Bouchet-Tolo Double-Bill = Quadruple-Trouble!
Reviews of Code Red’s B-movie double-bill Stoney / Surabaya Conspiracy (1969) + The Killer Likes Candy / Un killer per sua maestà (1968).
American erotic film pioneer Zalman King died in February at the age of 69, and the release in March of his first major screenwriting success – a film version of Elizabeth McNeill’s autobiographical 9 1/2 Weeks (1986), directed by Adrian Lyne – seems like the perfect opportunity to both review the film and begin a sporadic look at King’s oeuvre as a filmmaker, with a lengthy Editor’s Blog / tribute to the marginalized oddball.
After a lengthy absence from feature films, writer / director Darrell Wasyk (H, Mustard Bath) returns with The Girl in the White Coat, his liberal adaptation of Nikolai Gogol’s short story “The Overcoat,” starring Pascale Montpetit, which begins its engagement at the TIFF Bell Lightbox Friday. Uploaded is both a film review, and an interview with Wasyk, who also discusses his breakthrough film H, and its planned DVD release. Yes, really!
Slight editorial blather to set up the first set of reviews focusing on the films of Frank Sinatra, crooner, and pretty good actor who eventually settled into a familiar groove and sometimes got lazy in the execution of a film or two. From Olive Films on Blu-ray comes the Rod Serling-scripted heist thriller Assault on a Queen, and the film version of Neil Simon’s first play, Come Blow Your Horn; and from Twilight Time we have Pal Joey, with pal Frankie sandwiched between palsies Rita Hayworth and Kim Novak. No spicy hot sauce required at all!
Review of Gerald Peary’s 2009 documentary For the Love of Movies: The Story of American Film Criticism (2009), which screened this past Sunday March 25th at Toronto’s Bloor Cinema. Also included: bonus audio clips from Peary’s pre-screening intro + post-screening audience Q&A (in lo-fi mono!)
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