Happy April Fool’s and all that nonsense. Uploaded is a review of Caroline Bacle’s Lost Rivers (2012), a timely film about the status of buried rivers and tributatries in major industrialized cities like Toronto. Tied to the review are excerpts from a post-screening audience Q&A with producer Katarina Soukup and Lost Rivers Toronto founder Helen Mills.
After enjoying exposure on TV and home video throughout Europe, Season 1 of Denmark’s next great TV series – Borgen – finally arrives on home video, via Mhz Networks. The review’s up, but take a peek at the Editor’s Blog for some fawning blather.
Derek Flint returns in swanky HD via Twilight Time’s Blu-ray edition of In Like Flint, with all the key extras from the Ultimate Flint DVD set plus Jerry Goldsmith’s score isolated in uncompressed stereo.
Just uploaded is a podcast with composer John Debney, wherein we discuss his latest score for director Brad Anderson, The Call. In addition to a review of Lakeshore’s soundtrack album, I’ve added related reviews of Debney’s Dream House (Varese), La-La Land’s Jennifer 8 featuring Christopher Young’s score + Maurice Jarre’s rejected score, and an expanded review of Dana Kaproff’s When a Stranger Calls (Krizterland), which I previously covered in an issue of Rue Morgue magazine.
A review of Twilight Time’s swanky Blu-ray of Derek Flint’s first film adventure, Our Man Flint (1966), is up, with In Like Flint (1967) to follow this weekend.
Connect