{"id":7164,"date":"2013-10-19T11:33:45","date_gmt":"2013-10-19T15:33:45","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=7164"},"modified":"2013-10-19T11:33:45","modified_gmt":"2013-10-19T15:33:45","slug":"lp-new-goblin-tour-2013-ep-2013","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=7164","title":{"rendered":"LP: New Goblin: Tour 2013 EP (2013)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1507\">N to O<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/10\/GoblinTour2013EP_LP_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-7165\" title=\"GoblinTour2013EP_LP_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/10\/GoblinTour2013EP_LP_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Very Good<\/p>\n<p>Label: <a href=\"http:\/\/deathwaltzrecordingcompany.com\/\" target=\"_blank\">Death Waltz<\/a> \/ Released: October, 2013<\/p>\n<p>Tracks &amp; Album Length: 4 tracks \/ (19:32)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: Limited 12&#8243; EP presswed on transluscent red vinyl \/ Available at concert venues and via <a href=\"http:\/\/deathwaltzrecordingcompany.com\/shop\/goblin-2013-tour-ep\/\" target=\"_blank\">Death Waltz Recording Co.<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: Goblin (as New Goblin)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Although comprised of just four tracks, this 45rpm 12\u201d EP offers a  tantalizing sampler of what may lie ahead when Goblin \/ New Goblin release a  full studio LP featuring more material from their first ever North American tour  in 2013. (It hasn\u2019t yet been announced, but it seems inevitable. If not a studio  recording, then perhaps a live album, as was done for the band\u2019s Rome and Tokyo  dates in 2011.)<\/p>\n<p>Why they never made it to the North American side of the pond over the past  30+ years may not be such a mystery, given the band\u2019s make-up changed several  times since its debut in 1975 as Goblin. (Prior names, with different band  members included Cherry Five and Oliver.) The band also became increasingly  busy, scoring movies for directors like Dario Argento, plus branching off to  engage in personal projects and collaborations.<\/p>\n<p>What is clear is the long wait, while difficult for fans, was worth it.  Founding trio Maurizio Guarini (keyboards), Massimo Morante (guitar), and  Claudio Simonetti (keyboards) clearly demonstrated during the 2013 tour and on  this EP that they still have the chops to play their complex amalgam of rock,  jazz, and a little classical.<\/p>\n<p>In the current incarnation of New Goblin, the elder musicians are joined by  two members from Simonetti\u2019s <a href=\"http:\/\/www.daemonia.it\/main.html\" target=\"_blank\">Daemonia<\/a> band, who played a mix of Goblin and  Simonetti standards. Bassist Bruno Previtali and drummer Titta Tani stay  <em>very close<\/em> to the original arrangements, solos, and performance nuances  of the original recordings, but add their own delightful touches.<\/p>\n<p>Sleeved in striking cover art by <a href=\"http:\/\/www.grahamhumphreys.com\/\" target=\"window\">Graham Humphreys<\/a>, Death Waltz Records have packed four decent  length theme renditions from <strong>Deep Red<\/strong> (4:00), the non-film  album <strong>Roller<\/strong> (4:19), <strong>Suspiria<\/strong> (6:51) and  <strong>Tenebre<\/strong> (4:22), and both the studio and album mastering are  flawless, bringing out the best sonics with resonant bass and enveloping organ  solos. The translucent red vinyl stock is very clean, with virtually no surface  noise.<\/p>\n<p>The most interesting theme upgrade includes a gradual easing of panned synth  voices (oddly reminiscent of Queen) in <strong>Suspiria<\/strong>\u2019s finale. A  slightly edgier sound in <strong>Tenebre<\/strong> may just stem from individual  performances, especially Tani\u2019s metal-styled drumming which replaces the synth  machine used in the original recording. Previtali\u2019s bass licks are near-perfect  to the original recording, but he goes for slightly lower notes during  Simonetti\u2019s organ fugue. The cue also contains slight screaming voices after the  opening bars, after which Simonetti\u2019s processed vocals carry the theme\u2019s catchy  harmonic phrase.<\/p>\n<p>The four tracks demonstrate how close everyone stuck to the original themes,  but hopefully there are other tracks from the recording session which feature  longer material and extended solos. If Death Waltz does indeed release a special  vinyl edition at some point, it shouldn\u2019t be super-limited; it would be a shame  for fans to miss out on a great opportunity to hear such solid musicianship.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/name\/nm0006102\/reference\">IMDB <\/a>&#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/2175\/Goblin\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Select Merchants:<\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/s\/?_encoding=UTF8&amp;camp=15121&amp;creative=390961&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;rh=n%3A916514%2Ck%3Asoundtracks&amp;tag=kqco-20&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/s\/?_encoding=UTF8&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&amp;rh=n%3A5174%2Ck%3Asoundtracks&amp;field-keywords=soundtracks&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/s\/?_encoding=UTF8&amp;camp=1634&amp;creative=19450&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;tag=kqco-21&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> &#8212;\u00a0<a href=\"http:\/\/www.buysoundtrax.com\/\" target=\"window\">BSX<\/a> &#8212;\u00a0<a href=\"http:\/\/store.intrada.com\/\" target=\"window\">Intrada<\/a> &#8212;\u00a0<a href=\"http:\/\/screenarchives.com\/\" target=\"window\">SAE<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1507\">N to O<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ N to O . Rating: Very Good Label: Death Waltz \/ Released: October, 2013 Tracks &amp; Album Length: 4 tracks \/ (19:32) . Special Notes: Limited 12&#8243; EP presswed on transluscent red vinyl \/ Available at concert venues and via Death Waltz Recording Co. . Composer: Goblin (as New Goblin) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[2287,2283,2282,480,2288,1636,2285,2284,2281,2286],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Ry","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7164"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7164"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7164\/revisions"}],"predecessor-version":[{"id":7167,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7164\/revisions\/7167"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}