It’s Intrigue and Adventure Time with Carol Reed & Graham Greene’s Our Man in Havana (1959) on Blu from Twilight Time + Allan Dwan’s Escape to Burma (1955) and Jacques Tourneur’s Appointment in Honduras (1953) in a VCI RKO-themed double-bill!
A bone-dry dark comedy, Graham Greene’s screen adaptation of his 1958 novel also gave director Carol Reed an opportunity to show he possessed a wicked sense of humour, riffing some of the stylistic elements from The Third Man (1949) and walking a fine line between comedy, satire, and genuine drama…
Review of Carol Reed’s classic adaptation of Lionel Bart’s musical Oliver! (1968) from Twilight Time + plus some news about upcoming podcasts at KQEK.com.
Featuring music and lyrics by Lionel Bart, Oliver! debuted in 1960 before moving from Britain to the States in 1962, where it was frequently revived for audiences never tiring of its popular songs. Bart’s lyrics are extremely witty, and many of the songs became pop culture classics…
Reviews of two films starring Jessie Matthews, a huge star in Britain during the 1930s: Climbing High (1938), a British take on the American screwball comedy directed by Carol Reed (!) released on DVD by VCI, and the forgotten gem Firday the Thirteenth (1933), available from Archive.org.
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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