
Drive-in Memories, Part 1: Going Attractions (2013) + Hot Docs & TJFF update
Review of April Wright’s fun documentary Going Attractions: The Definitive Story of the American Drive-in Movie (2013) + short update on Hot Docs and TJFF 2015.
Review of April Wright’s fun documentary Going Attractions: The Definitive Story of the American Drive-in Movie (2013) + short update on Hot Docs and TJFF 2015.
Dante Tomaselli’s HOLY TERROR (2025)
Witer-director-producer-composer Dante Tomaselli talks candidly about crafting his latest album, HOLY TERROR, which features shorter, more precise compositions rooted in the sights, sounds, and digital influences of his youth.
Tales of Giant Bugs on VHS, a Podcast Interview, and Tape Swapping
In addition to a review of the 3D short film ROACH (2022) on VHS, I’ve an interview with its maker, SCHNUDLBUG, and links to an essay I wrote for the latest issue of BRANDON LIM’s zine, FILM FVCKERS, titled “THE GREAT TAPE SWAP”
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Dante Tomaselli’s HOLY TERROR (2025)
Witer-director-producer-composer Dante Tomaselli talks candidly about crafting his latest album, HOLY TERROR, which features shorter, more precise compositions rooted in the sights, sounds, and digital influences of his youth.
Tales of Giant Bugs on VHS, a Podcast Interview, and Tape Swapping
In addition to a review of the 3D short film ROACH (2022) on VHS, I’ve an interview with its maker, SCHNUDLBUG, and links to an essay I wrote for the latest issue of BRANDON LIM’s zine, FILM FVCKERS, titled “THE GREAT TAPE SWAP”
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
The core story involves a pilot who runs into an available, functional spacecraft, and boots up into the planet’s now-toxic atmosphere, relying on the craft’s occasionally bristling AI navigation system to find a strata safe from dense clouds, and a roving giant bug determined to make a meal of the tiny craft and its pilot.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
KQEK.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
Connect