{"id":6621,"date":"2013-05-14T14:53:56","date_gmt":"2013-05-14T18:53:56","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=4026"},"modified":"2013-05-14T14:53:56","modified_gmt":"2013-05-14T18:53:56","slug":"soundtrack-reviews-%e2%80%93-reissues-premieres","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6621","title":{"rendered":"Soundtrack Reviews \u2013 Reissues &amp; Premieres"},"content":{"rendered":"<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/07\/CompactDisc_image_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-863\" title=\"CompactDisc_image_s\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2010\/07\/CompactDisc_image_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Just uploaded another quartet of reviews of which some are  reissues, and a few genuine premieres.<\/p>\n<p>Have to admit I\u2019d never heard of John Barry&#8217;s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/f\/CD_0443_FirstLove1977.htm\">First Love<\/a> <\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=6597\">M<\/a>], but La-La Land\u2019s  production is really beautiful, especially the graphic design of the booklet  and sleeve. Given this was a Paramount  production, perhaps it\u2019s in the pipeline at Olive, since they\u2019ve been mining  the studio\u2019s catalogue on DVD and Blu-ray for the last few years.<\/p>\n<p>Also from LLL is an expanded release of James Newton&#8217;s  Howard&#8217;s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/g\/CD_0444_GrandCanyon1991.htm\">Grand  Canyon<\/a> <\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=6602\">M<\/a>] \u2013 a personal  favourite \u2013 and a remastered reissue of John Williams&#8217; <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/j2l\/CD_0445_JaneEyre1971.htm\">Jane  Eyre<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6607\">M<\/a>], which features  one of the composer\u2019s most memorable romantic themes.<\/p>\n<p>Perhaps due to the interest from a theme extract in Silva  Screen\u2019s compilation CD <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/t2u\/CD_0352_TitanicEpicMusicalVoyage.htm\">Titanic:  The Epic Musical Voyage<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=4649\">M<\/a>],  the label sought out Howard Blake\u2019s score for <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/s\/CD_0446_SOSTitanic.htm\">S.O.S.  Titanic<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6612\">M<\/a>], and their  elegant CD features both score tracks and period source music.<\/p>\n<p>Also of note (and a little self-serving): in the May issue of Rue Morgue magazine I&#8217;ve reviews of John Williams&#8217; <strong>The Fury<\/strong>, which LLL released as a 2-disc set in tandem with Twilight Time&#8217;s new <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/f\/4070_Fury1978.htm\">Blu-ray<\/a> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6577\">M<\/a>]; Marco Beltrami and Buck Sanders&#8217; fun score for <strong>Warm Bodies<\/strong> (Red River Entertainment); and Mondo Tees&#8217; 2-LP set of <strong>Poltergeist<\/strong>, which features the Rhino mastering of Jerry Goldsmith&#8217;s superb score for Tobe Hooper &amp; Steven Spielberg&#8217;s <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/3711_Poltergeist1982.htm\">eighties classic<\/a> [<a href=\"http:\/\/kqek.com\/mobile\/?p=1208\">M<\/a>].<\/p>\n<p>In addition to a review of TT&#8217;s <strong>Christine<\/strong> Blu-ray (which looks &amp; sounds gorgeous), I&#8217;ve a tally of 10 top British horror scores, noting several that deserve a release after lying dormant in vaults, garages, boxes, and closets for decades. One title that was shortlisted is Ron Grainer&#8217;s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/2270_StraightOn.htm\">Straight On Til Morning<\/a><\/strong>, an underrated gem of a score &amp; film which ranks as one of Hammer&#8217;s best seventies shockers. I think I asked a producer years ago about a score release, and the response was the familiar &#8216;they wanted an irrational amount of money,&#8217; which is a pity, since so few of Grainer&#8217;s work exists in complete form on CD.<\/p>\n<p>The point of the RM tally was to alert fans of the good music out there, but the stealth goal on my part purpose is really simple: it&#8217;s a challenge to producers, labels, and rights holders to find common ground and release some of Britain&#8217;s best horror scores. I know there&#8217;s at least one or two bull-headed producers out there who share the same love for Ron Grainer&#8217;s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/2884_VillageDamned.htm\">Village<\/a> <\/strong>+ <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/c\/2885_ChildrenDamned.htm\">Children of the Damned<\/a><\/strong>, Humphrey Searle&#8217;s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/h\/2603_Haunting1963.htm\">The Haunting<\/a><\/strong>, Paul Ferris&#8217; <strong>Witchfinder General<\/strong>, Delia Derbyshre + Brian Hodgson + Dudley Simpson&#8217;s <strong>Legend of Hell House<\/strong>, and Guy Farley&#8217;s <strong>The Broken<\/strong>.<\/p>\n<p>Lastly, and somewhat related: the Cole Porter \u2013 Peter Bogdanovich cult  film \/ career assault <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/a\/3710_AtLongLastLove1975.htm\">At Long  Last Love<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=1196\">M<\/a>] has popped  up on Amazon.com as a pre-order title (<a id=\"static_txt_preview\" href=\"http:\/\/www.amazon.com\/gp\/product\/B00CQGLD9S\/ref=as_li_qf_sp_asin_tl?ie=UTF8&amp;camp=211189&amp;creative=373489&amp;creativeASIN=B00CQGLD9S&amp;link_code=as3&amp;tag=kqco06-20\" >At Long Last Love &#8217;75 [Blu-ray]<\/a>)<\/p>\n<p>TT announced the release several months ago as an  exclusive title, and while Fox engaged the label to handle all the production  details, perhaps the studio realized the film\u2019s pent-up potential and chose a  broader release. No word on whether it\u2019s an exclusive deal the way Warner Bros.  isolated the new <strong>Funny Girl<\/strong> Blu-ray to Amazon.com (<a id=\"static_txt_preview\" href=\"http:\/\/www.amazon.com\/gp\/product\/B0033AI4PM\/ref=as_li_tf_tl?ie=UTF8&amp;camp=211189&amp;creative=373489&amp;creativeASIN=B0033AI4PM&amp;link_code=as3&amp;tag=kqco06-20\" >Funny Girl [Blu-ray]<\/a>), bit after years of being  written about by a select few but rarely seen by anyone after its original release (if  not sparse TV airings), the mystique surrounding Bogdanovich\u2019s misstep should  soon be revealed.<\/p>\n<p><em>Coming shortly<\/em>:  the last set of reviews from Hot Docs 2013 + a related DVD review.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reviews of John Barry&#8217;s previously unreleased First Love, an expanded release of James Newton&#8217;s Howard&#8217;s Grand Canyon, a remastered reissue of John Williams&#8217; Jane Eyre (all from La-La Land Records), and the premiere release of Howard Blake&#8217;s S.O.S. Titanic (Silva Screen), plus my latest reviews in Rue Morgue magazine, and Peter Bogdanovich&#8217;s At Long Last Love appears as a pre-order on Amazon.com.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[],"tags":[],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1IN","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6621"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6621"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6621\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}