{"id":7271,"date":"2013-11-23T12:51:00","date_gmt":"2013-11-23T17:51:00","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=7271"},"modified":"2013-12-03T11:35:47","modified_gmt":"2013-12-03T16:35:47","slug":"dvd-snack-bar-budapest-1988","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=7271","title":{"rendered":"DVD: Snack Bar Budapest (1988)"},"content":{"rendered":"<p><em><strong>Return to: <\/strong><a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=633\">S<\/a><\/p>\n<p><em><span style=\"color: #ffffff;\">.<\/span><\/em><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/11\/SnackBarBudapest_MyaDVD.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-7272\" title=\"SnackBarBudapest_MyaDVD\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/11\/SnackBarBudapest_MyaDVD.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Film: Very Good\/ DVD Transfer: Good\/ DVD Extras: n\/a<\/p>\n<p>Label: Mya Communications\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: September 27, 2011<\/p>\n<p>Genre: Erotica \/ Drama \/ Crime<\/p>\n<p>Synopsis: While his girlfriend recovers from a medical procedure, a corrupt lawyer becomes entranced by the grand visions of a punk mob boss.<\/p>\n<p>Special Features: (none)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>Yes, Giancarlo Giannini actually appeared in a film directed, edited, and  co-written by Tinto Brass, and although it has blatantly erotic content,  <strong>Snack Bar Budapest<\/strong> is part of a cluster of his last great work,  made in collaboration with producer Giovanni Bertolucci before moving into  smaller-scaled softcore work pretty much aimed at the home video market.<\/p>\n<p>Although it shares tragic elements similar to <strong>The Key <\/strong>(1983)  &#8211; the loss of a great love deeply affects a leading \u00a0character &#8211; and both films  were derived from novels, <strong>Budapest<\/strong> is a peculiar fusion of a  classic Warner Bros. crime film, Brassian erotica, and a little homage to  <strong>Blade Runner <\/strong>(1982).<\/p>\n<p>Giannini plays a corrupt lawyer who ferries the woman he loves (Milena) to a  coastal clinic to end and unwanted pregnancy. As she spends the night in the  recovery ward after an abortion procedure, the is billeted in a hotel run by a  small Hungarian family (hence the title), and during a wander through town he  encounters a local thug &#8211; Molecola (Fran\u00e7ois N\u00e9gret) &#8211; a kind of <a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3747_LittleCaesar1931.htm\">Little  Caesar <\/a>[<a href=\"http:\/\/kqek.com\/mobile\/?p=2483\">M<\/a>]\u00a0who dreams of turning the town he controls into a grand Riviera. His  tactics of persuasion are highly lowbrow &#8211; physically threaten and destroy  commercial properties until the owners sell their establishment for a song &#8211; but  they\u2019re effective maneuvers, and for a short while the lawyer believes in the  magical optimism of his new friend.<\/p>\n<p>During a coke-filled party for Molecola&#8217;s arriving associate, the lawyer  wakes up from a heady daze and recognizes the punk\u2019s unwavering cruelty which  can only destroy lives, including the hotel\u2019s family of three whom the lawyer  once defended in a smuggling case for an unsympathetic judge (Tinto Brass in a  cameo).<\/p>\n<p>By defending their home &amp; business from Molecola\u2019s gang (which includes a  stable of prostitutes capable of some fancy shooting below, under, and close to  the environs of their crotches), the lawyer enrages the Little Caesar, and  triggers a fiery (and homoerotic) jealousy, and a series of tragic events.<\/p>\n<p>As grievous as the story sounds, <strong>Budapest<\/strong> is filled with  many absurd moments, and a rather brilliant repartee between the lead  characters. Even when the dialogue qualifies as clinically vulgar, it still  functions to set up progressive conflicts, especially when lawyer moves from a  trusted member of Molecola\u2019s entourage to a defender of local nobodies.<\/p>\n<p>The dialogue doesn&#8217;t make those graphic crotch shots of a post-op Milena any  less wrong, but there&#8217;s an ongoing ridiculousness to Brass&#8217; framing \u2013 splayed  legs and maximum beaver exposure \u2013 not to mention his roving macro lens. Even  the shootout at the hotel has he trembling mother and daughter under the kitchen  table angled across the slightly wide frame so as to display legs, undergarments  (or lack of), and bottoms. No matter how gratuitous a few American directors  have been with their own indulgences \u2013 Renny Harlin\u2019s cleavage and tight  bottomed characters in <strong>The Adventures of Ford Fairlane<\/strong> (1990),  or Neveldine \/ Taylor\u2019s ridiculously ass-centric <strong>Gamer<\/strong> (2009) \u2013  they can\u2019t capture the full cinematic lunacy of interpolating bum-bums in such a  celebratory manner.<\/p>\n<p><strong>Budapest<\/strong> also works as a genre satire &#8211; Molecola wears an  eighties-coloured zoot-suit and wraparound sunglasses, whereas the lawyer  resembles the trench-coated Harrison Ford in Ridley Scott&#8217;s <strong>Blade  Runner<\/strong> \u2013 and the film&#8217;s look is a great blend of ornate Art Nouveau  patterns and architecture with Brass&#8217; requisite phallic door and curbed window  arches, as photographed in a cool glassy blue colours. Even Zucchero&#8217;s song and  instrumental theme score offers a little style, although alongside the costumes  &#8211; Giannini&#8217;s coat excepted &#8211; they are quite dated (although much less so than  Brass\u2019 <strong>All the Ladies Do It<\/strong>).