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Eros V: Farewells & What-the-Hells

Eros V: Farewells & What-the-Hells

September 23, 2011 | By

In Part 5, the magnifying glass of deep critical scrutiny is on Christina Lindberg’s last major screen role in Wide Open / Sängkamrater (Impulse Pictures), and Salvatore Bugnatelli’s clunky, trippy Sex, Demons and Death / Diabolicamente… Letizia (One 7 Movies) where the world’s most voluptuous teen is bent on destroying her aunt & uncle’s harmonious household.

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Screenwriter William Rose: Part I

Screenwriter William Rose: Part I

September 19, 2011 | By

Reviews of 3 films written by William Rose: The Flim-Flam Man (Twilight Time), It’s a Mad, Mad, Mad, Mad World (MGM), and Genevieve (VCI), plus quick thoughts on the current restoration of the Cinerama catalogue for theatrical and home video.

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Screenwriter William Rose: Part I

Screenwriter William Rose: Part I

September 19, 2011 | By

Reviews of 3 films written by William Rose: The Flim-Flam Man (Twilight Time), It’s a Mad, Mad, Mad, Mad World (MGM), and Genevieve (VCI), plus quick thoughts on the current restoration of the Cinerama catalogue for theatrical and home video.

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American Porn Tales I: Meet Monica Velour

American Porn Tales I: Meet Monica Velour

September 16, 2011 | By

Editor’s Blog on Meet Monica Velour (Anchor Bay), and vanilla filmmaker fascination with porn figures in American film, plus Brian Dennehy in Toronto this month, and compatibility issues with Anchor Bay Blu-rays + LG players.

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Eros IV: Tinto Brass in HD

Eros IV: Tinto Brass in HD

September 8, 2011 | By

Editor’s Blog on Tinto Brass’ recent crossover from film to High-Def, via Cult Epics’ new 2-disc Blu-ray edition of Monamour (2005), and his recent HD short Kick the Cock (2009), starring (and written by) model Angelita Franco. Does the world need to see further details of deltan and back-door hair? That’s up to his fan base, but as a filmmaker expertly versed in compositon and montage, his first effort in HD shows Brass has the ability to transgress between formats, with 3D rumored to be be in his sightlines.

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