{"id":6400,"date":"2013-04-16T02:16:24","date_gmt":"2013-04-16T06:16:24","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=6400"},"modified":"2013-04-16T02:17:07","modified_gmt":"2013-04-16T06:17:07","slug":"fairy-in-a-cage-ori-no-naka-no-yosei-1977","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6400","title":{"rendered":"DVD: Fairy in a Cage \/ Ori no naka no y\u00f4sei (1977)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=617\">F<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/04\/FairyInACage.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-6401\" title=\"FairyInACage\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/04\/FairyInACage.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Good\/ DVD Transfer: Very Good\/ DVD Extras: Standard<\/p>\n<p>Label: <a href=\"http:\/\/synapse-films.com\/category\/nikkatsu-collection\/\">Impulse Pictures \/ Synapse Films<\/a> \/ Region: 1 (NTSC) \/\u00a0Released: April 2, 2013<\/p>\n<p>Genre: Japanese Pink \/ Adult \/ S&amp;M<\/p>\n<p>Synopsis: \u00a0A judge uses his influence with the military to arrest the wife of an upper class peer and indulge in his cruel S&amp;M &#8220;hobby&#8221; under the pretext of Official State Justice.<\/p>\n<p>Special Features: 4-page colour booklet featuring liner notes by Japanese film historian Jasper Sharp.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Based on the novel by S&amp;M author Oniroku Dan, <strong>Fairy in a  Cage<\/strong> may be among Nikkatsu\u2019s most notorious and sadistic films, but  amid the hype its earned over the years, director Koyu Ohara doesn\u2019t indulge in  the graphic mangling or epic torture found in the work by cinema\u2019s most gifted  monster, Takeshi Miike (<strong>Audition<\/strong>, <strong>Masters of Horror:  Imprint<\/strong>).<\/p>\n<p>It may have been the censorship rules of the time which restricted deep &amp;  dirty details; views of any private frontage are carefully blocked during the  neatly composed S&amp;M, and Ohara often uses objects, like a sildier&#8217;s  flesh-coloured sword sheath, to infer an enormous male appendage &#8211; teasing  before committing any penetrating cruelty.<\/p>\n<p>Ohara may also have preferred to maintain a certain artiness to the fairly  simple (if not pretty banal) story where a jealous judge uses his influence with  the military to arrest a jeweler&#8217;s wife (played Japan\u2019s \u201cRope Queen,\u201d Naomi  Tani) and torture her to tempter his seething, Roman hunger for depravity.  That\u2019s essentially the plot, but its simple premise, spawned from male jealousy  and lust, is easily contemporary since news pieces of women and men pointlessly  tortured due to power plays and ethnic cleansing policies aren\u2019t rare.<\/p>\n<p>Ohara\u2019s film, however, does linger on certain procedures (perhaps due to the  credited involvement of a bondage consultant), and the fact a male character is  also abused shouldn\u2019t be read as some effort to transcend the rampant misogyny  of Nikkatsu\u2019s nasties. When an arrested actor supposedly names the jewel&#8217;s wife  (who&#8217;s also the president of his fan club!) for associating with an  insurrectionist, the two are tossed naked into separate cells and dragged out to  watch each other\u2019s protracted abuse. Because the actor is known for playing  women, his groveling has an effete quality, placing him not only on the same  level as the tormented wife, but available for assault by the judge&#8217;s  girlfriend, a woman normally accustomed to being trussed up and prodded.<\/p>\n<p>There is political commentary within <strong>Fairy<\/strong>, but it\u2019s more  opportunistic that strategic; the few jabs at the corrupt military police adds  just a bit more authenticity to the film\u2019s WWII veneer. The story also feels  like a pastiche of conventions, since the glee of the torturers \u2013 the judge with  a unique \u201chobby,\u201d his normally submissive girlfriend, the military confidante  and his new assistant \u2013 is on par with the bored and hungry-for-entertainment  villains in nazipolitation nonsense of the decade, if not DeSade&#8217;s epic  <strong>120 Days of Sodom<\/strong>. It\u2019s also more small-scale \u2013 there are only  two victims + four perpetrators in this mean little play \u2013 but like the  naziploitation flicks, the ending involves an escape, a flight to rural  environs, and a finale that follows the nihilistic worldview in many of  Nikkatsu\u2019s nastiest Roman Pornos. The finale also echoes a bit of John Fowles\u2019  <strong>The Collector<\/strong>, where the wife \u2013 who once again becomes a \u2018kept\u2019  woman \u2013 becomes ill, which forces her hero \/ captor to reluctantly act quickly  to ensure his secluded little shack doesn\u2019t become an impromptu crypt.<\/p>\n<p>Impulse\u2019s DVD features a new HD transfer mastered from the 35mm camera  negative (a Blu-ray release is also available) that\u2019s oddly less robust in the  amount of colour saturation typical of the Roman Pornos (maybe it\u2019s from filming  exteriors under fairly overcast skies?), and a bit soft in detail. The  soundtrack is a clean mono, and Hajime Kaburagi\u2019s score (written under the  <em>nom de plume<\/em> Taichi Yamanashi) is a sparse mix of jazz with slight  funk, and slight orchestral cues. Most of the music is isolated to the film\u2019s  exterior bookends, and rarely evokes mid-forties Japan.<\/p>\n<p><strong>Fairy<\/strong> has its disturbing material, but it\u2019s also quite  ridiculous \u2013 perhaps due to the often funny dialogue (\u201cItchy\u2026 So Itchy\u201d says the  actor after having his privates treated with magic itching powder). There&#8217;s also  Ohara\u2019s need to focus on bodily fluids, as in a hasty enema scene (perhaps a  reference to Tani&#8217;s best-known work, <strong>Wife to be Sacrificed<\/strong>,  which celebrated backdoor cleansing), and Tani discovering she must micturate  not into a toilet, but a hole under which stands her tormentors with an empty  silver-plated serving bowl.<\/p>\n<p>Impulse has also released Ohara\u2019s first two Women in Prison entries,  <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/4063_TrueStoryWomanInJailSexHell.htm\">True  Story of a Woman in Jail: Sex Hell<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6404\">M<\/a>] (1975) and <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/4064_TrueStoryWomanInJailContinues.htm\">True  Story of a Woman in Jail: Continues<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6406\">M<\/a>] (1975), plus the unambiguously  titled<strong> I Love It from Behind!<\/strong> (1981).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0226267\/combined\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/4966\/Hajime+Kaburagi\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Amazon Search Links:<\/em><\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><br \/>\n<span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=617\">F<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ F . Film: Good\/ DVD Transfer: Very Good\/ DVD Extras: Standard Label: Impulse Pictures \/ Synapse Films \/ Region: 1 (NTSC) \/\u00a0Released: April 2, 2013 Genre: Japanese Pink \/ Adult \/ S&amp;M Synopsis: \u00a0A judge uses his influence with the military to arrest the wife of an [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[1977,1486,1976,1506],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Fe","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6400"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6400"}],"version-history":[{"count":6,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6400\/revisions"}],"predecessor-version":[{"id":6420,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6400\/revisions\/6420"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}