Return to: Home / Exclusive Interviews & Profiles / Composers . Although best-known today as the core composer of the hit BBC TV series Doctor Who and the spin-off series Torchwood and The Sarah Jane Adventures, Murray Gold has enjoyed a creatively rewarding career scoring an eclectic mix of TV productions, including both seasons of the original British […]
Return to: Home / Exclusive Interviews & Profiles / Composers . Unlike John Frizzell’s prior horror scores for Dark Castle ‘s graphic Thirte3n Ghosts and Ghost Ship (2002), The Reaping is a major shift in pacing and style, and is less overtly infused with experimental concepts and harsh, bristling cues. In our discussion we touch upon aspects and […]
Return to: Home / Exclusive Interviews & Profiles / Composers . The Woods is John Frizzell’s latest horror score, and in this conversational interview, the composer discusses the unique relationship between experimental composition and the sounds that consistently make us uneasy, paranoid, or have us turning on all the lights when watching a horror film. Frizzell’s large-scale orchestral […]
Return to: Home / Exclusive Interviews & Profiles / Composers . Following the completion of the horror film Stay Alive, John Frizzell shifted from that score’s more experimental,aleatoric style to a fusion of more accessible action-suspense music for Primeval. Like his prior scores, however, nothing’s conventional in John Frizzell’s latest score, which incorporates traditional African music supervised & […]
Return to: Home / Exclusive Interviews & Profiles / Composers . For his feature film directorial debut, Scott Stewart hired John Frizzell to compose the music for Legion (2010), and while it’s ostensibly a theological thriller, the music goes against the grain and contains few of the familiar stylistic approaches of the sub-genre. There are chorales and a […]
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