Return to: Home / Soundtrack Reviews / D . Rating: Excellent Label: Silva Screen / Released:September 9, 2013 Tracks & Album Length: CD1: 37 tracks + CD2: 37 tracks (2 hrs 25 mins) . Special Notes: Digital and CD releases, plus limited gatefold packaging (5000 copies). . Composer: Murray Gold . . Review: Silva 2-disc set […]
Return to: Home / Soundtrack Reviews / D . Rating: Excellent Label: Silva Screen Records / Released: November 5, 2013 Tracks & Album Length: 27 tracks / 32 tracks / (66:46) . Special Notes: (none) . Composer: Murray Gold . . Review: For this seasonal themed two-episode Doctor Who collection, Murray Gold’s palette is orchestral with lovely vocals […]
Just uploaded is a quartet of reviews for ongoing (and likely eternal) franchises: Doctor Who continues to steam through new seasons, and Silva Screen’s latest release features 2+ hours of Murray Gold’s music from Season 6 [M]. Also from Silva is music from Sherlock: Season 1 [M], composed by David Arnold and Michael Price, who […]
Return to: Home / Soundtrack Reviews / D . Rating: Excellent Label: Silva Screen/ Released: December 19, 2011 Tracks & Album Length: CD1: 31 tracks / (68:20) + CD2: 35 tracks / (74:07) . Special Notes: 12-page colour booklet with episode & suite sketches by composer Murray Gold.. . Composer: Murray Gold . . Review: Perhaps the […]
BAFTA and Grammy Winners, plus soundtrack reviews of Murray Gold’s Doctor Who: Series 5 (Silva Screen), and from La-La Land Records’ Cliff Martinez’ Solaris, John Morris’ Haunted Honeymoon, and Christopher Young’s Haunted Summer…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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