Return to: Home / Soundtrack Reviews / D . Rating: Very Good Label: Silva Screen Records/ Released: March 25, 2013 Tracks & Album Length: CD1: 23 tracks + CD2: 22 tracks . Special Notes: Also available as a digital album. . Composer: Various . . Review: To mark the 50th anniversary of the BBC’s Doctor Who series, […]
Return to: Home / Exclusive Interviews & Profiles / Composers . The use of music in zombies films has progressed from the needle-drop stock tracks used by genre pioneer & founder George A. Romero in the original Night of the Living Dead (1968) to the prog-rock sounds of Goblin for Dawn of the Dead (1978). There was also […]
Return to: Home / Exclusive Interviews & Profiles / Composers . Prior to the release of Sony’s reboot of Twisted Metal for the PS3, composer Michael Wandmacher (Dirve Angry, Piranha 3D, The Punisher: War Zone) discussed the intricacies of scoring music for an in-development videogame, plus a few quick tidbits on his latest horror film score – the […]
Return to: Home / Exclusive Interviews & Profiles / Composers . Having scored the 3D version of Jules Verne’s Journey to the Center of the Earth in 2008, Andrew Lockington returned for the sequel, Journey 2: The Mysterious Island, but the project turned out to be much more than writing another dynamic orchestral score. This time there was […]
Return to: Home / Exclusive Interviews & Profiles / Composers . Since 1989, Cliff Martinez has scored almost 30 feature films, but he’s best known for scoring two of director Steven Soderbergh’s best works: the visceral crime epic Traffic (2000), and the composer’s masterwork, Solaris (2002), which ranks as one of the finest sci-fi scores in the last […]
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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