{"id":9311,"date":"2014-07-26T02:06:22","date_gmt":"2014-07-26T06:06:22","guid":{"rendered":"http:\/\/kqek.com\/mobile\/?p=9311"},"modified":"2014-07-26T02:11:27","modified_gmt":"2014-07-26T06:11:27","slug":"jess-francos-bloody-moon-other-merry-sexploitation-misadventures","status":"publish","type":"post","link":"https:\/\/kqek.com\/mobile\/?p=9311","title":{"rendered":"Jess Franco&#8217;s Bloody Moon + other merry sexploitation misadventures"},"content":{"rendered":"<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/BloodyMoon_BR.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9299\" alt=\"BloodyMoon_BR\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/BloodyMoon_BR.jpg\" width=\"120\" height=\"138\" \/><\/a>As Severin Films digs into their back catalogue for virgin Blu-ray editions, it&#8217;s inevitable the films of Jess Franco would benefit, and <a href=\"http:\/\/kqek.com\/mobile\/?p=9297\"><strong>Bloody Moon<\/strong>\u00a0<\/a>(1981) makes its HD debut this month.<\/p>\n<p>Written by the film&#8217;s production manager, Erich Tomek, <strong>Bloody Moon<\/strong> was also a video nasty in Britain when it made its home video debut in the early 80s, and it&#8217;s not far-fetched to say the brilliant poster art (ported over by Severin for their DVD and Blu-ray editions) \u00a0pricked the sensitive nerves of censorial tightwads.<\/p>\n<p>I&#8217;ve augmented the review with two other Franco films: the dopey cannibal sleazefest\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=9307\"><strong>Devil Hunter<\/strong> \/ <strong>Sexo-Canibal<\/strong><\/a> (1980), also released by Severin and reviewed by moi for Rue Morgue back in 2009; and the sex slave idiocy\u00a0<a href=\"http:\/\/kqek.com\/mobile\/?p=9302\"><strong>Linda<\/strong> \/ <strong>The Story of Linda<\/strong>\/ <strong>Orgy of the Nymphomaniacs<\/strong><\/a> (1981), Franco&#8217;s other film with writer \/ production manager Tomek.<\/p>\n<p style=\"text-align: center;\">* \u00a0 \u00a0* \u00a0 \u00a0*<\/p>\n<p><a href=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/SolarCrisis1990_poster.jpeg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-9318\" alt=\"SolarCrisis1990_poster\" src=\"http:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/SolarCrisis1990_poster.jpeg\" width=\"300\" height=\"444\" srcset=\"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/SolarCrisis1990_poster.jpeg 300w, https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/SolarCrisis1990_poster-203x300.jpeg 203w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>Completely aside: CTV news reported Friday of a NASA admission in which had a giant solar flare in 2012 faced our happy Earth, &#8216;<a href=\"http:\/\/www.washingtonpost.com\/blogs\/capital-weather-gang\/wp\/2014\/07\/23\/how-a-solar-storm-nearly-destroyed-life-as-we-know-it-two-years-ago\/\" target=\"_blank\">humanity would&#8217;ve been in big trouble<\/a>.&#8217;<\/p>\n<p>The footage is eerie, but what I found intriguing is the use of a clip from Richard C. Sarafian&#8217;s <strong>Solar Crisis<\/strong> (1990), then reportedly the most expensive Japanese sci-fi film, which was recut and released as \u00a0&#8216;an Alan Smithee film.&#8217;<\/p>\n<p>I first learned of the movie when American Cinematographer ran a cover story on Richard Edlund&#8217;s fancy visual effects&#8230; and then the film vanished, until Vidmark spat out a VHS release. A friend held a longer widescreen laserdisc edition in his hands during a trip to Japan, but that cut and any release in the film&#8217;s proper 2.35:1 ration has never appeared on DVD.<\/p>\n<p>It seems Vidmark (or rather, Lionsgate, which is now part of \u00a0EOne) still owns the rights, but never felt it was worthwhile to release the film beyond a crappy full screen edition, which is bizarre considering the VHS review screener\u00a0sent to critics was <em>widescreen<\/em>.<\/p>\n<p>Why do I bring this up? Because <a href=\"http:\/\/en.wikipedia.org\/wiki\/Solar_Crisis_(film)\" target=\"_blank\"><strong>Solar Crisis<\/strong><\/a> is an orphan film that even its Japanese owners show little interest in releasing on DVD or Blu-ray. It makes no sense, and the movie remains a minor Holy Grail, even though I know it&#8217;s a mediocre 70s-styled space disaster film headlined by Charlton Heston.<\/p>\n<p>I may end up reviewing my screener because it seems the film will never arrive in a proper HD edition.<\/p>\n<p>We all have our guilty pleasures, and this one&#8217;s mine.<\/p>\n<p>Cheers,<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark R. Hasan<\/strong>, Editor<br \/>\n<strong>KQEK.com<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A triple-threat of Jess Franco sleaze: reviews of Bloody Moon (1981) on Blu and Devil Hunter (1980) on DVD from Severin Films + Franco&#8217;s Linda (1981), and quick thoughts on Solar Crisis, Richard C. Sarafian&#8217;s orphan epic sci-fi flick that sort of popped up in a related news report this week.<\/p>\n","protected":false},"author":1,"featured_media":9320,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[6],"tags":[2918,406,2922,2562,2563,2511,2926,2928,2929,2927],"jetpack_featured_media_url":"https:\/\/kqek.com\/mobile\/wp-content\/uploads\/2014\/07\/BloodyMoon_featured_b.jpg","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8nuyW-2qb","_links":{"self":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/9311"}],"collection":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9311"}],"version-history":[{"count":4,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/9311\/revisions"}],"predecessor-version":[{"id":9323,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/posts\/9311\/revisions\/9323"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=\/wp\/v2\/media\/9320"}],"wp:attachment":[{"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kqek.com\/mobile\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}