Tag: Brian Reitzell

Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)

Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com

Gothic Steele: An Angel for Satan (1966)

Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films

Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream

Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)

ArtScopeTO 10: Interview with Abstract Painter Donna Wise

For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.

Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)

Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.

Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner

Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.

DVD: Last Night (1998)

Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.

BR: Angel for Satan, An / Un angelo per Satana (1966)

Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…

BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)

Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…

BR: No One Heard the Scream / Nadie oyó gritar (1973)

After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…

DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)

Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…