The idea a producer would go to the trouble of filming a 3D movie with underwater gear and see it released flat by studio Fox, then disappear from distribution makes the creation of September Storm an absurdity, and yet in spite of these unintentional mishaps, this orphan film became a high-profile restoration project for the 3-D Film Archive…
Reviews of the Vincent Price 3D classic The Mad Magician (Twilight Time) + The Bat (Anchor Bay) and Chamber of Horrors (WHV) and Some Thoughts on 3D.
The Mad Magician was one of the most successful 3D films during the format’s first theatrical wave, but it also felt like House of Wax’s lesser but not quite idiot cousin, and expectations for the former film to match the latter’s success in energy, quality, and ghoulishness…
Review of Jack Arnold’s superb 3D bug-eyed monster classic, It Came from Outer Space (1953), restored by the 3-D Film Archive and released by Universal in a 3D / 2D combo on Blu-ray.
A sci-fi classic of the first order, It Came from Outer Space is packed with a mass of genre clichés, some of which were seeded in a script co-authored by Ray Bradbury, but the film remains oddly fresh, perhaps because it’s neither a full-on bug-eyed monster movie, nor a minimalist thriller…
Dante Tomaselli’s HOLY TERROR (2025)
Witer-director-producer-composer Dante Tomaselli talks candidly about crafting his latest album, HOLY TERROR, which features shorter, more precise compositions rooted in the sights, sounds, and digital influences of his youth.
Tales of Giant Bugs on VHS, a Podcast Interview, and Tape Swapping
In addition to a review of the 3D short film ROACH (2022) on VHS, I’ve an interview with its maker, SCHNUDLBUG, and links to an essay I wrote for the latest issue of BRANDON LIM’s zine, FILM FVCKERS, titled “THE GREAT TAPE SWAP”
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Dante Tomaselli’s HOLY TERROR (2025)
Witer-director-producer-composer Dante Tomaselli talks candidly about crafting his latest album, HOLY TERROR, which features shorter, more precise compositions rooted in the sights, sounds, and digital influences of his youth.
Tales of Giant Bugs on VHS, a Podcast Interview, and Tape Swapping
In addition to a review of the 3D short film ROACH (2022) on VHS, I’ve an interview with its maker, SCHNUDLBUG, and links to an essay I wrote for the latest issue of BRANDON LIM’s zine, FILM FVCKERS, titled “THE GREAT TAPE SWAP”
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
The core story involves a pilot who runs into an available, functional spacecraft, and boots up into the planet’s now-toxic atmosphere, relying on the craft’s occasionally bristling AI navigation system to find a strata safe from dense clouds, and a roving giant bug determined to make a meal of the tiny craft and its pilot.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
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