We Come As Profiteers: Hubert Sauper’s Grim African Diptych
Reviews of Hubert Sauper’s Darwin’s Nightmare (2007) and his latest work, We Come As Friends (2014), which screened recently at the Bloor Hot Docs Cinema.
Reviews of Hubert Sauper’s Darwin’s Nightmare (2007) and his latest work, We Come As Friends (2014), which screened recently at the Bloor Hot Docs Cinema.
Hubert Sauper’s We Come as Friends shares the same anti-colonial, utterly grim tenor as his Oscar-Nominated Darwin’s Nightmare (2004), an equally outstanding documentary where a swathe of African culture has been clobbered by the vestiges of European colonial powers, and levels of corruption guarantee the average citizen is effective fucked for generations…
Connect