Written during his busiest period (1968-1970), Quincy Jones’ score for John and Mary was quite sparse, leaving obligatory space for the film’s myriad dialogue exchanges and source music, but the score is memorable for being atypical of the material Jones was writing at the time: action comedies (The Italian Job, The Hell with Heroes), comedies (Bob & Carol & Ted & Alice,Cactus Flower), and the funky style of They Call Me MISTER Tibbs!
For some soundtrack fans, it was a bit of surprise to learn the composer of pioneering synth scores had begun his career with large orchestral scores for John Boorman’s Excalibur (1981) and Jim Henson’s The Dark Crystal (1982)…
The first film in the enduring franchise gave John Powell the perfect opportunity to write what remains both his definitive action sound, and the definitive action score of that decade, blending large orchestral sounds with layers upon layers of electronics…
In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects…
No stranger to scoring video games, Nima Fakhrara’s music is as unusual as the interactive game’s design in which players can take several differing paths as they’re immersed in the world of the 1979 Islamic Revolution with turned Iran into a theocracy…
Review of the romantic meanie, OVERBOARD (1987), new on Blu from Severin Films, plus some thoughts on the 2018 remake.
Boogaloo-ing to the Cannon Groove, Part 2: Getting Inside the Go-Go Boys
Review of Hilla Medalia’s The Go-Go Boys: The Inside Story of Cannon Films (2014), from Multicom Entertainment / MVD.
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
BR: Deep Blood / Sangue negli abissi (1990)
The lineage linking three specific Jaws rip-offs from Italy goes beyond merely riffing Steven Spielberg’s 1975 film about a beach community threatened by a great white shark…
BR: Last Blockbuster, The (2020)
There’s a tall tale in how a video rental chain that peaked in 2004 with over 9,000 locations and 84,000 staffers globally now exists as one store in Bend, Oregon, run by a family and loyal staffers…
The production of Laserblast in 1978 seems to be the net result of good timing which enabled a slight idea to quickly blossom into a full-fledged movie, but with a tight budget and a semi-coherent script…
BR: Shock Treatment / Traitement de choc (1973)
It’s a little challenging to define Alain Jessua’s odd little thriller, which is neither a full horror film nor blatant satire of chi-chi health clinics…
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