<\/p>\n<p>Part of the dating stems from Brass&#8217; own sense of erotic wardrobe &#8211; it&#8217;s a  weird hybrid of sleazy eighties clothes with retro fifties characteristics &#8211; and  it doesn&#8217;t help that all of the women are prostitutes \/ loose women; even the  hotelier&#8217;s wife offers her barely legal daughter to the lawyer in the hope he  won&#8217;t betray them to Molecola&#8217;s henchmen.<\/p>\n<p>The strange thing about <strong>Budapest<\/strong> is that in being rooted to  specific genres, Brass shows he\u2019s not out of his league; he\u2019s wholly adept in  staging and choreographing action scenes, especially the climactic shootout at  the hotel, and the film maintains a brisk momentum in spite of the wafting  between erotic interludes, generic riffs, and genuine tragedy. Yet Brass never  sits too long on a sad moment, nor the direness of being peppered to death by  Molecola\u2019s gang. In addition to gun-toting \/ ever-posing hookers, the men trot  out the cadaver of their college like a scene from <strong>Weekend at  Bernie&#8217;s<\/strong> (1989). Moreover, while perhaps only obvious to the trained  Brassian eye, there are some stealth references to sex organs, such as the tiles  which line the street in front of the hotel: they&#8217;re <em>all<\/em> <em>Art  Nouveau delta patterns<\/em>.<\/p>\n<p>Fans expecting a standard assembly of naughty scenarios where men and women  teach each other lessons in needs, jealousies, passion, a sense of independence,  and giving into impulses might be disappointed by the linear and emotionally  epic drama in <strong>Budapest <\/strong>(at least for a Brass film); instead of  an outright sex comedy, Brass finds his own balance between genres for this more  than functional hybrid.<\/p>\n<p><strong>Budapest<\/strong>\u2019s long overdue DVD release comes in this mediocre  release. Although the menu is in stereo, the Italian film soundtrack that  accompanies this <em>non-anamorphic <\/em>transfer is flat mono \u2013 likely a dub  from an old home video transfer instead of the cleaner stereo versions released  in Europe. Given this is one of his best late period works,  <strong>Budapest<\/strong> is deserving of a proper HD release, ideally with a  commentary or interview featurette with Brass, perhaps an interview with star  Giannini, and an isolated score of Zucchero\u2019s rare foray into film scoring.<\/p>\n<p>Brass\u2019 fruitful collaborations with producer Bertolucci include <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/j2l\/3159_TheKey1983.htm\">The Key<\/a> <\/strong>(1983), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/m\/3160_Miranda.htm\">Miranda<\/a><\/strong> (1985), <strong>Capriccio<\/strong> (1987), <strong>Snack Bar Budapest<\/strong> (1988), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/a\/3161_AllLadiesDoIt.htm\">All Ladies Do  It<\/a> <\/strong>(1992), <strong>P.O. Box Tinto Brass <\/strong>(1995), <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/f\/2903_FrivolousLola.htm\">Monella<\/a><\/strong> (1998), and <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/p2r\/3139_Private.htm\">Private<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=7276\">M<\/a>] (2003).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>External References<\/em>:<\/p>\n<p><a href=\"http:\/\/www.imdb.com\/title\/tt0096125\/combined\">IMDB <\/a>&#8212; <a href=\"http:\/\/kqek.com\/mobile\/?p=7292\">Soundtrack Review<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/catalog\/soundtrackdetail.php?movieid=96004\">Soundtrack Album<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/7760\/Zucchero\">Composer Filmography<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em>Vendor Search Links:<\/em><\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/b?_encoding=UTF8&amp;site-redirect=&amp;node=917972&amp;tag=kqco-20&amp;linkCode=ur2&amp;camp=15121&amp;creative=330641\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/b?_encoding=UTF8&amp;site-redirect=&amp;node=130&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/b?_encoding=UTF8&amp;site-redirect=&amp;node=283926&amp;tag=kqco-21&amp;linkCode=ur2&amp;camp=1634&amp;creative=6738\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"http:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/>&#8212;<a href=\"http:\/\/click.linksynergy.com\/fs-bin\/click?id=zOBnygngHb8&amp;offerid=162397.10000013&amp;type=3&amp;subid=0\" target=\"new\">New movie releases on iTunes<\/a><img loading=\"lazy\" src=\"http:\/\/ad.linksynergy.com\/fs-bin\/show?id=zOBnygngHb8&amp;bids=162397.10000013&amp;type=3&amp;subid=0\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/><br \/>\n<span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=6\">Blu-ray, DVD, Film Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=633\">S<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to: Home \/\u00a0Blu-ray, DVD, Film Reviews \/ S . Film: Very Good\/ DVD Transfer: Good\/ DVD Extras: n\/a Label: Mya Communications\u00a0\/ Region: 0 (NTSC) \/\u00a0Released: September 27, 2011 Genre: Erotica \/ Drama \/ Crime Synopsis: While his girlfriend recovers from a medical procedure, a corrupt lawyer becomes entranced by the grand visions of a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[18],"tags":[2352,2350,2351,170,2349],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Th","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7271"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7271"}],"version-history":[{"count":6,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7271\/revisions"}],"predecessor-version":[{"id":7301,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7271\/revisions\/7301"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}