{"id":6761,"date":"2013-06-22T12:17:05","date_gmt":"2013-06-22T16:17:05","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=6761"},"modified":"2013-06-22T12:17:05","modified_gmt":"2013-06-22T16:17:05","slug":"dvd-those-daring-young-men-in-their-jaunty-jalopies-monte-carlo-or-bust-1969","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6761","title":{"rendered":"DVD: Those Daring Young Men in Their Jaunty Jalopies \/ Monte Carlo or Bust (1969)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=605\">T to U<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/06\/ThoseDaringYoungMen.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-6762\" title=\"ThoseDaringYoungMen\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/06\/ThoseDaringYoungMen.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Weak\/ DVD Transfer: Very Good\/ DVD Extras: Standard<\/p>\n<p>Label: Legend Films\/ Region: 1 (NTSC) \/\u00a0Released: June 3, 2008<\/p>\n<p>Genre: Comedy<\/p>\n<p>Synopsis: A madcap auto race martials a contingent of international drivers from all corners of Europe to Monte Carlo.<\/p>\n<p>Special Features: Theatrical Trailer<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Conceived as a sequel to <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/t2u\/2800_ThoseMag.htm\">Those Magnificent  Men in Their Flying Machines<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6757\">M<\/a>] (1965), writers Ken Annakin and  Jack Davies basically transposed the mega-chase of early planes to automobiles,  but the concept was hardly new by 1969 \u2013 star Tony Curtis had already appeared  in Blake Edwards&#8217; farcical (and much longer) <strong>The Great Race<\/strong> (1965), which similarly dealt with an international patchwork of racers driving  through international borders; and John Frankenheimer delivered what remains the  best car racing film on record, <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/g\/3885_GrandPrix1966.htm\">Grand  Prix<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=2988\">M<\/a>] (1966). (That  film\u2019s assistant director, Sam Itzkovitch, was hired to direct the French racing  sequences in <strong>Jalopies<\/strong>.)<\/p>\n<p>Instead of Fox handling the production, Paramount jumped onto the trend, and  Annakin once again directed and co-wrote the film, augmented by another  international cast, and bringing back a trio of actors from  <strong>Flying<\/strong>: Terry-Thomas plays the son of arrogant flyer  Ware-Armitage from the first film, reluctantly assisted by the son of his  father\u2019s loyal yet perpetually unhappy aide (Eric Sykes again); and Gert Frobe  was recast as a German driver, freshly sprung from jail by a Russian jewel  thief.<\/p>\n<p>Unlike <strong>Flying<\/strong>, though, Annakin had a combination of less  money and an underdeveloped script, and more severely, the broader scope \u2013  several groups of drivers from around Europe converge in Monte Carlo for one  final race \u2013 meant more time was given for tiresome vignettes to keep the  caricatures fresh. There&#8217;s no character development beyond a protracted romance  between U.S. driver Chester Schofield (Curtis, mugging his scenes with plenty of  extreme face gestures, and sporting very sixties mutton chops), and a British  hottie (<strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/d\/4075_DrJekyllMrHyde1973.htm\">Dr. Jekyll  and Hyde<\/a><\/strong>\u2019s [<a href=\"http:\/\/kqek.com\/mobile\/?p=6590\">M<\/a>] Susan  Hampshire), secretly hired by Ware-Armitage to send the Yankee in the wrong  direction.<\/p>\n<p>Not only does their first genuine moment of attraction occur at the film\u2019s  midpoint, but Annakin\u2019s character intros are hastily conceived to get everyone  fast into a car within the film&#8217;s first few minutes. More irritating, unlike  <strong>Flying<\/strong>, no attention is given to the vintage vehicles \u2013 a  grievous blunder for car enthusiasts \u2013 and many of the skits run beyond their  natural lifespans. Annakin also under-cranked several scenes to give the film a  retro-feel, but the process backfires and dilutes any drama into a crayon  cartoon.