A quartet of western soundtrack reviews featuring Jerry Goldsmith’s Stagecoach (1966) and Rio Lobo (La-La Land), Lalo Schifrin’s Coogan’s Bluff (Intrada), and Luis Bacalov’s A Man Called Noon and The Grand Duel (Quartet Records), the latter of which was a major sonic element in Quentin Tarantino’s Kill Bill: Vol. 1. Also: some Peter Collinson news + details of Olive’s DVD-only edition of Cecil B. DeMille’s Samson and Delilah (1949).
Just uploaded is a review of Mark Cousins’ 15-hour monster documentary on the history of film outside of Hollywood, originally broadcast on Britain’s Channel 4, and recently released by Alliance on DVD.
Just uploaded is a review of Mark Cousins’ 15-hour monster documentary on the history of film outside of Hollywood, originally broadcast on Britain’s Channel 4, and recently released by Alliance on DVD.
Yes, it’s Family Day, that elitist holiday that doesn’t guarantee a day off for the eloctorate at large, except those under the provincial and banking employ. On this otherwise standard working day for regular stiffs, I’ve uploaded a long and windy review of Blake Edwards’ underrated suspense classic Experiment in Terror (1962), newly released by Twilight Time in Blu-ray, sporting a clean stereo isolated score track of Henry Mancini’s excellent music.
Yes, it’s Family Day, that elitist holiday that doesn’t guarantee a day off for the eloctorate at large, except those under the provincial and banking employ. On this otherwise standard working day for regular stiffs, I’ve uploaded a long and windy review of Blake Edwards’ underrated suspense classic Experiment in Terror (1962), newly released by Twilight Time in Blu-ray, sporting a clean stereo isolated score track of Henry Mancini’s excellent music.
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