{"id":7581,"date":"2014-02-07T16:44:49","date_gmt":"2014-02-07T21:44:49","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=7581"},"modified":"2014-03-05T22:26:26","modified_gmt":"2014-03-06T03:26:26","slug":"cd-sherlock-season-3-2014","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=7581","title":{"rendered":"CD: Sherlock – Season 3 (2014)"},"content":{"rendered":"

Return to<\/strong>:\u00a0Home <\/a>\/\u00a0Soundtrack \u00a0Reviews<\/a> \/ <\/em>S<\/a><\/p>\n

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\"\"<\/a>Rating: Very Good<\/p>\n

Label: Silva Screen<\/a>\/ Released: March 4, 2014<\/p>\n

Tracks & Album Length: 23 tracks \/ (73:07)<\/p>\n

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Special Notes: \u00a0n\/a<\/p>\n

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Composers: David Arnold, Michael Price<\/p>\n

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Review:<\/p>\n

David Arnold and Michael Price\u2019s music for the latest season of Sherlock <\/strong>is another amalgam of electronics and orchestra, with a sometimes heavy injection of techno pulses and electric guitar. \u201cHow It Was Done\u201d starts the album with a digitized bang \u2013 fast rock beat and wheezing synth chords – and cuts like \u201cStag Night\u201d are invigorated with feedback and backbeats from an assortment of the score\u2019s exotic percussion, plus a clanging cimbalom to tie Season 3 to the prior seasons<\/a>.<\/p>\n

The metallic clangs are rather reminiscent of Eric Serra\u2019s more synthetic stalking \/ tracking pulses in La femme Nikita <\/strong>(1990), and Arnold also applies some of the sleek harmonic lines and smooth bass lines (\u201cFloating Dust\u201d) which made Changing Lanes<\/strong> (2002) such a treat. Most cues, however, tend to drift between varying degrees of electronica, with tracks like the aforementioned and \u201cRedbeard\u201d ultimately fix on a hard, melancholy melody and heavy strings.<\/p>\n

\u201cLazarus\u201d gets its very epic feel from resonating drums and busy string figures, and a gentle solo violin in \u201cWaltz for John and Mary\u201d provides a moment of contemplation around the album\u2019s midpoint. Perhaps more than prior seasons, the composers\u2019 latest work emphasizes sad harmonies, lengthy melodic arcs, and a sense of serious emotional consequences for the characters \u2013 there\u2019s less fun action cues in Season 3, which should please fans wanting a season compendium with a bit more dramatic meat.<\/p>\n

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\u00a9 2014 Mark R. Hasan<\/p>\n

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External References:<\/p>\n

IMDB: Arnold<\/a> \/ Price <\/a>— Soundtrack Album <\/a>— Composer Filmographies: Arnold <\/a>\/ Price<\/a><\/p>\n

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Select Merchants:<\/p>\n

Amazon.ca<\/a>\"\" —<\/span> Amazon.com<\/a>\"\" —<\/span> Amazon.co.uk<\/a>\"\" —\u00a0BSX<\/a> —\u00a0Intrada<\/a> —\u00a0SAE<\/a><\/p>\n

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Return to:\u00a0Home \/\u00a0Soundtrack \u00a0Reviews \/ S . Rating: Very Good Label: Silva Screen\/ Released: March 4, 2014 Tracks & Album Length: 23 tracks \/ (73:07) . Special Notes: \u00a0n\/a . Composers: David Arnold, Michael Price . . Review: David Arnold and Michael Price\u2019s music for the latest season of Sherlock is another amalgam of electronics […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[2574,20],"tags":[1142,1143,2503],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-1Yh","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7581"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7581"}],"version-history":[{"count":2,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7581\/revisions"}],"predecessor-version":[{"id":7591,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7581\/revisions\/7591"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}