There may have been an earnest effort to successfully translate Thomas Gifford’s novel “The Glendower Legacy” to the big screen, but perhaps by being a classic CanCon tax shelter production, that earnestness was severely diluted, with the final product being a dismal attempt at wacky comedy and political commentary…
Around 1970, German director Hans-Christoph Blumenberg had flown to Hollywood with a camera crew to interview Howard Hawks and John Ford, but lacking the right contacts, Sam Fuller interceded, enabling Blumenberg to get the material for the series which ran on TV that year…
During the 1950s Sam Fuller managed to put his stylistic and idiosyncratic imprimatur on pictures for the major studios, often in big gorgeous CinemaScope productions for Fox (Hell and High Water, the Japan-shot House of Bamboo), but the succession of almost yearly films became a trickle, ultimately forcing the writer-producer-director…
Having already directed Fox’s second CinemaScope film, How to Marry a Millionaire (1953), Jean Negulesco reunited with that film’s co-star Lauren Bacall plus Three Coins in the Fountain (1954) headliner Clifton Webb…
Postwar espionage is featured in two unique productions: Joseph L. Mankiewicz’s adaptation of Graham Greene’s The Quiet American (1958) from Twilight Time Blu + Sheldon Reynolds’ unusual Foreign Intrigue (1955) from KL Studio Classics.
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