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BRUCE KIMMEL / KRITZERLAND RECORDS (2008)

BRUCE KIMMEL / KRITZERLAND RECORDS (2008)

October 20, 2010 | By | Add a Comment

Return to: Home / Exclusive Interviews & Profiles / Music Producers . Interviewed in June for Kritzerland’s latest CD release, the original recording for Stephen Sondheim’s Evening Primrose, label bigwig Bruce Kimmel provides some backgound on this rare Sondheim work that’s pretty much been hidden from view since it’s telecast in 1966 on ABC, as […]

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LUKAS KENDALL / FILM SCORE MONTHLY

LUKAS KENDALL / FILM SCORE MONTHLY

October 20, 2010 | By | Add a Comment

Return to: Home / Exclusive Interviews & Profiles / Music Producers . Since his first compilation albums from the 1950s – Backgrounds for Brando and Love Scenesfor Dot Records, in 1958 – Elmer Bernstein unofficially (and perhaps unconsciously) began preserving the fine work of his peers and idols. During the 1960s, he started to re-record […]

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TIM FERRANTE / ELYSEE PRODUCTIONS

TIM FERRANTE / ELYSEE PRODUCTIONS

October 20, 2010 | By | Add a Comment

Return to: Home / Exclusive Interviews & Profiles / Music Producers . Mad Doctor of Blood Island marks the debut release from Elysee Productions, a new soundtrack label created by producer Tim Ferrante. A longtime soundtrack fan, Ferrante’s been under the spell of Tito Arevalo’s music for decades, and his long quest to release an […]

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MIKAEL CARLSSON / MOVIESCORE MEDIA

MIKAEL CARLSSON / MOVIESCORE MEDIA

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Music Producers . . Mark R. Hasan : Some soundtrack producers began as journalists, graphic artists, and publishers, and I wonder if producing was one of the goals you had always wanted to achieve early on? Mikael Carlsson : No, it wasn’t. It happened sort of by accident. […]

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CARL SCHMITT & MARK CAIRNS

CARL SCHMITT & MARK CAIRNS

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Filmmakers . MAKING DAS LEBEN GEHT WEITER . . The DVD format has enabled documentary producers and indie labels to get their work distributed to the masses through more formal corporate channels, like traditional video merchants and online sellers, and via basic websites from where anyone […]

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