Blog Archives

BRANDON HOCURA / VOWLS

BRANDON HOCURA / VOWLS

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Composers . Unlike Hollywood, which abandoned silent movies soon after the introduction of sound – MGM’s silent swan song was Greta Garbon’s The Kiss in 1929, whereas Paramount’s travelogue/documentary Legong is reportedly the last silent production in Hollywood – Japan continued to produce movies well into the late thirties, […]

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JEFF GRACE (2006)

JEFF GRACE (2006)

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Composers . The following conversation occurred during the 2006 Toronto International Film Festival, when Jeff Grace was in town to attend and support the premiere of Larry Fessenden latest horror film, The Last Winter, which Grace co-composed with Anton Sanko. Much like the old studio system, which […]

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CHRISTOPHER GORDON

CHRISTOPHER GORDON

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Composers . Australian Christopher Gordon has built a solid reputation as a film composer whose works stand on their own as powerful soundtrack albums – vivid reminders of epic tales like Moby Dick, Master and Commander: Far Side of the World(2003), or his recent horror film, […]

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MURRAY GOLD

MURRAY GOLD

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Composers . Although best-known today as the core composer of the hit BBC TV series Doctor Who and the spin-off series Torchwood and The Sarah Jane Adventures, Murray Gold has enjoyed a creatively rewarding career scoring an eclectic mix of TV productions, including both seasons of the original British […]

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JOHN FRIZZELL (2007, Part A)

JOHN FRIZZELL (2007, Part A)

October 20, 2010 | By

Return to: Home / Exclusive Interviews & Profiles / Composers . Unlike John Frizzell’s prior horror scores for Dark Castle ‘s graphic Thirte3n Ghosts and Ghost Ship (2002), The Reaping is a major shift in pacing and style, and is less overtly infused with experimental concepts and harsh, bristling cues. In our discussion we touch upon aspects and […]

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