{"id":6665,"date":"2013-05-21T02:21:28","date_gmt":"2013-05-21T06:21:28","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=4038"},"modified":"2013-05-21T02:21:28","modified_gmt":"2013-05-21T06:21:28","slug":"cancon-101-sexcula-%e2%80%93-%e2%80%9cshe%e2%80%99ll-suck-more-than-your-blood%e2%80%9d","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6665","title":{"rendered":"CanCon 101: Sexcula \u2013 \u201cShe\u2019ll suck more than your blood!\u201d"},"content":{"rendered":"<div id=\"attachment_4041\" class=\"wp-caption alignleft\" style=\"width: 230px\"><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2013\/05\/Sexcula_cvr.gif\"><img loading=\"lazy\" class=\"size-full wp-image-4041\" title=\"Sexcula_cvr\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2013\/05\/Sexcula_cvr.gif\" alt=\"\" width=\"220\" height=\"282\" \/><\/a><\/p>\n<p class=\"wp-caption-text\">And she will!<\/p>\n<\/div>\n<p>When Impulse Pictures \/ Synapse Films announced they were  releasing <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/s\/4076_Sexcula.htm\">Sexcula<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6622\">M<\/a>] (1974) on DVD, my first response  was \u2018Really? It actually exists?\u2019<\/p>\n<p>The <em>real<\/em> congnocenti of CanCon are aware of this oddball horror-hardcore porn, primarily  because of its mention in Calum Vatnsdal\u2019s mandatory (and very wryly written)  book <strong>They Came from Within: A History of  Canadian Horror<\/strong> (2004), perhaps the best chronicle of Canadian film and the  reasons why we maintain a collective disdain for things produced during the tax  shelter years.<\/p>\n<p><strong>Sexcula <\/strong>was reportedly a beneficiary of the CCAP which allowed  investors to dump cash into a film production and receive between 60%-100%  credit for their generous cultural donation, which means Hey! We sort of  financed authentic maple porn!<\/p>\n<p>We made films in a variety of genres, but horror seemed to  be the one that\u2019s saved more than a few from utter oblivion (except airings on  TV because of minimum Canadian content regulations, as on Bravo and Showcase).<\/p>\n<p>Not all horror titles have been rescued, but a few genuine classics have been  given proper home video releases. (<strong>Rituals<\/strong> comes to mind primarily because, well, I just finished my last rewrite on my  chapter for the book <strong>Terror of the Soul<\/strong>,  edited by Andre Loiselle, and slated soon for publication by U of T Press .)<\/p>\n<p>The story behind <strong>Sexcula <\/strong>is perhaps a classic case where  after delivering a completed film and earning his write-off, the film\u2019s  producer really had no reason to release the film, so after no one seemed  interested in handling the unique property, it was locked away, save for a  print that was bought by <em>the National  Archives<\/em> in Ottawa, where it rested under the same roof as the country\u2019s  other multimedia history.<\/p>\n<p>Porn \u2013 just a few kilometers from the Parliament  buildings. Why, if the Prime Minster really wanted to, he could <em>drive<\/em> down and  <em>see <\/em><strong>Sexcula<\/strong> for <em>himself <\/em>and <em>see <\/em> Debbie Collins\u2019 overactive pelvic muscles.<\/p>\n<p>Impulse\u2019s DVD perhaps signifies the best alternative for  CanCon of any ilk: if someone with a keen interest and savvy business is able  to market the film to niche audiences who lie waiting in Canada, the U.S., and  maybe Canadian naval bases, then let them do so, because the possibility a  Canadian label will eventually get to locked-up cult titles, gems, and grandiose  duds is a pipe dream.<\/p>\n<p>There\u2019s simply aren\u2019t enough indie labels in Canada willing  to handle pure tax shelter CanCon, and the one corporation that owns almost  everything that used to be independent, EOne, is still sorting through a truly  massive catalogue of indigenous, American, and international titles it owns or to which it has various distribution rights. A good assets management film geek is what  they need (Me?), but until all those rights agreements between distributors and  investors (dentists, podiatrists, construction impresarios) are addressed, the  prime source for CanCon remains foreign labels dedicated to our cult, our  kitsch, and our <em>classiques<\/em>. (Still waiting for the <strong>Grey Fox<\/strong>, though. The investors fudged a 30th  anniversary release in 2012, so maybe it\u2019s time on Blu-ray will come in 2017?)<\/p>\n<p>The only logical follow-up to a film titled <strong>Sexcula<\/strong> would be <strong>Spermula<\/strong> (1976), starring Udo Kier and Dayle Haddon, but alas, that  review will have to wait.<\/p>\n<p><em>Yes, Udo made a  feature-length film called <strong>Spermula<\/strong>.<\/em><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Yes, it&#8217;s true: the first and perhaps only hardcore film to enjoy the benefits of Canada&#8217;s tax shelter system during the heady seventies not only exists, but is available on DVD from Impulse Picttures \/ Synapse Films. I guess this means as taxpayers, we took part in Sexcula&#8217;s making, and I&#8217;m okay with that. Are you?<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[2047,2042,4212],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Jv","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6665"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6665"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6665\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}