You could argue that when Fox chose to adapt James Leo Herlihy and Willam Noble’s eponymous play a year after its 1958 Broadway run under the stage direction of wonderboy Joshua Logan (Picnic), it was an attempt to transcend the wave of sordid, exploitive teen-centric dramas which packed upbeat music, titillating behaviour…
Ray Harryhausen’s fantasy epic adventure is surprisingly low on stop-motion creatures, but his brilliance with trick photography made him the perfect hands-on producer for this fanciful, exciting version of Jonathan Swift’s classic tale that’s apparently remained in print since its inaugural (and initially sanitized) publication in 1725…
Fox’s 3rd CinemaScope film is a visual stunner – more beautiful than the format’s debut with The Robe and the portraiture that dominated How to Marry a Millionaire – plus it’s a perfect cast, written, and produced work of romance and escapism set in Key West’s Greek community…
Review of Ray Harryhausen’s classic version of Jules Verne’s Mysterious Island (1961), new on Blu from Twilight Time, plus thoughts on three perfect fantasy classics.
Some thoughts on this past Sunday’s screening of Alfred Hitchcock’s Vertigo (1958) with Bernard Herrmann’s magnificent score performed live by the TSO at Roy Thompson Hall, and some Hitchcock stuff.
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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