{"id":8455,"date":"2014-04-11T16:19:13","date_gmt":"2014-04-11T20:19:13","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=8455"},"modified":"2014-04-11T16:22:07","modified_gmt":"2014-04-11T20:22:07","slug":"podcast-interview-with-composer-ronen-landa","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=8455","title":{"rendered":"Podcast Interview with Composer Ronen Landa"},"content":{"rendered":"

\"RonenLanda_pic\"<\/a>In early February, composer & musician Ronen Landa spoke to KQEK.com about his latest scores: the comedy Cavemen<\/strong> (2013), and the horror film Home<\/strong> (2014), his second feature film score (after The Pact<\/strong>) for director Nicholas McCarthy.<\/p>\n

Landa\u2019s skills extend to scoring comedies, dramas, documentaries, and horror, but one of his major influences remains Ennio Morricone, whose work with the famed Gruppo di improvvisazione nuova consonanza<\/a> inspired the more experimental aspcts of Home<\/strong>.<\/p>\n

Songs and two score cues from Cavemen<\/strong> are available from Lakeshore Records<\/a>, whereas Landa\u2019s Home<\/strong> will be released later this year. His prior score for director McCarthy, The Pact<\/strong>, is available from Moviescore Media<\/a>.<\/p>\n

This podcast \u2013 the first of several slated for publication this month \u2013 is the first to appear in two forms: as an audio-only podcast, and as a video-enhanced podcast.<\/p>\n

The full podcast with visuals (480p) is available on KQEK.com\u2019s YouTube channel:<\/p>\n