{"id":7288,"date":"2013-12-03T11:19:43","date_gmt":"2013-12-03T16:19:43","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=7288"},"modified":"2013-12-03T12:45:40","modified_gmt":"2013-12-03T17:45:40","slug":"cd-last-man-on-earth-the-1964","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=7288","title":{"rendered":"CD: Last Man on Earth, The (1964)"},"content":{"rendered":"<div>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack \u00a0Reviews<\/a> \/ <\/em><a href=\"http:\/\/kqek.com\/mobile\/?page_id=1501\">J to L<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/12\/LastManOnEarth_MMM_s.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-7289\" title=\"LastManOnEarth_MMM_s\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2013\/12\/LastManOnEarth_MMM_s.gif\" alt=\"\" width=\"120\" height=\"120\" \/><\/a>Rating: Excellent<\/p>\n<p>Label: <a href=\"http:\/\/www.mmmrecordings.com\/\" target=\"_blank\">Monstrous Movie Music<\/a> \/ Released: November 6, 2012<\/p>\n<p>Tracks &amp; Album Length: 46 tracks \/ (54:31)<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Special Notes: 20-page colour booklet with liner notes by David Schecter \/ Limited to 1000 copies.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Composer: Paul Sawtell, Bert Shefter<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Review:<\/p>\n<p>A rare American International shocker <em>not<\/em> scored by Les Baxter, this  beautifully mastered CD from Monstrous Movie Music showcases the underrated (and  frankly fun) music of longtime writing team Paul Sawtell and Bert Shefter, best  known for their superb score for <strong>The Fly<\/strong> (1958).<\/p>\n<p>With  careers spanning various genres in film and TV series, <strong>The Last Man on  Earth<\/strong> was the first adaptation of Richard Matheson\u2019s novel <strong>I am  Legend<\/strong>. Although displeased with the final results of his script (the  author and burgeoning screenwriter used the alias Logan Swanson), the film held  its own as a moody shocker about a post-apocalyptic world inhabited by humans  infected with a vampiric bug.<\/p>\n<p>Matheson\u2019s Black Death parable in which an old, flawed species is poised to  be overtaken by new hybrid was treated with a rich symphonic approach by the  composers, grounding their work with a melancholic theme which either gushes  with classic Romantic energy (much like <strong>The Fly<\/strong>) or is spun off  into desperate variations evoking a never-ending quest, which in the hero\u2019s case  encompasses a need for security, companionship, and salvation from living as  hunter.<\/p>\n<p>MMM\u2019s CD is the score\u2019s first legit release (a bootleg was circulating  several years ago) and while there\u2019s a very slight coarseness to just a few  high-end peaks in some early cues, the quality of this stereo recording is  really stunning, largely because the composers had the music miked to capture  the broadest possible scope of the orchestra while separating certain groups  (namely woodwinds, vibes, strings, brass, and percussion). Many of Baxter\u2019s  scores only survive in mono (often their original recording format) because AIP  was always trying to cut costs, making the <strong>Last Man<\/strong> recording a  rare exception.<\/p>\n<p>The composers often re-circulate pulsing motifs (\u201cKilling Vampires\u201d), and  arching vocals sometimes punctuate the hero\u2019s direct clashes with vampires (not  to mention the \u201cEnd Titles\u201d), but there\u2019s a palpable, slightly mystical quality  to the score, even when the music addresses the ongoing loneliness of Humanity\u2019s  last survivor. Even the score\u2019s final cues aren\u2019t overly energetic, with any  swelling passages receding for slow sections with sustained chords and pensive  agitated strings.<\/p>\n<p>MMM\u2019s disc includes several bonus tracks (some lacking the vocal overdubs),  plus a jazz source cue (\u201cVampire Bop\u201d) which fill out the CD to a satisfying 54  mins. David Schecter\u2019s liner notes provide another detailed overview of the  score and its stellar composers, and the fat booklet is decorated with many  archival stills.<\/p>\n<p>Other Paul Sawtell-Bert Shefter scores available from MMM include  <strong>Kronos<\/strong> paired with <strong>The Cosmic Man<\/strong>,<strong> The  Virgin Sacrifice<\/strong>, and Shefter\u2019s western score for <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/t2u\/CD_0454_TallTexan.htm\">The Tall  Texan<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=6712\">M<\/a>] (1953).<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>\u00a9 2013 Mark R. Hasan<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>External References:<\/p>\n<p>IMDB:\u00a0<a href=\"http:\/\/www.imdb.com\/name\/nm0006275\/\" target=\"window\">Sawtell<\/a> \/ <a href=\"http:\/\/www.imdb.com\/name\/nm0006286\/\" target=\"window\">Shefter<\/a> &#8212; <a href=\"http:\/\/www.soundtrackcollector.com\/title\/97174\/Last+Man+On+Earth%2C+The\">Soundtrack Album<\/a> &#8212; Composer Filmographies: <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/2004\/Paul+Sawtell\" target=\"window\">Sawtell<\/a> \/ <a href=\"http:\/\/www.soundtrackcollector.com\/composer\/2015\/Bert+Shefter\" target=\"window\">Shefter<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p>Select Merchants:<\/p>\n<p><a href=\"http:\/\/www.amazon.ca\/s\/?_encoding=UTF8&amp;camp=15121&amp;creative=390961&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;rh=n%3A916514%2Ck%3Asoundtracks&amp;tag=kqco-20&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.ca<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.ca\/e\/ir?t=kqco-20&amp;l=ur2&amp;o=15\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.com\/s\/?_encoding=UTF8&amp;tag=kqco06-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=390957&amp;rh=n%3A5174%2Ck%3Asoundtracks&amp;field-keywords=soundtracks&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.com<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.com\/e\/ir?t=kqco06-20&amp;l=ur2&amp;o=1\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> <span class=\"style8\">&#8212;<\/span> <a href=\"http:\/\/www.amazon.co.uk\/s\/?_encoding=UTF8&amp;camp=1634&amp;creative=19450&amp;field-keywords=soundtracks&amp;linkCode=ur2&amp;tag=kqco-21&amp;url=search-alias%3Dpopular\" target=\"_blank\">Amazon.co.uk<\/a><img loading=\"lazy\" style=\"border: none !important; margin: 0px !important;\" src=\"https:\/\/www.assoc-amazon.co.uk\/e\/ir?t=kqco-21&amp;l=ur2&amp;o=2\" border=\"0\" alt=\"\" width=\"1\" height=\"1\" \/> &#8212;\u00a0<a href=\"http:\/\/www.buysoundtrax.com\/\" target=\"window\">BSX<\/a> &#8212;\u00a0<a href=\"http:\/\/store.intrada.com\/\" target=\"window\">Intrada<\/a> &#8212;\u00a0<a href=\"http:\/\/screenarchives.com\/\" target=\"window\">SAE<\/a><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><em><strong>Return to<\/strong>:\u00a0<a href=\"http:\/\/kqek.com\/mobile\">Home <\/a>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=9\">Soundtrack Reviews<\/a> <\/em>\/\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?page_id=1501\">J to L<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ J to L . Rating: Excellent Label: Monstrous Movie Music \/ Released: November 6, 2012 Tracks &amp; Album Length: 46 tracks \/ (54:31) . Special Notes: 20-page colour booklet with liner notes by David Schecter \/ Limited to 1000 copies. . Composer: Paul Sawtell, Bert Shefter . . Review: A [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[20],"tags":[1457,2356,2355,243,2357],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Ty","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7288"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7288"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7288\/revisions"}],"predecessor-version":[{"id":7314,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7288\/revisions\/7314"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}