Charles Bronson coaches Elvis Presley in the unlikely musical-drama-comedy Kid Galahad (1962) on Blu via Twilight Time + a comparative review of the extras between Twilight Time & Eureka’s Masters of Cinema Hard Times (1975).
Reviews of two 1970s indie-minded dramas on porn: Paul Schrader’s Hardcore (1976) in separate Blu-ray editions from Twilight Time & Indicator, and John Byrum’s Inserts (1975) + an Editor’s Blog on Hollywood’s inability to fuse drama + porn.
Podcast interview with Hamilton-Toronto painter-photographer Hanna Kostanski, whose series 20th Century Toronto: Intersections & Interactions can be seen at The Urban Gallery.
Reviews of 3 forgotten / best forgotten? CanCon classiques produced by Filmplan International: The Funny Farm (1983) on Blu + DVD via Code Red, Gas (1983), and Dirty Tricks (1981). I may have saved 4.5 hours of your life.
Two detective thrillers from very distinct periods in Sam Fuller’s career: The Crimson Kimono (1959) from Twilight Time on Blu + Dead Pigeon on Beethoven Street (1972) from Olive Films on DVD & Blu.
Review of No Man’s Land (1987), Peter Werner’s upper-B actioner, new on Blu from KL Studio Classics + links to vintage P.R. ephemera & the ridiculous bonus short ‘The Magic Beta Case’.
Review of Woman’s World (1954), Jean Negulesco’s lesser-known entry in his ‘Tales of 3 Women’ series, nicely mastered on Blu by Fox on MOD.
This week, tales from below the ocean surface: Sam Fuller’s nutty Hell and High Water (1954) on Blu from Twilight Time, Ralph Thomas’ very intense Above Us the Waves (1955) from VCI, and The Frogmen (1951) from the KQEK.com archives.
Reviews of two blaxploitation classics: the newly mastered Blackenstein (1973) from Severin on Blu + William Girdler’s Exorcist knock-off Abby (1974), still missing on disc.
Review of Robert Fantinatto and Jason Amm’s epic documentary on modular synths, I Dream of Wires (2014), on Blu in the 4 hour Hardcore Edition.
Bronson the Boxer: Kid Galahad (1962) + Hard Times (1975)
Charles Bronson coaches Elvis Presley in the unlikely musical-drama-comedy Kid Galahad (1962) on Blu via Twilight Time + a comparative review of the extras between Twilight Time & Eureka’s Masters of Cinema Hard Times (1975).
Hollywood Goes Porn Serious: Hardcore (1979) + Inserts (1975)
Reviews of two 1970s indie-minded dramas on porn: Paul Schrader’s Hardcore (1976) in separate Blu-ray editions from Twilight Time & Indicator, and John Byrum’s Inserts (1975) + an Editor’s Blog on Hollywood’s inability to fuse drama + porn.
Hanna Kostanski’s 20th Century Toronto: Intersections & Interactions
Podcast interview with Hamilton-Toronto painter-photographer Hanna Kostanski, whose series 20th Century Toronto: Intersections & Interactions can be seen at The Urban Gallery.
CanCon 101: The Filmplan International Comedy Trilogy
Reviews of 3 forgotten / best forgotten? CanCon classiques produced by Filmplan International: The Funny Farm (1983) on Blu + DVD via Code Red, Gas (1983), and Dirty Tricks (1981). I may have saved 4.5 hours of your life.
Sam Fuller: Crimson Kimonos & Dead Pigeons
Two detective thrillers from very distinct periods in Sam Fuller’s career: The Crimson Kimono (1959) from Twilight Time on Blu + Dead Pigeon on Beethoven Street (1972) from Olive Films on DVD & Blu.
Hanna Kostanski’s 20th Century Toronto: Intersections & Interactions
Podcast interview with Hamilton-Toronto painter-photographer Hanna Kostanski, whose series 20th Century Toronto: Intersections & Interactions can be seen at The Urban Gallery.
Podcast with Maurizio Guarini on scoring Dante’s Inferno / L’Inferno (1911)
Review of Italy’s first feature film, the surreal silent classic Dante’s Inferno / L’Inferno (1911) + a podcast interview with the film’s composer, Goblin’s Maurizio Guarini, plus related podcast links.
Podcast Interview with Do Not Resist Director Craig Atkinson
Review of the unsettling doc Do Not Resist + Podcast Interview with Director Craig Atkinson on the militarization of local U.S. police forces.
Podcast Interview with Age of Consequences Director Jared Scott
Review of the provocative climate change doc The Age of Consequences + Podcast Interview with Director Jared Scott.
Podcast on BSV 1172’s World Premiere + Tom Roston & Norman Wilner at Bay Street Video, Pt.1
New podcast featuring thoughts on the World Premiere at SDUFF of my experimental doc BSV 1172 + Part One of a conversation with I Lost It at the Video Store author Tom Roston & NOW magazine’s Norman Wilner, who discussed video store culture in-store at Bay Street Video back in May.
Kid Galahad was billed quite loudly in the campaign posters as a musical, but similar to Follow That Dream (1962), you feel undercurrents pulling him towards differing material that with any other screen performer might clash and contradict, but Elvis had such a magnetic, likeable screen persona…
Paul Schrader’s screenplay was inspired by a story in which a girl traveled to California from her staunch Dutch Calvinist community in Grand Rapids, Michigan, and got lost in the sleazy world of hardcore porn. This undoubtedly fascinated Schrader, not only because it involved someone from his home town…
According to Hollywood lore, former Sesame Street writer John Byrum used Inserts as a show-script, and perhaps due to the sales of his produced screenplays Have a Nice Weekend and Mahogany (both 1975), he snagged an opportunity to direct Inserts in Britain with a small but stellar cast…
Not to be confused in any way with the 1988 Chevy Chase film, this CanCon production predated the Tom Hanks drama Punchline (also 1988) in examining the world of standup comedy, albeit through the lenses of goofy glasses. The cast of comedians is perhaps a key reason the film managed to sneak its way to DVD via Code Red, treating it with affection…
When the second oil crisis hit North America after the Iranian Revolution and supply was taken down a notch, causing prices at the pump stations to balloon, a few filmmakers exploited the paranoia. Americathon (1979) poked fun at a broken U.S. economy, while the CanCon cult film The Last Chase (1981)…
Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
LP: Bourne Identity, The (2002)
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
CD: Miss Peregrine’s Home for Peculiar Children (2016)
In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects…
MP3: 1979 Revolution – Black Friday (2016)
No stranger to scoring video games, Nima Fakhrara’s music is as unusual as the interactive game’s design in which players can take several differing paths as they’re immersed in the world of the 1979 Islamic Revolution with turned Iran into a theocracy…
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