<\/p>\n<p>Perhaps the film\u2019s biggest failing lies in the extremely obvious use of  stand-ins for all second unit location work (we rarely see star faces anywhere  except in warm &amp; sunny locations), and most stars are clearly standing in  front of rear projection screens in a studio setting. (The Monte Carlo material,  however, is mostly authentic.) Rarely are the actors shown in moving vehicles,  and any care for elaborate camera movements and beautifully choreographed stunts  is largely absent \u2013 the lone exceptions are a frozen lake sequence, and the  snaking Monte Carlo roads in the finale.<\/p>\n<p><strong>Jalopies<\/strong> isn\u2019t a lazily made film, but a truncated version  of a broader vision which may have been scaled back after Paramount realized  their international co-production needed to maintain strict fiduciary fidelity.  Annakin\u2019s interest in letting scenes unfurl with inspired improvisational  material from his cast feels curtailed, and perhaps the only material that  retains some mirth are the stark send-ups of British Colonials from Dudley Moore  and Peter Cook, and short scenes with whiny race emcee Monsieur Dupont (played  by French comedic icon Bouvril).<\/p>\n<p>Few of the international actors get much screen time (a trio of leggy French  actresses playing medical students barely register, even as eye candy), and Jack  Hawkins as the corrupt Russian jewel thief is almost unrecognizable in make-up  and voice \u2013 the latter due to his voice being dubbed by Robert Rietty, who uses  the same vocal stylings as his dub work for Adolfo Celi in  <strong>Thunderball<\/strong>).<\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Ronald_Searle\" target=\"window\">Ronald  Searle<\/a>\u2019s animated titles are nice, and returning composer Ron Goodwin  contributes a serviceable animated score (with a title tune sung by <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/i\/3924_ItsAMadMadMadMadWorld.htm\">It\u2019s a  Mad, Mad, Mad, Mad World<\/a><\/strong>\u2019s [<a href=\"http:\/\/kqek.com\/mobile\/?p=3573\">M<\/a>] Jimmy Durante), but the sound mix  is weirdly processed \u2013 instead of the broad stereo pattern in  <strong>Flying<\/strong>, the credited stereo consultant settled for a delayed  channel that creates a banal echo effect for the music tracks.<\/p>\n<p>Legend\u2019s DVD contains a trailer that\u2019s surprisingly mediocre, and the  <strong>Jalopies<\/strong> transfer is adequate, given its taken from a rather  harsh, high contrast film print with poor colour saturation (which makes the  extensive rear projection and optical transitions grainy). A Blu-ray combo  marries <strong>Jalopies<\/strong> with another Curtis film,  <strong>Houdini<\/strong> (1953).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0064688\/combined\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=21633\">Soundtrack Album <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/composerdetail.php?composerid=17\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Vendor Search Links:<\/em><\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/>&#8212;<a href=\"http:\/\/click.linksynergy.com\/fs-bin\/click?id=zOBnygngHb8&amp;offerid=162397.10000013&amp;type=3&amp;subid=0\" target=\"new\">New movie releases on iTunes<\/a><img loading=\"lazy\" src=\"http:\/\/ad.linksynergy.com\/fs-bin\/show?id=zOBnygngHb8&amp;bids=162397.10000013&amp;type=3&amp;subid=0\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><br \/>\n<span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=605\">T to U<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ T to U . Film: Weak\/ DVD Transfer: Very Good\/ DVD Extras: Standard Label: Legend Films\/ Region: 1 (NTSC) \/\u00a0Released: June 3, 2008 Genre: Comedy Synopsis: A madcap auto race martials a contingent of international drivers from all corners of Europe to Monte Carlo. Special Features: Theatrical [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[2085,2088,2084,2087],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1L3","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6761"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6761"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6761\/revisions"}],"predecessor-version":[{"id":6764,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6761\/revisions\/6764"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6761"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}