, and with Hollywood  cash, he wrote large scale works that often transcended the banality and glaring  flaws of the finished films. Among his best work are <strong>King Kong  Lives<\/strong> (1986), the sublime <strong>The Deceivers<\/strong> (1988), and  the Jean-Claude Van Damme actioner <strong>Lionheart<\/strong> (1990).<\/p>\n<p>The only downside to this pristine-sounding album is its short running time  (most of the cues run under 2 minutes), but as the new liner notes infer, the CD  features the full score, including material dropped from the film. The  replicated track sequencing was also designed by Scott to avoid heavy theme  repetition.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0779346\/\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/title\/2113\/Man+On+Fire\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/92\/John+Scott\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Select Merchants:<\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/s\/?_encoding=UTF8&amp;camp=15121&amp;creative=390961&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;rh=n%3A916514%2Ck%3Asoundtracks&amp;tag=kqco-20&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/s\/?_encoding=UTF8&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&amp;rh=n%3A5174%2Ck%3Asoundtracks&amp;field-keywords=soundtracks&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/s\/?_encoding=UTF8&amp;camp=1634&amp;creative=19450&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;tag=kqco-21&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> &#8212;\u00a0<a href=\"http:\/\/www.buysoundtrax.com\/\" target=\"window\">BSX<\/a> &#8212;\u00a0<a href=\"http:\/\/store.intrada.com\/\" target=\"window\">Intrada<\/a> &#8212; <a href=\"http:\/\/click.linksynergy.com\/fs-bin\/stat?id=zOBnygngHb8&amp;offerid=146261&amp;type=3&amp;subid=0&amp;tmpid=1826&amp;RD_PARM1=https%253A%252F%252Fitunes.apple.com%252Fus%252Falbum%252Fman-on-fire-from-man-on-fire%252Fid396799279%253Fi%253D396799402%2526uo%253D4%2526partnerId%253D30\">iTunes<\/a> &#8212;\u00a0<a href=\"http:\/\/screenarchives.com\/\" target=\"window\">SAE<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1503\">M<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ M . Rating: Excellent Label: Varese Encore\u00a0\/ Released: November 5, 2012 Tracks &amp; Album Length: 16 tracks \/ (36:39) . Special Notes: 8-page colour booklet with liner notes by Jim Lochner \/ Limited to 1000 copies. . Composer: John Scott . . Review: John Scott\u2019s gorgeous music for this buried [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1965,144,1964],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1EV","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6381"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6381"}],"version-history":[{"count":3,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6381\/revisions"}],"predecessor-version":[{"id":6432,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6381\/revisions\/6432"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6381"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6381"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6381"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}