{"id":7886,"date":"2012-07-30T15:01:39","date_gmt":"2012-07-30T19:01:39","guid":{"rendered":"http:\/\/mondomark.com\/wordpress\/?p=3347"},"modified":"2012-07-30T15:01:39","modified_gmt":"2012-07-30T19:01:39","slug":"comic-book-sights-sounds-sundries-2","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=7886","title":{"rendered":"Comic Book Sights &#038; Sounds &#038; Sundries"},"content":{"rendered":"<p><a href=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/07\/WrathOfTheTitans2012_BR_b.gif\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-3348\" title=\"WrathOfTheTitans2012_BR_b\" src=\"http:\/\/mondomark.com\/wordpress\/wp-content\/uploads\/2012\/07\/WrathOfTheTitans2012_BR_b.gif\" alt=\"\" width=\"120\" height=\"168\" \/><\/a>Just uploaded is a review of <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/3999_WrathOfTheTitans2012.htm\">Wrath  of the Titans<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5301\">M<\/a>] (Warner  Home Video) on Blu-ray, a meh sequel with some serious flaws counterbalanced by  some imaginative and rather ravishing visual effects, plus related material \u2013  soundtrack reviews for Danny Elfman\u2019s <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/m\/CD_0379_MIB3.htm\">Men in Black 3<\/a> <\/strong>[<a href=\"http:\/\/kqek.com\/mobile\/?p=5326\">M<\/a>] (whose film will likely do better on  video than its abbreviated theatrical run), and Henry Jackman\u2019s surprisingly fun <strong><a href=\"http:\/\/www.kqek.com\/cd_lp_reviews\/a\/CD_0380_AbrahamLincolnVampireHunter.htm\">Abraham  Lincoln: Vampire Hunter<\/a><\/strong> [<a href=\"http:\/\/kqek.com\/mobile\/?p=5321\">M<\/a>]  (both albums released by Sony Classical).<\/p>\n<p>In quick soundtrack news, Intrada\u2019s followed up their James  Horner Wolfen CD (which I reviewed for Rue Morgue) with Craig Safan\u2019s rejected  score, which was previously released as a composer promo more than a decade  ago. Safan, a composer better known for his melodic synth-fusion scores (<strong>Remo Williams: The Adventure Continues<\/strong>, <strong>The Last Starfighter<\/strong>) than  orchestral writing, wrote a gnashing orchestral score the film\u2019s bigwigs didn\u2019t  like, hence the recruiting of Horner to rescore the film with a more thematic-centered  work.<\/p>\n<p>Intrada\u2019s also released what I thought was the impossible \u2013 a  2-CD set featuring music from Leith Stevens\u2019 <strong>War of the Worlds <\/strong><strong>and<\/strong> <strong>When  Worlds Collide<\/strong>, plus Nathan Van Cleave\u2019s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/c\/3454_ConquestOfSpace1955.htm\">Conquest  of Space<\/a><\/strong> and Daniele Amfitheatrof\u2019s <strong>The Naked Jungle<\/strong>. This all means Paramount\u2019s opening their vaults a bit more  and letting the soundtrack labels release additional Golden Age sci-fi scores.  When the set arrives I\u2019ll dutifully do a comparison with the old Tsunami CD,  the Quad LP, and the laserdiscs which featured isolated score tracks (actually,  M&amp;E mixes) of Stevens\u2019 WOW and WWC scores.<\/p>\n<p>Additional Stevens music is also available from Kritzerland  Records, via <strong>I Married a Monster from  Outer Space<\/strong> (of which some of the stock music is by Stevens) and <strong>The Atomic City<\/strong>. I just filed reviews  for that double-bill disc, plus Dana Kaproff\u2019s <strong><a href=\"http:\/\/www.kqek.com\/dvd_reviews\/v2z\/3120_WASC1979.htm\">When a  Stranger Calls<\/a><\/strong> and Paul Glass\u2019s <strong>Lady  in a Cage<\/strong> \u2013 all strong works finally getting their due on CD.<\/p>\n<p>Fly fans should also take note the label\u2019s reissued a pair  of scores previously released by now-defunct Percepto Records \u2013 <strong>The Fly <\/strong>+<strong> The Fly II <\/strong>by Paul Sawtell &amp; Bert Shefter.<\/p>\n<p>Lastly, Disques Cinemusique\u2019s latest double-bill album  features Miklos Rozsa\u2019s <strong>A Time to Love  and a Time to Die<\/strong> (previously released on CD in Japan in mono, and on LP  via Decca &amp; later Varese in Bullshit Stereo if memory serves correct) and  the Frankenland State recording of Rozsa\u2019s <strong>Lust  for Life Suite<\/strong> (which is in true stereo). The latter suite was released as  a promo LP with additional music from other Rozsa films, and reissued by Decca  and Varese.<\/p>\n<p>Speaking of Vincent Van Gogh (the subject of <strong>Lust for Life<\/strong>), the BBC news recently  broadcast a piece where two authors alleged the master painter didn\u2019t kill  himself, but rather covered up his own murder. Confused? <a href=\"http:\/\/www.bbc.co.uk\/news\/entertainment-arts-15328583\" target=\"window\">Read the piece or  watch the video<\/a>.<\/p>\n<p>And speaking of art, <a href=\"http:\/\/torontoist.com\/2012\/07\/art-activists-take-over-info-pillars\/\" target=\"window\">Torontoist <\/a>recently ran a piece on street art of a protest kind, where blah Astral ad  pillars were given a slight overhaul by creative rebellious minds. If you flip to the last image, you\u2019ll  also marvel at the trapped bicycle display.<\/p>\n<p>Sorry for the erratic posts, but a chunk of time\u2019s been  spent researching and sourcing vintage video gear for a series of short video  projects. You see something listed, you try &amp; track down info, you try and  make sure what you ultimately buy is sound &amp; functional, and then it  arrives \u2013 either faithful to the original seller\u2019s claims\u2026 or perhaps not.<\/p>\n<p>Once the last component arrives, I\u2019ll run a few blogs as  sort of buyer\u2019s guides on vintage prosumer tube cameras, as well as some of  their unique features with test footage. I&#8217;ll also post scans of unavailable manuals so those interested in the same  gear are armed with needed info before hitting the Buy button.<\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><span style=\"color: #ffffff;\">.<\/span><\/p>\n<p><strong>Mark R. Hasan<\/strong>,  Editor<br \/>\n<strong>KQEK.com <\/strong>(  <a href=\"http:\/\/www.kqek.com\/Main_Index_Page.htm\">Main Site<\/a> \/ <a href=\"http:\/\/www.kqek.com\/mobile\/index.php\">Mobile Site<\/a> )<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blu-ray review of Wrath of the Titans (Warner Home Video), soundtrack reviews of Henry Jackman&#8217;s Abraham Lincoln: Vampire Hunter and Danny Elfman&#8217;s Men in Black 3 (Sony Classical) and odd bits of info.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6,4,5],"tags":[1457,126,939,1458,243,1459],"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-23c","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7886"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7886"}],"version-history":[{"count":0,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/7886\/revisions"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}