Originally announced about 2 years ago from Warner Bros. Canada for a Nov. 27, 2007 DVD release, the 2-volume set of Rocket Robin Hood was pulled due to ‘issues with the French language track’ on some episodes, so while fans of this cult series had hopes the label would release the series as reported in the spring of 2008, nothing materialized…
Recently uploaded is an interview with composer Daniel Pemberton, whose music from the British-U.S. co-production Monster Moves (aka Huge Moves, Impossible Moves, and Mega Moves) is out as a downloadable album (which I also reviewed).
One of the toughest nuts for screenwriters and directors to crack is making a story set in a post-apocalyptic world work. It sounds relatively easy: you start the tale when the landscape is eerily peaceful, and a handful of normal human survivors have decided to wander out into the open because they’re bored, some need companionship, a few have run out of food, or have acclimatized themselves to running around with a shotgun and extra ammo with a new daily goal of some sort.
It’s very strange to watch a series of films set in Berlin with characters living in the city or its suburbs, and yet there’s no effort by the director whatsoever to identify the city. How can you shoot a film in one of the oldest cities in Europe and transform it into a nondescript and rather blah metropolis?
Yes, there’s more.
Alliance will release Jim Jarmusch’s Limits of Control and Park Chan-Wook’s Thirst on Nov. 17th, as well as Don’t You Forget About Me: A Tribute to John Hughes on Nov. 3rd…
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