In an era when one terrible war is replaced with another and rarely revisited by the media after its most explosive phase has passed, Karen Stokkendal Poulsen’s hour-long film reminds us of the slow and petty details that need to be sorted by former warring parties prior to the necessary…
When Ryuii Otsuka’s family of three are given notice by the daughter of their supposed landlords to either accept a steep rent increase or vacate their apartment by the end of the month, things swerve to some horrible extremes in this fascinating documentation using hidden…
There’s a striking stoicism among the shop owners, newspaper vendors, an artist, and a cultural gallery / developer in Julia Kwan’s vivid portrait of the fading breadth of Vancouver’s Chinatown…
Patrice Fortier isn’t exactly on a mission to save the world’s rarest plants by harvesting seeds from so-called heirloom varieties of vegetables and flowers, but he does acknowledge his work – originally an art project that soon became a consuming business…
The makers of the festival favourite Italy: Love It or Leave It (2011) return with this satirical poke at Italy’s colourful political figures while genuinely searching for a definition (and contemporary equivalent) to what constitutes a left-wing, socialist party in Italy…
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