One could present a fair argument that this film version of Jean-Patrick Manchette’s novel The Prone Gunman is a film noir veiled in a series of extended action montages, mostly because its leading character, a sniper named Terrier is a ‘dogged’ figure whose past comes to bite him in the ass, and mandates fast action and revenge…
Reviews of three striking soundtracks: Timo Chen’s beautiful Advantageous (Good Neighbors Media), and John Paesano’s The Maze Runner: Scorch Trials and Marco Beltrami / Philip Glass’s Fantastic Four (both from Sony).
The question certainly begs, seeing the names of Philip Glass and Marco Beltrami attached to a comic book action film: What the heck does a score sound like when the two composers come from very different generational backgrounds?
Soundtrack reviews of Nima Fakhrara’s The Signal and Marco Beltrami’s Snowpiercer (both from Varese Sarabande) + Ceiri Torjussen’s Test (MovieScore Media) and Jeff Grace’s Hellbenders (Screamworks).
In a weird quirk of fate, Snowpiercer is another epic post-apocalyptic tale scored by Marco Beltrami in which a major creative force on the producing end felt the film needed some ‘fixing,’ but unlike WWZ (2013), Joon-ho Bong’s film…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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