{"id":6829,"date":"2013-07-18T15:19:50","date_gmt":"2013-07-18T19:19:50","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=4145"},"modified":"2013-07-18T15:19:50","modified_gmt":"2013-07-18T19:19:50","slug":"marco-beltrami%e2%80%99s-the-wolverine","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=6829","title":{"rendered":"Marco Beltrami\u2019s The Wolverine"},"content":{"rendered":"

\"\"<\/a>The Wolverine<\/a> [M<\/a>] – not to be confused with X-Men Origins: Wolverine<\/strong> (2009) – looms on July’s release horizon, so I’ve uploaded an early review of Marco Beltrami’s unusually understated score.<\/p>\n

I’ll also have set of superhero-ish \/ comic book \/ graphic novel soundrack reviews up shortly, including Wolverine<\/strong>‘s polar opposite, the massive World War Z<\/strong>, also scored by Beltrami. Coming up in the next Rue Morgue issue is my interview with Beltrami who discusses WWZ<\/strong>‘s thematic design and post-production challenges. A longer podcast version will be up at Big Head Amusements soon after, with additional discussions on favourite action scores recent, a little older.<\/p>\n

Next week Andrew Bujalski’s Computer Chess<\/strong> opens in Toronto, and I should have one (and maybe two) videos up at Big Head Amusements, detailing the specific camera line used for the film – the Sony AVC-3260 – and an example of how to set up its kissing cousin, the AVC-3250, for filming with its needed 2:1 sync pulse.<\/p>\n

In English<\/em>: there’ll be a video showing how to set up a nearly 40 year old B&W video camera for filming (in case you’re keen on trying out a dino-cam for a similar project), and maybe a related short showing what some edited footage looks like as shot with a 3250. Here’s a link to the first part in this series, the brilliantly titled (ahem) Getting in Sync<\/a>.<\/p>\n

.<\/span><\/p>\n

.<\/span><\/p>\n

Mark R. Hasan<\/strong>, Editor
\nKQEK.com <\/strong>( Main Site<\/a> \/ Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"

Early review of Marco Beltrami’s The Wolverine (Sony Classical) – an unusually understated score from the master of orchesral action.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[1],"tags":[2112],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1M9","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6829"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6829"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/6829\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6829"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6829"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}