Woody Allen’s reteaming with Take the Money and Run (1969) co-writer Mickey Rose struck pure gold in this poke at contemporary politics in which a moron becomes the leader of a South American country after it undergoes a Cuba-like revolution…
Reviews of two classic films on Blu featuring standout performances by Burt Lancaster: John Frankenheimer’s Birdman of Alcatraz (Twilight Time) + Frank Perry’s The Swimmer (Grindhouse Releasing).
More than 20 years after the release of Frank and Eleanor Perry’s adaptation of John Cheever’s short story, Burt Lancaster was asked by an audience member during the taping of a Phil Donahue talk show of his thoughts on the film. The imposing actor paused for a moment, long enough for a smile to emerge, and he responded by saying he knew the film wasn’t going to be a box office, and yet it remained a special film…
When a highly reluctant Robert Redford finally buckled under Sydney Pollack’s pleading and agreed to co-star with Barbara Streisand in The Way We Were, the actor probably assumed the film wouldn’t do little more than maybe nudge his marquee status, given his role consisted of a pretty boy to whom writing comes easy, and life’s conflicts are never truly dire…
Just uploaded: soundtrack reviews for Lalo Schifrin’s The Liquidator (FSM), Fred Katz’ The Little Shop of Horrors (Krizterland), Michael Small’s The Postman Always Rings Twice (Intrada), and from La-La Land Records comes Henry Mancini’s Mommie Dearest and Jerry Goldsmith’s Warning Shot (finally!).
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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